Berberian Sound Studio

This is a movie that seems to have no purpose. The way that the sound effects were generated in the film is mildly interesting, and the xenophobia that the main character experienced made me believe that the storyline would go somewhere. However, this was not the case. Sitting through this, I found it hard to understand why the actors were even drawn to the material; it is so uninteresting. Technically the film has its merits, and it might be relevant for someone who has worked as a sound effects technician and editor in movies, but for the general population it is probably a waste of time. I know that it contains references to Italian horror movies of the 70's and 80's, but so what? My advice is to stay away.

'Berberian Sound Studio (2012)' is essentially an arty ode to cinematic sound design, focusing on a mousy sound technician who begins working on an incredibly violent 'Giallo' film and finds himself increasingly disturbed by it. You don't actually see any of the film-within-a-film except for its opening credits, with the sounds created by the characters being the only indication (as well as some brief verbal descriptions) of what's going on in each scene. It works surprisingly well, conveying the brutality of the piece without portraying even a single drop of blood. The picture itself has phenomenal sound design, the kind that can make even the simplest of things seem entirely otherworldly. It's often used to create a creepy atmosphere where something just doesn't quite sit right and it works wonders. Where the film sort of falls down a bit is in its ending, which is a little underwhelming and kind of makes the movie feel as though it lacks an actual point. Still, the third act is suitably strange and the way in which the very fabric of the film itself starts to unravel is actually rather riveting. Ultimately, this is an exercise in style over substance. Thankfully, that style is superb. 7/10.

There is a pressure associated with watching a film considered one of the best of its year; there is of course pressure on the film to live up to the hype but when it comes to smaller films such as this one then there is a certain amount of pressure on the viewer to be part of the people who "get it" and not one of the dullards who should just stick to blockbusters. Of course this is message board talk but it exists in the mind too and for sure I came to this film wanting to come out praising it. Indeed I felt this to the point that even as it ended I felt like I should have enjoyed it more and thus started to rationalize myself towards that position, but it isn't the case because while I appreciated aspects of this film, generally I found it pretty dull and lacking a sharp edge.

The plot is that a British sound engineer comes to Italy for a project and finds himself doing ADR and Foley for a film containing a lot of graphic violence; as he works he finds his grip on his sense slipping, with his days spent not understanding what is being said around him and acting out violent acts on vegetables while watching women be brutalized on film over and over again. The concept I am fine with and I liked the ideas in the plot of exposure to this material having an impact and I even enjoyed the slow burn of the horror, but it slow burnt its whole way to the end and really didn't deliver too much. It has some nice touches as the plot develops but the "inside a movie" thing feels trite and isn't developed enough here to stand up on its own. I was drawn into the built but then surprised by how little delivery there was at the other end.

Of course the one thing the film does great is the sound engineering. As my partner was studying upstairs, I watched this through a very good set of headphones and it added a lot to the film to be so immersed in the audio aspect. The violence of the sounds and the persistence of them is very engaging and involving, just as it is for the main character, although the screaming gets very old very quickly. The decision to have the majority of the dialogue in Italian without subtitles was an interesting one which cuts both ways; on one hand it disorientates the viewer as it does the main character, but then it does put more pressure on the feel of the film – which then doesn't deliver. The cast are solid, with Jones in good form throughout.

I did want to like it more than I did but while the sound and the slow burn pacing is engaging, it goes on too long and doesn't have enough in the way of development of delivery to really payoff at the end. Trust me, I wanted to go with the majority on this and be seen as one of the cool kids, but it really only worked for me up to a point.

Having watched "In Fabric" from this director, before this previous (and more famous) incursion in the horror genre, it's easy to see a pattern: both in the homage to the greatest period of Italian horror films and in a kind of surrealistic and experimental narration (even more prominent in this film). But, in the same way that happened to me with "In Fabric", it doesn't completely reach me, even when I find the proposition incredibly attractive. Both movies are beautiful and kind of mesmerising, but the director also tends to feel self-absorbed in his own creation at times and lose focus. But it's a very different film and a love letter to the art of making movies.

I recall watching this in the cinema and enjoying it but a re-watch seemed to catch me unawares. Maybe it was the mood I was in but this time instead of being an interesting backroom take on my beloved gallo films it seemed a much more sinister affair. How could I not have noticed the first time how unpleasant it is, how nasty everyone seems to be and how alienating it all is? A powerful film, set almost exclusively in a sound studio, purportedly in Italy, though actually the nearby Three Mills Island set up. Almost everything I remember finding intriguing, this time took on a much more malevolent tone. The screaming ladies who can't get the right scream, the smashing of the vegetables, the switching between languages, the unfriendly 'friendly' intimacies, and the undertones of there being something rotten (apart from the decaying vegetables) within Italian society, at the time. A unique film but an uncomfortable watch.