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5.5/10
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Struggling Bronx mechanic Jaden Miller uses boxing to save himself and his mother from being homeless. With a legendary trainer, and a reality show built around him, Miller goes for the titl... Read allStruggling Bronx mechanic Jaden Miller uses boxing to save himself and his mother from being homeless. With a legendary trainer, and a reality show built around him, Miller goes for the title.Struggling Bronx mechanic Jaden Miller uses boxing to save himself and his mother from being homeless. With a legendary trainer, and a reality show built around him, Miller goes for the title.
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Jaden Miller (Kent Moran) is a mechanic who lives in the Bronxs with his mother Jada (S. Epatha Merkerson). Both Jaden and his mother have little money and are faced with the threat of eviction, but Jaden sees an opportunity to rid his family of their financial woes and decides to take up boxing. Jaden strikes up a friendship with Duane (Michael Clarke Duncan) a boxing coach who refuses to train 'rookies'. Duane is initially cynical of Jaden, but when he witnesses Jaden's dedication and determination he continues coaching him all the way up to the top where Jaden eventually faces off against the world champion.
With The Challenger what you're basically seeing is another reworking of Rocky with Jaden going through the same basic motions; a rookie boxer working his way to the top and defying the odds by getting that elusive title shot. Anyone who has seen the Rocky films (or practically any boxing film) will have seen this all before and the picture really does offer no real surprises. Despite this though, I have to admit that I still found the film watchable and despite the predictable plot turns I still found the story to be fairly engaging. Moran's writing & directing is pretty good and the film is fairly balanced and well-paced.
One problem I did have with this film is that it is lacking in intensity; I quite liked this film, but it didn't stir up the same emotion in me as Rocky did or many other boxing themed films. I just didn't feel much passion for Jaden and his cause and for that reason I just couldn't get behind him and his cause as much as I should have done. In fact, when the film ended it's a film that I respected and admired, but could never really grow to love.
As Jaden's mother, Jada behaves in typical 'motherly fashion'. She's mortified about Jaden's new career choice and does her best to talk him out of it, but then when he's at the top she couldn't be more proud. This is nice to see (even if her sudden acceptance of him being a boxer seems a bit contrived). This is all OK, but Moran overdoes things in this respect by giving Duane and Jaden's mother a past - which is just manipulative and unnecessary and also the flashbacks when Jaden hits the canvas in his title match are examples of Moran trying too hard to force emotion onto his audience.
I've been quite harsh on this film, but in all honesty it really isn't that bad. The pacing is good and Moran's story is serviceable - the only part that I thought was a bit silly was when the crew were following Jaden around 'documentary style'. I can only assume that Moran introduced this into the story to inject some originality - it also seemed terribly convenient how quickly this aspect of the story was dropped as well. Moran's directing and writing are OK, but his acting wasn't great and he really should have given more of a heart to the picture. The Challenger is notable for being Michael Clarke Duncan's last film and in typical fashion the big man doesn't disgrace himself and puts in another solid performance.
RIP Michael Clarke Duncan.
With The Challenger what you're basically seeing is another reworking of Rocky with Jaden going through the same basic motions; a rookie boxer working his way to the top and defying the odds by getting that elusive title shot. Anyone who has seen the Rocky films (or practically any boxing film) will have seen this all before and the picture really does offer no real surprises. Despite this though, I have to admit that I still found the film watchable and despite the predictable plot turns I still found the story to be fairly engaging. Moran's writing & directing is pretty good and the film is fairly balanced and well-paced.
One problem I did have with this film is that it is lacking in intensity; I quite liked this film, but it didn't stir up the same emotion in me as Rocky did or many other boxing themed films. I just didn't feel much passion for Jaden and his cause and for that reason I just couldn't get behind him and his cause as much as I should have done. In fact, when the film ended it's a film that I respected and admired, but could never really grow to love.
As Jaden's mother, Jada behaves in typical 'motherly fashion'. She's mortified about Jaden's new career choice and does her best to talk him out of it, but then when he's at the top she couldn't be more proud. This is nice to see (even if her sudden acceptance of him being a boxer seems a bit contrived). This is all OK, but Moran overdoes things in this respect by giving Duane and Jaden's mother a past - which is just manipulative and unnecessary and also the flashbacks when Jaden hits the canvas in his title match are examples of Moran trying too hard to force emotion onto his audience.
I've been quite harsh on this film, but in all honesty it really isn't that bad. The pacing is good and Moran's story is serviceable - the only part that I thought was a bit silly was when the crew were following Jaden around 'documentary style'. I can only assume that Moran introduced this into the story to inject some originality - it also seemed terribly convenient how quickly this aspect of the story was dropped as well. Moran's directing and writing are OK, but his acting wasn't great and he really should have given more of a heart to the picture. The Challenger is notable for being Michael Clarke Duncan's last film and in typical fashion the big man doesn't disgrace himself and puts in another solid performance.
RIP Michael Clarke Duncan.
When Stallone did Rocky I, you would think from the hype at the time that he invented the boxing film.
No he did not. He re-invented it. Boxing films have been around forever and the first rule of a good boxing film is to connect with the audience by allowing them to "grow" with the protagonist, to improve from fight to fight.
And that was the first rule the producers broke.
Given the minimal amount of screen time alloted to the "early" fights for the protagonist/hero (in some cases just 2 seconds per fight) you may have thought that these were real cable fights where the producers did not have the rights to rebroadcast. But no this is a fiction film and they could have made those fights real. They did not.
Frankly, once you break that key rule, once you have no connection between star and viewer, there is no turning back.
But, almost out of perversity, the producers broke another rule and that amazes me. They cast two actors who look alike for both roles in the ring, hero and villain.
So, and I cannot emphasize the bizarreness of this enough, not only does the audience have no connection with the hero in the final fight, but sometimes you can't tell which actor is playing which role.
And the final rule? Good choreography in the fights. The audience should feel every punch. Here the audience only feels cheated.
A rarity. A boxing film that, like a bad boxer, starts out weak. And then just gets weaker.
Of course, the fact that the film is a "vanity" film -- the same guy is the writer director and star -- may be a factor. But what do I know -- I am just a reviewer.
Terrible film.
No he did not. He re-invented it. Boxing films have been around forever and the first rule of a good boxing film is to connect with the audience by allowing them to "grow" with the protagonist, to improve from fight to fight.
And that was the first rule the producers broke.
Given the minimal amount of screen time alloted to the "early" fights for the protagonist/hero (in some cases just 2 seconds per fight) you may have thought that these were real cable fights where the producers did not have the rights to rebroadcast. But no this is a fiction film and they could have made those fights real. They did not.
Frankly, once you break that key rule, once you have no connection between star and viewer, there is no turning back.
But, almost out of perversity, the producers broke another rule and that amazes me. They cast two actors who look alike for both roles in the ring, hero and villain.
So, and I cannot emphasize the bizarreness of this enough, not only does the audience have no connection with the hero in the final fight, but sometimes you can't tell which actor is playing which role.
And the final rule? Good choreography in the fights. The audience should feel every punch. Here the audience only feels cheated.
A rarity. A boxing film that, like a bad boxer, starts out weak. And then just gets weaker.
Of course, the fact that the film is a "vanity" film -- the same guy is the writer director and star -- may be a factor. But what do I know -- I am just a reviewer.
Terrible film.
Why would you cast the champion to look like a bigger version of the skinny young boxer? They looked so much alike I didn't know who was who unless they were together and you saw the 2 foot difference in height
Possibly the best part of this movie was the fact that Michael Clarke Duncan starred in it, three years after his death. The movie does showcase what a good man we lost.
Duncan plays a coach who sees potential in a poor kid from the Bronx who tries to fight his way out of his stereotypical life story.
Unfortunately, the timing of this movie stinks. Despite the fact that it was most likely made first, it's released after the far better South Paw, makes me think of it as a low budget South Paw.
What does set it apart from other boxing films is it's commentary on where boxing is today and what can be done to fix it, namely a Cable station wants to exploit the challenger with a reality show that leads up to his fight with the current heavy weight champ as to way to bring back the Heavy Weights that have been long gone since Tyson/Holyfeild.
The challenger has a lot to its story without being too overwhelming. Although the actors were not that convincing for me as even light Heavyweights, they all worked together well to give an emotional heart filled story.
The Best part of the boxing scenes is the advice the coaches would give the athletes in-between rounds. The focus on this, especially with Duncan's character is what the challenger brings to the table.
Not the best boxing movie I've seen but it works for me. R.I.P Michael Clarke Duncan.
Duncan plays a coach who sees potential in a poor kid from the Bronx who tries to fight his way out of his stereotypical life story.
Unfortunately, the timing of this movie stinks. Despite the fact that it was most likely made first, it's released after the far better South Paw, makes me think of it as a low budget South Paw.
What does set it apart from other boxing films is it's commentary on where boxing is today and what can be done to fix it, namely a Cable station wants to exploit the challenger with a reality show that leads up to his fight with the current heavy weight champ as to way to bring back the Heavy Weights that have been long gone since Tyson/Holyfeild.
The challenger has a lot to its story without being too overwhelming. Although the actors were not that convincing for me as even light Heavyweights, they all worked together well to give an emotional heart filled story.
The Best part of the boxing scenes is the advice the coaches would give the athletes in-between rounds. The focus on this, especially with Duncan's character is what the challenger brings to the table.
Not the best boxing movie I've seen but it works for me. R.I.P Michael Clarke Duncan.
A lot of shade was thrown on this film that's a bit over the top IMO. I'm not exactly sure who the target audience is for this film. Definitely not boxing aficionados who have already shared their lamentations. It's too gritty and violent for the Up! Family Network. The two main fighters are super good looking but neither of them were stalkers or were being stalked or lived a secret life or kidnapped anyone so Lifetime Movies is out. Here! would be interested if the two boxers were secret boyfriends but they weren't.
If you're all about the Bronx, love S. Empathy Merkerson from Law and Order, and miss Michael Clarke Duncan then give this film a chance. As of today it can be viewed on Prime for free if you are a member. I personally wouldn't pay to see this but your money is your business. 6 stars from me.
If you're all about the Bronx, love S. Empathy Merkerson from Law and Order, and miss Michael Clarke Duncan then give this film a chance. As of today it can be viewed on Prime for free if you are a member. I personally wouldn't pay to see this but your money is your business. 6 stars from me.
Did you know
- TriviaMichael Clarke Duncan's final film role. It was released three years after his death.
- ConnectionsReferences Fight of the Century (1971)
- How long is The Challenger?Powered by Alexa
Details
Box office
- Gross US & Canada
- $19,003
- Opening weekend US & Canada
- $12,246
- Sep 13, 2015
- Gross worldwide
- $19,003
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 1.85 : 1
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