As Cool as I Am

I had initially thought this movie to be a comedy. Mainly because I hadn't read the synopsis, nor scouted IMDb for information about it. All I had was seen the movie's front cover.

And now having seen the movie, I will say that, whilst this wasn't a comedy, then the movie didn't fail to entertain. This is a movie about real people with real problems ... well, or at least that is what is meant to be portrayed in the movie. And director Max Mayer actually pulled it off quite nicely, because the characters were very realistic and people you could relate to on one level or another. And the story was well-told, with a good constant flow to the storyline.

However, as good as the characters and storyline were, then the movie would be nothing without proper acting talent. And the people they had cast for the various roles in "As Cool As I Am" were really doing great jobs, each and everyone of them. The ensemble they had put together for this movie were really talented and really brought the movie to life on the screen.

If you enjoy a good drama that could very well be something straight out of someone's ordinary day-to-day life, then you most definitely should sit down to watch "As Cool As I Am".

The reason for me 'only' giving this movie a 6 out of 10 stars, is that the movie seems to be aimed mostly at a young adult / late teenager audience. But still, the movie is enjoyable and definitely worth watching regardless of your age.

As Cool as I Am isn't really a gripping film, and will likely be far away from my favorites of the year, but in terms of trying to revitalize the coming-of-age drama with a delightfully contemporary idea and script is succeeds solely on that merit. It concerns Lucy (Sarah Bolger), a well-mannered fourteen year old who has a lumberjack father Chuck (James Marsden) who is away for long periods of time due to work and her mother Lainee (Claire Danes), who might as well be her age thanks to her attitude and approach to reality. Lucy always had the idea that her family was "stable" in that they functioned like a normal family. However, as she gets older, she realizes her family is a "real" one, with problems and conflicts that are usually not instantly noticed by kids. This whole idea of "stable" and "real" families is discussed in the opening monologue, pretty much admitting the film will not be a narrow look at this common issue that is quickly growing.

That issue is having a child at a young age. Chuck and Lainee had Lucy when they were both seventeen, making them not much older than her in retrospect, leaving most of their decisions to be rather impulsive and quite questionable. For such a contemporary issue - having children and kids young and, often, out of wedlock - this one is scarcely brought up and thrown into public eye. Director Max Mayer, of the 2009 sleeper-hit Adam, brings a mature and focused look to the subject by allowing each character some expression and a moment when their personality comes out.

Lucy is already becoming a young woman, and with an unstable family life and an absent father, this leads her on a path she wouldn't normally take. She becomes more flirtatious, acts differently around her guy friends, and on several occasions almost consents to sex. This plot alone wages the question "are teens more likely to become rebellious if they do not have both parents playing a significant role in their life?" When her father returns home, and realizes that Lucy has, for one, driven the car unsupervised after her mother arrives at an interview, and has gone on to kiss several different boys, he becomes mad and very violent out of nowhere. That's his moment to shine; would his anger be so prominent and consuming if he had been home consistently? The only other main character is the mother, whose reckless behavior is almost as bad as her husband's absence. She becomes flirtatious at the office, even so far as to have sex with a co-worker not long after beginning to work there. After finding this out, Lucy can use this as bait to justify her actions rather than be awkwardly silent when he mother ridicules her for her behavior. The character's actions are one big, tangled cycle that only fuel and unintentionally elaborate on each others decisions.

As Cool as I Am asks a lot of questions and, in the end, quietly leaves the audience with deteriorating optimism that maybe Lucy will end up unsatisfied later in life, and at only fourteen, this idea likely hasn't crossed her mind. Writer Virginia Korus Spragg does a smooth job at developing the characters on the surface and subtly evoking commentary on the new generation of kids, many of whom likely to be raised by a more uncertain, rushed generation of people. I see another cycle coming along.

Starring: Claire Danes, James Marsden, and Sarah Bolger, and Jon Tenney. Directed by: Max Mayer.

This is at tops a TV movie designed for a Sunday afternoon when you have nothing better to do. It does stray along way from Pete Fromm's book which is considerably more intense and describes the falling apart of a family in greater detail than the film. The performances were OK, James Marsden and Claire Danes gave below par performances compared to their other work. Sarah Bolger carried the role of Lucy off nicely but for obvious reason didn't commit to the character 100%. For those interested it might be worth doing a search for a Matthew J. Clark short called 'Dry Rain' based on a short story by Pete Fromm.

If you do enjoy the film it is very much worth reading the book which goes into many of the implied topics in the film in greater detail.

Firstly, I need to say that I enjoyed this film, I did. It held my attention and I felt satisfied afterward. Yes, it was mildly predictable in places but not annoyingly so.

What did frustrate me though was the lack of depth. A couple of other reviewers mentioned this so I'm glad I'm not alone: There were so many issues that I thought were going to be explored further and just.... weren't. Even the ending, although mildly cathartic, left me with unanswered questions.

Still, taken at face value, the film was... nice.

Hmm... I'm realizing this review is a bit 'meah'; not really negative, not really positive, but that's a direct reflection of the film's content, so sorry!

On the surface this seems like a simple, predictable film. It doesn't have a grand storyline nor does the plot build up to a single defining moment.

Essentially, this is a film about flawed characters who make flawed choices. They don't always say the right thing or solve all of their problems. They are simply human.

Danes is wonderful as the now 'grown up' teen mother, struggling with her own identity crisis as her daughter - the same age as her mother was when she was born - is too exploring her sexuality and considering her future. Bolger plays the role with enough restraint to avoid the teenager stereotype, whilst Marsden, although his scenes are brief, is so believable as the absent father.

I can see where this film could be seen as shallow and it's true that there are a few stronger issues that are touched on but not really developed (consent, domestic violence to name a few). However, in a way I appreciated how the plot continued on without delving into the complexities and our characters continued to make the impulsive and flawed decisions that make them as human and realistic as you or me - shaped by these things that have happened to them, but not defined.