The rivalry between the manipulative boss of an advertising agency and her talented protégée escalates from stealing credit to public humiliation to murder.The rivalry between the manipulative boss of an advertising agency and her talented protégée escalates from stealing credit to public humiliation to murder.The rivalry between the manipulative boss of an advertising agency and her talented protégée escalates from stealing credit to public humiliation to murder.
- Awards
- 3 nominations total
Gernot Alwin Kunert
- Lab Technician
- (as Gernot Kunert)
Featured reviews
DePalma must have made this on a lark as it was pretty weak. Some of the shots are stellar, classic Depalma, especially with the use of streaks of bright color on Christine and some of the angles and hard shadows. The casting of Rachael McAdams as Christine was a huge mistake as it is impossible for anyone who saw the original Love Crimes to not compare her to the French Christine. McAdams' character was too young and girly, lacking the poise, command and sophistication required for a person in a position of Christine's. This movie moved too fast and did not explore the psychology of the characters with the necessary patience nor did it pace the plot properly. Noomi Rapace was good, but this is no surprise. Do yourself a favor and see the original, as the acting is far more superb, and it is casted and paced much better. It will not be ruined one bit by seeing Passion beforehand.
I had grown disappointed with Brian DePalma throughout the 1990s and 2000s. The man who gave us "Phantom of the Paradise", "Carrie", "Dressed to Kill", "Scarface" and "Carlito's Way"* suddenly turned to overblown stuff like "Mission: Impossible", "Snake Eyes" and "The Black Dahlia". So it's a little bit of a treat to see "Passion". It's not as good as his early work, but the tension between the main characters is definitely what I hope for in one of his movies. In fact, DePalma tricks the audience by getting them to think that it's a clash-of-egos story...before the real plot line sets in. Far from her perky roles in previous movies, Rachel McAdams plays a scary executive. The viewer practically wishes for Noomi Rapace's character to do something nasty.
Basically, "Passion" has a hint of what usually made DePalma's movies good. It's probably not going to be for everyone, but I liked it.
*For the record, I didn't think that "Bonfire of the Vanities" was that bad.
Basically, "Passion" has a hint of what usually made DePalma's movies good. It's probably not going to be for everyone, but I liked it.
*For the record, I didn't think that "Bonfire of the Vanities" was that bad.
This is just an OK film which means it's a bit disappointing from a director who has a reputation. It works as a - not very thrilling - thriller, and Noomi Rapace does a good performance. Plus the film delivers some intense scenes and good photography in front of very cool, emotionally empty sets.
What doesn't work so good: It starts as a kind of 21st century version of an 80s erotic thriller, but never gets erotic. In fact, the title is ridiculous, because it never even gets passionate - everybody tries to be in control and nothing happens instinctively or out of reflex. (The slow, controlled ballet sequence strengthens this impression). Also, Rachel McAdams is good at bitchy, but I couldn't believe in her as a tough enterprise lady. And finally, the twist, when it finally came, was exactly what was hinted at ...
What doesn't work so good: It starts as a kind of 21st century version of an 80s erotic thriller, but never gets erotic. In fact, the title is ridiculous, because it never even gets passionate - everybody tries to be in control and nothing happens instinctively or out of reflex. (The slow, controlled ballet sequence strengthens this impression). Also, Rachel McAdams is good at bitchy, but I couldn't believe in her as a tough enterprise lady. And finally, the twist, when it finally came, was exactly what was hinted at ...
Watchable De Palma time killer that borrows heavily from the director's earlier works...which in turn borrowed heavily from Alfred Hitchcock. Whole lot of borrowing going on. Still, that has little to do with judging how entertaining the film is and more about judging its artistic value.
My first impression of Rachel McAdams is that she was miscast but I accepted her more as the film goes on. Noomi Rapace is fine. I assume both women were intentionally directed to act in a somewhat peculiar manner by De Palma. It bears pointing out for those misled by the poster, trailer, or press for this film that it's not really the sexy lesbian thriller it's made out to be. That stuff only plays a peripheral role in the film and you never get any particularly sexy scenes between McAdams and Rapace as one might be led to believe by the marketing.
Still, it's an entertaining enough movie. Not De Palma's best but far better than his last two films.
My first impression of Rachel McAdams is that she was miscast but I accepted her more as the film goes on. Noomi Rapace is fine. I assume both women were intentionally directed to act in a somewhat peculiar manner by De Palma. It bears pointing out for those misled by the poster, trailer, or press for this film that it's not really the sexy lesbian thriller it's made out to be. That stuff only plays a peripheral role in the film and you never get any particularly sexy scenes between McAdams and Rapace as one might be led to believe by the marketing.
Still, it's an entertaining enough movie. Not De Palma's best but far better than his last two films.
"Passion" was not as good as the original "Love Crime" movie. The story was the same but "Passion" added some surrealistic touches that really made no sense. The original "Love Crime" starred Kristin Scott Thomas and Ludivine Sagnier playing the roles that Rachel McAdams and Noomi Rapace reenacted in "Passion". Ms. Thomas was believable as a glamorous cut-throat executive where Rachel McAdams seemed like a high school mean girl in comparison. Noomi Rapace was decent playing the Ludivine Sagnier role, in fact maybe a bit more believable, though not as much of a babe. I never got into the story that Rachel McAdams was anything but a catty girl, not some powerful executive. Maybe it was because the age difference between the executive and the assistant was greater in "Love Crime". Much of the dialog in "Passion" was stilted and flat. The story by itself was powerful but the telling of it in "Passion" seemed so amateurish, as if there was no confidence that the story could hold the audience's attention so other aspects had to be added to improve it. Those added touches made no sense and the ending was just confusing. "Love Crimes" told the story straight out and the performances held it together. I wanted so much to like "Passion" and in the end I was disappointed. "Love Crime" was a far superior movie. I rate "Passion" a 5; "Love Crime" an 8.
Did you know
- TriviaThis is a remake of the French film Love Crime (2010), directed by Alain Corneau, who died the same year this film was released.
- GoofsExterior shot supposedly in London - see the double-decker bus - except the vehicles are driving on the wrong side of the road. The scene was actually shot in Berlin, Germany.
- Quotes
Isabelle James: What do you want?
Christine Stanford: I used to want to be admired.
Isabelle James: I admire you.
Christine Stanford: Well, now I want to be loved.
- Crazy creditsIn the copyright notice at the end, the proper nouns "European" and "United States of America" are all lower case, rather than with initial capital letters.
- ConnectionsFeatured in The Making of 'Passion' (2013)
- SoundtracksProgrammed
Written by Dave Pen (as D. Penney), Darius Keeler (as D. Keeler), Danny Griffiths (as D. Griffiths) and Mickey Hurcombe (as M. Hurcombe)
Performed by Archive
© Fintage Publishing
(p) 2006 Archive
Courtesy of Fintage Publishing and WARNER MUSIC
A Warner Music Group Company
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Pasión, un asesinato perfecto
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $92,181
- Opening weekend US & Canada
- $33,400
- Sep 1, 2013
- Gross worldwide
- $713,616
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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