The Call

The Call kept my interest and had everyone wanting to scream at the screen and tell the characters what to do and urge them along. The characters would alternate between overcoming their emotions and rising to the challenge and falling prey to them at just the wrong moment. There was a constant sense of tension during the 911 call and the walk through of getting the girl to safety. Be prepared to feel that adrenaline and tension for longer than your body is normally used to. You may feel just as drained after a call as a 911 operator does...

I really enjoyed the level of detail the film makers put into showing us the world of a 911 operator and what they go through on a day to day basis. It's pretty fascinating. I know I could never do that kind of job. That kind of stress day in and day out has to wear on a person and probably often hardens them.

The ending involves a twist I wasn't expecting, and gains my respect for that, but it was still somewhat disappointing because I wanted it to go further. Those who have seen the movie will know what I mean.

If you found yourself at all interested in the trailer go see this movie! You'll like it!

The movie started off strong with a great premise, great characters, and a great story. It was all extremely tense and clever. The character was also extremly sympathetic and well developed. It was actually one of the best thrillers I've ever seen and with such a high concept idea. But the third act- it was awful. I have no idea what the writers were thinking. It went from a perfectly good thriller to a cliche gore fest. The third act completely made no sense, erased all previous characters and their development, and dragged on for way too long. The longer it went on the more I hated the entire story arc. Seriously, it gets more ridiculous and ridiculous by the second- as id it was written by two different people. The final line in the movie is so cringey and awful as well. I would have preferred just "the Hive" setting for the entire film. What a disappointment.

I really like the first half, it keeps you involved but second half has unnecessary plot. Ending could have been different.

"The Call" is a tidy little thriller, modeled, in large part, on the movie "Speed." Halle Berry plays the Southern California 911 dispatcher who's in a race against the clock to rescue a teenage girl (Abigail Breslin) locked in the trunk of a serial killer (Michael Eklund).

Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.

The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.

The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.

I enjoyed this film quite a bit: it kept a good pace of tension which makes for a good thriller. The acting is good (no academy awards), and it did a good job of giving a glimpse into the operations of 911 call centers which is a fresh topic - and it did so without dragging the pace.

The main bad guy becomes ever more creepy as the plot progresses which helps build the tension. The ending takes an interesting twist which, in the moment, doesn't feel quite as out-of-character as others describe - mainly due to a good segue shot that probably took more than a few takes to get right.

The weak spots consist mainly of some CSI style technology leaps that only technology morons would buy into, and a single bit of clumsiness that just feels scripted. Unfortunately the CSI technology leaps are very popular in Hollywood (to my dismay) and the bit of clumsiness is key to the plot progression.

If one or two minor transgressions make you feel like you wasted your money, wait for it to show up on Netflix. If you enjoy a good edge of your seat thriller and can overlook the transgressions, go see it!