Tales of the Night

Ocelot's toons have always had the unfamiliar (African) imagery working for them. Their naive plot lines have been both an attraction and a limitation.

This episode film, framed with sessions in the re-voicing studio - where an owl is perched on the desk - are not a step towards more traditional work.

The recognisable Ocelot style is here mixed with a bit of Lotte Reiniger and boosted by a fascinating use of Three D, which spaces the arms and eyes of the outline crowd at different distances from the viewer, among other effects. Was it ever shown anywhere else but the Paris Champs Elysses that way? Whether the makers can take this style further and how it will go down with the tot audiences, I've seen cheer the Kirikou films, has yet to be seen.

Tales of the Night is a 2011 French computer silhouette animation feature film directed by Michel Ocelot. I didn't see it in its 3D theatrical release... so no comment on that. A girl, a boy and an old cinema technician create stories using a machine. They then perform each story. The six stories are all clunky dialog clunky world culture tales.

I likes some of the stories more than others. But for better or worst, they have the feeling of unsophisticated old fairy tales. The gimmick of the old cinema machine to lead into each story just isn't worth the time. And I have to say it diminishes the stories if they just make it up. It'd be better if they made it as some kind of cultural discovery like the Grimm brothers. The style of animation also don't give the facial expressions needed for emotional depths. But it gets some cool points and fits the simplistic stories.

I seriously have no idea why this was "made" 3-D. There was not real depth behind it (and I'm not even talking that much about character depth, though it is missing a bit too). While your imagination may be having a real hoot with this, your senses may tell you otherwise.

The story as it is, isn't that inventive either. It is nice and you can follow it pretty easy, but there is nothing special about the stories (3-D and animation aside that is, though as said, especially the former isn't really working on any level, no pun intended). I wonder what kids will think of this. Because they might be the main target audience for this. But I couldn't tell if this works for them ...

Nice framing story of an old man and two younger aspiring directors who get together in an abandoned Parisian cinema to brainstorm and create. Interestingly, the creative process is not entirely clear: Are the two children acting? Providing a model for the old man to animate? Regardless, the six stories all transpire in "exotic" locales (including medieval Europe), which appealed a lot to my kids. We've now watched it twice, and they loved it both times. The silhouette animation, with its rich colors, is beautiful and surprisingly complex. Sienna's favorite story was the Aztec-inspired City of Gold and its snake protector/attacker, Sebastian's was the Tibetan story of the talking horse and the boy who never lied, and mine was the wizard and the architect's son.

I think this is a great animated film in terms of style. My six-year old son loved the film and watched it three times within one week, but I was having trouble getting through it just the one time. I think my Cason loved the style of animation since it reminded him so much h of puppetry arts techniques (which he loves) and the fact that each segment is like a different mini story. It's a film I'm willing to give another chance in another couple of years.