Alexandra D'Artagnan, junior NSA officer, uncovers a plot to assasinate the President of the United States and enlists the help of three infamous international spies to stop the threat.Alexandra D'Artagnan, junior NSA officer, uncovers a plot to assasinate the President of the United States and enlists the help of three infamous international spies to stop the threat.Alexandra D'Artagnan, junior NSA officer, uncovers a plot to assasinate the President of the United States and enlists the help of three infamous international spies to stop the threat.
- Director
- Writers
- Stars
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Xin Sarith Wuku
- Isaac Athos
- (as Xin)
Keith Allan
- Jeremy Porthos
- (as Keith Allen)
Darren Anthony Thomas
- Rockford
- (as Darren Thomas)
- Director
- Writers
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I have never been so motivated to write a negative film review before. This movie has, as far as I can see, no redeeming features whatsoever.
The plot is mediocre and unoriginal. The script is clichéd, unrealistic and uninspiring. It seems to be a low budget movie, but has a story with action sequences that need far better special effects, or less ambition. The acting seems terrible, but with that script and the low production values, anyone would have looked bad and I can't fault the actors for anything other than bad judgment for accepting the job.
One thing that stood out above all else for me was the poor quality of some of the action sequences. The (mercifully) short sword fight between two of the leading ladies was probably the worst fight I have ever seen on screen. For a director who has made a career as a stuntman and a fight choreographer, this is really puzzling. What happened? In one of the final scenes two supposedly expert fencers have a fight where they hack at each other with foils as if they're holding machetes. For a film that takes it's name from such a classic story of sword fighting excellence, this failure is an insult, and unforgivable.
I was warned before watching this that it was bad, so I had exceedingly low expectations. Even so, they were not met.
The plot is mediocre and unoriginal. The script is clichéd, unrealistic and uninspiring. It seems to be a low budget movie, but has a story with action sequences that need far better special effects, or less ambition. The acting seems terrible, but with that script and the low production values, anyone would have looked bad and I can't fault the actors for anything other than bad judgment for accepting the job.
One thing that stood out above all else for me was the poor quality of some of the action sequences. The (mercifully) short sword fight between two of the leading ladies was probably the worst fight I have ever seen on screen. For a director who has made a career as a stuntman and a fight choreographer, this is really puzzling. What happened? In one of the final scenes two supposedly expert fencers have a fight where they hack at each other with foils as if they're holding machetes. For a film that takes it's name from such a classic story of sword fighting excellence, this failure is an insult, and unforgivable.
I was warned before watching this that it was bad, so I had exceedingly low expectations. Even so, they were not met.
I never imagined getting frustrated watching a movie so pathetically made. I'm not sure what the producers are thinking using 3 musketeers as a title. they made a mockery on the original in order to gain a hype to watch this movie. I'm completely disgusted! if anyone is planning to see this movie, please spare your misery and don't watch this as this might just ruin your day. I suggest go out and have time with your family instead. All in all Fast forward button was my friend watching this movie. All in all I rate this movie 2 of 10. If you are to watch this movie, don't get your hopes high as you will definitely just waste your time.
When the movie started I thought it might be worth a look. But 10 minutes into it I realized this was a new new level of bad theater.
The premise was hokey and the director was in love with a style of cinematographic where the shot pops to a zoom in. It was constant and annoying.
The moment I know this was the worst movie I seen this year was when they turned on the oven of an electric stove to blow up a house. This was the typical attention to detail the cast and director gave this movie. I saw no less than 6 sequences that were ripped off from other movies. And terribly reproduced as well.
Save your money and the hour and a half of your lives and skip seeing this film, unless you want to see how not to film and action movie.
The premise was hokey and the director was in love with a style of cinematographic where the shot pops to a zoom in. It was constant and annoying.
The moment I know this was the worst movie I seen this year was when they turned on the oven of an electric stove to blow up a house. This was the typical attention to detail the cast and director gave this movie. I saw no less than 6 sequences that were ripped off from other movies. And terribly reproduced as well.
Save your money and the hour and a half of your lives and skip seeing this film, unless you want to see how not to film and action movie.
This could have been an interesting movie if they kept to the original premise: transfer the Dumas story into modern times. Unfortunately this was not attempted, it is just a typical spy story along the lines of "find out about a conspiracy and stop it by some computer hacking and shoot-outs", just that some characters are named Athos, Porthos and Aramis. The original idea of "The Three Musketeers" - innocent country-side lad D'Artagnan comes to the big city Paris and learns a lot from three experienced fighters - is not used. The D'Artagnan we get here is a clever agent who knows everything better and just lets the other three do
the dirty work, like hand-to-hand combat and computer hacking. So if the script doesn't show any serious effort to use the ideas of the original, the technical side is sloppy as well, with many handheld shots and editing that appears to randomly jump from actor to actress. I give this very generous 3 out of 10 for a few funny moments (intended or not).
This film by low-budget direct-to-DVD house The Asylum is a mixed bag of silly, comic book action, uneven visual effects and even more uneven acting. The end result is ultimately a fun, if not altogether satisfying, time waster.
It's not a straight mockbuster of any "Three Musketeers" movie in Asylum's usual "Transmorphers" kind of way. Except for the title and some character names from the Dumas novel, the movie better resembles a "Charlie's Angels" film, as its plot centers around a team of action heroes attempting to stop a conspiracy to incite World War III.
The team code-named "Musketeers" consists of, predictably, spies whose own code names are Athos, Porthos and Aramis. They're joined later by an exotic-looking female spy named D'Artagnan who claims to be a direct descendant of the real one. Their enemy: A guy code-named "The Cardinal" (natch) who for reasons unclear wants to start a global war by killing the president.
The actors in the Musketeer roles are not too bad and actually appear to be having some fun, which is rare for The Asylum. Arguably the two sorest points in most Asylum productions is that their preposterous, low-budget movies are presented dead seriously, and that their has-been actors like Greg Evigan seem mortified to be appearing in them.
Not so here, where martial artist XIN is so charismatic as Athos you'll hope to see him in a better kung fu movie, lovely Michele Boyd as Aramis is reminiscent of Meg Ryan circa "Innerspace," Keith Allan channels Jeff Goldblum as brainy Porthos who spouts '80s pop culture references like "The light is green, the trap is clean," and Heather Hemmens (of the CW's "Hellcats") actually makes you believe a Costa Rican hottie could be the direct descendant of a 17th Century French guard.
But again, as with most Asylum movies, other cast members are so bad you'll wonder who on the production team they must be related to/have paid off/had sexual relations with to land their roles. Alan Rachins is so flat-out awful as the Cardinal he comes off as someone's old college acting teacher given the part as a favor. He pulls down every scene he's in so badly the movie actually appears to freeze-frame every time he comes on screen. Where's Barry Bostwick when you need him? Digital effects by Tiny Juggernaut are typically bargain basement, but not so much that they ruin the show. This is, after all, comic book melodrama, so it's OK by me if the jet planes and rockets look a little cartoony.
It's mindless fun that's worth a look on Netflix or maybe picked up used for a couple of bucks. Paying any more for it would be a bigger crime than World War III.
It's not a straight mockbuster of any "Three Musketeers" movie in Asylum's usual "Transmorphers" kind of way. Except for the title and some character names from the Dumas novel, the movie better resembles a "Charlie's Angels" film, as its plot centers around a team of action heroes attempting to stop a conspiracy to incite World War III.
The team code-named "Musketeers" consists of, predictably, spies whose own code names are Athos, Porthos and Aramis. They're joined later by an exotic-looking female spy named D'Artagnan who claims to be a direct descendant of the real one. Their enemy: A guy code-named "The Cardinal" (natch) who for reasons unclear wants to start a global war by killing the president.
The actors in the Musketeer roles are not too bad and actually appear to be having some fun, which is rare for The Asylum. Arguably the two sorest points in most Asylum productions is that their preposterous, low-budget movies are presented dead seriously, and that their has-been actors like Greg Evigan seem mortified to be appearing in them.
Not so here, where martial artist XIN is so charismatic as Athos you'll hope to see him in a better kung fu movie, lovely Michele Boyd as Aramis is reminiscent of Meg Ryan circa "Innerspace," Keith Allan channels Jeff Goldblum as brainy Porthos who spouts '80s pop culture references like "The light is green, the trap is clean," and Heather Hemmens (of the CW's "Hellcats") actually makes you believe a Costa Rican hottie could be the direct descendant of a 17th Century French guard.
But again, as with most Asylum movies, other cast members are so bad you'll wonder who on the production team they must be related to/have paid off/had sexual relations with to land their roles. Alan Rachins is so flat-out awful as the Cardinal he comes off as someone's old college acting teacher given the part as a favor. He pulls down every scene he's in so badly the movie actually appears to freeze-frame every time he comes on screen. Where's Barry Bostwick when you need him? Digital effects by Tiny Juggernaut are typically bargain basement, but not so much that they ruin the show. This is, after all, comic book melodrama, so it's OK by me if the jet planes and rockets look a little cartoony.
It's mindless fun that's worth a look on Netflix or maybe picked up used for a couple of bucks. Paying any more for it would be a bigger crime than World War III.
Did you know
- TriviaReleased on October 25th, 2011 to capitalize on The Three Musketeers (2011), which was released in the U.S. on October 21st, 2011.
- GoofsWhen the Cardinal is breaking into Camp David, he shoots the guard at the gate who falls to the ground with an AK-47 across his body. The AK-47 is a Russian military weapon. The standard issue rifle for United States troops is the M4/M4A1.
Details
Box office
- Budget
- $300,000 (estimated)
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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