IMDb RATING
6.4/10
11K
YOUR RATING
A group of slackers face an army of zombies. The Cuban government and media claim the living dead are dissidents revolting against the government.A group of slackers face an army of zombies. The Cuban government and media claim the living dead are dissidents revolting against the government.A group of slackers face an army of zombies. The Cuban government and media claim the living dead are dissidents revolting against the government.
- Director
- Writer
- Stars
- Awards
- 8 wins & 5 nominations total
Juan Miguel Más
- Mario
- (as Juan Miguel Mas)
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- Writer
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The movie tries to combine serious matters (of political nature and I'm guessing there are even more stabs at the current political situation hidden in the dialogue if you understand it), with some very silly antics (almost slapstick territory). The lead actor will not be to everyones taste and the obvious comparisons to Shaun (of the dead) might do the movie more harm than good. But this is still a very decent effort/stab at comedy zombie movie.
I liked the performances and quite a few of the bits (and pieces, if you'll excuse the pun) in the movie. One particular "dance" scene was quite nice. Also the very first encounter of Juan and ... the other "group" (as named in the title) is quite funny (at least I thought/felt so). It might be uneven at times, but it's a fun ride that you can enjoy
I liked the performances and quite a few of the bits (and pieces, if you'll excuse the pun) in the movie. One particular "dance" scene was quite nice. Also the very first encounter of Juan and ... the other "group" (as named in the title) is quite funny (at least I thought/felt so). It might be uneven at times, but it's a fun ride that you can enjoy
It probably helps to have a degree of familiarity with the troubled socio-political landscape of Cuba to fully appreciate certain aspects of zombie comedy Juan of the Dead, but even if, like me, you don't know your Castro from your Che Guevara, this neat little flick still packs enough decent laughs and scares to make it a fun time for fans of the living dead.
Juan of the Dead's strongest suit is its disparate cast of somewhat shady characters who still manage to be an extremely amiable bunch despite their dubious morality and, in some cases, a general lack of compassion for fellow human beings. The film also benefits greatly from lots of frenetic zombie killing (enhanced by impressive practical and CGI special effects), several outstandingly funny moments that thankfully require no knowledge of Cuba's complex history (the funniest being a 'touching' rooftop scene between Juan and and his 'dying' friend Lazaro), some cool visuals (an underwater shot of zombies on the seabed being my favourite) and a hot heroine in the form of Juan's sexy daughter Camila (Andrea Duro).
The plot might not be anything particularly memorable, offering up the usual gruesome encounters between the living and the flesh-eaters, with the survivors' number steadily dwindling as a result, but it is refreshing enough in its execution to definitely warrant a watch.
6.5 out of 10, rounded up to 7 for the awesome harpoon and cable mass zombie slaughter scene.
Juan of the Dead's strongest suit is its disparate cast of somewhat shady characters who still manage to be an extremely amiable bunch despite their dubious morality and, in some cases, a general lack of compassion for fellow human beings. The film also benefits greatly from lots of frenetic zombie killing (enhanced by impressive practical and CGI special effects), several outstandingly funny moments that thankfully require no knowledge of Cuba's complex history (the funniest being a 'touching' rooftop scene between Juan and and his 'dying' friend Lazaro), some cool visuals (an underwater shot of zombies on the seabed being my favourite) and a hot heroine in the form of Juan's sexy daughter Camila (Andrea Duro).
The plot might not be anything particularly memorable, offering up the usual gruesome encounters between the living and the flesh-eaters, with the survivors' number steadily dwindling as a result, but it is refreshing enough in its execution to definitely warrant a watch.
6.5 out of 10, rounded up to 7 for the awesome harpoon and cable mass zombie slaughter scene.
The Cuban / Spanish production "Juan de los Muertos" is one of those pleasant surprises every day more difficult to find in the entertainment world. For those familiar with the Cuban regime and people, the movie is a very hard critic to both. In fact it seems the movie was only show on cinema festival but was never released in Cuba. For the rest, this is "SHAWN OF THE DEAD" style comedy / satire with some elaborated special effects and surprising production and technical values. Without any explanation Zombies appears in La Habana, Cuba and start eating people. Juan, a lazy fisherman; a "survivor" on his own words finds a way to make money, charging people to kill next of kin that became undead. With the help of his best friend and son, his daughter and a gay couple start a business called "JUAN DE LOS MUERTOS" or "JUAN OF THE DEAD". Obviously things get more complicated than them or the Cuban government expect. The language could be a limitation for not Spanish speakers; some puns are almost impossible to translate; even worse not knowing Cuban idiosyncrasy. In one of the most celebrated jokes, Juan is asked to kill a cow but he refuses because it is too dangerous. In Cuba killing a cow is worse crime than killing people. The other problem with the movie is that attempting to mock every dramatic cliché in movies (like daughter hating father, friend about to die, farewell , even MATRIX style fights) drags the pace down for some moments. Behind the comedy there is serious critic to the Cuban regime (the zombies are call "DISSIDENTS" , the news are always accusing USA of an attack and stating that everything is controlled even when nothing is being done). However the worst criticism goes to the Cuban society main defects; their selfishness (nobody helps anybody and less for free), their arrogance ("we are invincible" is stated many times), laziness and lack of interest in fighting (let's take a boat and move to Miami seems to be the only solution). In brief; if you are Cuban or with Latin roots; you must see it; if you are not, give it a try; will not be disappointed.
I didn't know anything about this film going in to see it, and was very impressed! I'll hold my hand up to being very unfamiliar with Cuban cinema, but horror and zombies especially are my thing. However, in general, me and comedy-horror have had a somewhat checkered past. This film, however, works very well and on a few different levels: Being a ZomCom, the comedy violence works well and isn't overplayed; the characters are parodies of what you'd expect, but again only taken as far as the tone of the film would allow; and as for tone, its where this film really comes into its own and makes it well worth seeing, elevating it above the status of most mid-budget horror. The political overtones are just that, and are meant to be taken as very obvious and tongue-in-cheek, and play well with the general idea that the characters know they are being lied to by the government and just play along, and for the audience it's made quite clear that any political subtext is not meant to override the point of the film as mostly a bit of a laugh. The scatological humour is not frequent but is there and can be taken or left depending on your personal tastes, but some of the jokes are genuinely funny and work well, and the interplay of the two male leads is very similar to Frost/Pegg in it's chummy familiarity and is something that hangs the whole films together nicely. The feel of the movie is very interesting, with a good mix of a Dawn of the Dead (remake) apocalyptic desolation, with Spaghetti Western styling, against a backdrop of 50s styling in both scenery (as you'd expect in Cuba), but also 40s and 50s farce in several places. Alexis Díaz de Villegas plays the everyman hero excellently, and with a style that reminds me of some of the world-weary yet streetwise heroes you might have previously seen in older cinema. Think Charlie Croaker in Italian Job (the original, of course). I wouldn't be surprised to see him crop up again in Western-released films before too long! All in all, it mixes to make a very original-feeling zombie movie and totally worth watching.
Burdened only by a cheesy name, Juan of the Dead is zombiepocalpyse gold. When zombies infest Cuba, Juan, Lazaro, and company see a business opportunity. To give you an idea, Juan answers the phone, "Juan of the dead, we kill your loved ones." For squeamish people like me, rest assured that the zombie violence is comically creative instead of gruesome. Two words: flatbed truck. If for no other reason, see the movie for that HILARIOUS scene. The legitimately funny, light social commentary of Cuban lifestyle is unexpected and makes this movie special. Zombie-run public transportation is "no different than usual," and there are constant cracks about rafting to Miami, but "only as a last resort." The lead actor Alexis Diaz de Villegas oozes charisma and charmed me in the first five minutes. If you're a fan of how Dawn of the Dead mixes zombies and politics, definitely check out this movie.
Hispanic and Latin American Horror Movies
Hispanic and Latin American Horror Movies
Some of the best horror films of the 21st century have been from Latin America and Spanish speaking countries, including classics The Orphanage, When Evil Lurks, and more.
Did you know
- TriviaThe testicle scene between Lázaro and his son is not a "natural occurrence". Lázaro's bits are made from plastic.
- Crazy creditsWe see Juan fighting zombies on the dock, except that it's animated to look like a graphic novel.
- ConnectionsFeatured in Midnight Movie Review: The Night of Terror 2012 (2012)
- SoundtracksMy Way
(Comme d'Habitude)
Music by Claude François and Jacques Revaux
French lyrics by Gilles Thibaut
English lyrics by Paul Anka
Copyright by Warner Chappell Music France / Jean Musique
© 1968 Warner Chappell Music France, Jeune Musique Edition Sarl.
Bajo licencia de Sony/ATV Music Publishing (Spain) LLC S. en C.
Performed by Sid Vicious
(P) 1978 The copyright in this sound recording is owned by The Sex Pistols Residuals under exclusive license to Virgin Records Ltd
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Details
Box office
- Gross US & Canada
- $18,000
- Opening weekend US & Canada
- $12,000
- Mar 18, 2012
- Gross worldwide
- $324,834
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.85 : 1
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