The untold true story behind the meeting between Elvis Presley, the King of Rock 'n Roll, and President Richard Nixon, resulting in this revealing, yet humorous moment immortalized in the mo... Read allThe untold true story behind the meeting between Elvis Presley, the King of Rock 'n Roll, and President Richard Nixon, resulting in this revealing, yet humorous moment immortalized in the most requested photograph in the National Archives.The untold true story behind the meeting between Elvis Presley, the King of Rock 'n Roll, and President Richard Nixon, resulting in this revealing, yet humorous moment immortalized in the most requested photograph in the National Archives.
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Summary
Reviewers say 'Elvis & Nixon' is a historical comedy-drama highlighting the unique meeting of Elvis Presley and President Richard Nixon. Praised for performances, especially Michael Shannon and Kevin Spacey, though some find Shannon's portrayal less convincing. The film blends humor with poignancy, though critics debate its depth and ambition. The supporting cast is well-received, making it an entertaining, albeit minor, biopic.
Featured reviews
Michael Shannon as Elvis and Kevin Spacey (the king of impressions as Nixon? You sold me. Elvis & Nixon tells the untold 'true' story behind one of the most famous photos of all time between Elvis and Nixon at the Oval office. Shannon and Spacey deliver captivating performances as two icons in what is otherwise a very forgettable film.
At only an hour and twenty five minutes, Elvis & Nixon is a rather short film that is based on a true story, but it doesn't feel like it. It takes a while for the film to get going as it decidedly focuses primarily on Elvis for the first 45 minutes or so leading up to the meeting. You get glimpses of Spacey's Nixon here and there but we don't get the two on screen together until nearly an hour in. I would have much rather watched a full hour and a half of these two guys talking to each other. The story of Elvis' friend Jerry Schilling or anybody inside the White House, I didn't care about.
I understand you need to at least follow the true story to a point, but no one truly know the events that went down that day, so you might as well structure it to the strengths of your film. No matter, the time spent on screen with the two leads is a joy to watch. They are far from an SNL impression as they both create their own distinct interpretations of Elvis and Nixon. Even if it's an extremely slow burn, the last 30 minutes are definitely worth watching. If only a better movie surrounded the two great performances.
+Two lead performances
+Entertaining final 30 minutes
-Extremely slow burn
-Focus on side characters
6.6/10
At only an hour and twenty five minutes, Elvis & Nixon is a rather short film that is based on a true story, but it doesn't feel like it. It takes a while for the film to get going as it decidedly focuses primarily on Elvis for the first 45 minutes or so leading up to the meeting. You get glimpses of Spacey's Nixon here and there but we don't get the two on screen together until nearly an hour in. I would have much rather watched a full hour and a half of these two guys talking to each other. The story of Elvis' friend Jerry Schilling or anybody inside the White House, I didn't care about.
I understand you need to at least follow the true story to a point, but no one truly know the events that went down that day, so you might as well structure it to the strengths of your film. No matter, the time spent on screen with the two leads is a joy to watch. They are far from an SNL impression as they both create their own distinct interpretations of Elvis and Nixon. Even if it's an extremely slow burn, the last 30 minutes are definitely worth watching. If only a better movie surrounded the two great performances.
+Two lead performances
+Entertaining final 30 minutes
-Extremely slow burn
-Focus on side characters
6.6/10
Greetings again from the darkness. The tagline nails the tone of the film: "On August 21, 1970 two of America's greatest recording artists met for the first time." Director Liza Johnson proceeds to tell the story of worlds colliding – an Oval Office meeting with President Richard Nixon and Elvis Presley. Of course, this is a fictionalized and satirical accounting, since Nixon didn't kickoff his recording passion until the following year.
It would be pretty easy to bash the film as heavy on cheese and light on historical accuracy, but that would be missing the point. These two public figures couldn't have been much different from each other, but the script (Joey and Hanala Sagal, and Cary Elwes) finds a way to have these two icons hold a conversation bonding over their mutual hatred of The Beatles.
The terrific opening credit sequence perfectly captures the time period and is a work of art unto itself. We first see Elvis shooting out the picture tubes in the TV room at Graceland. He's disgusted with the news reports of Woodstock and drug use among America's youth. Constructing a loose plot to meet with President Nixon and offer his service as a Federal Agent-at-large, Elvis is mostly interested in adding a federal badge to his collection.
Michael Shannon plays Elvis and Kevin Spacey takes on the Nixon role. Rather than a finely tuned impersonation, Shannon goes after more of an impression or re-imagining of The King. It's a perfect fit for this setting, and there is nothing like watching Shannon give an impromptu karate demonstration for the leader of the free world in the most famous room in America. Spacey, on the other hand, is spot on in capturing the posture, mannerisms, sound and essence of a man who carried much personal baggage with his political power.
The chain of events leading up to the meeting plays a bit like a farcical comedy. Nixon's staff of Bud Krough (Colin Hanks), Dwight Chapin (Evan Peters) and HR Haldeman (Tate Donovan) is equal parts incredulous and opportunistic. We get two members of Elvis' "Memphis Maphia" with Alex Pettyfer playing Jerry Schilling and Johnny Knoxville adding even more humor as Sonny West. There is a nice blend of "little" comedy moments and outright laughers – Elvis impersonators confronting him in an airport, the Secret Service reaction to Elvis' gift to Nixon of collectible WWII pistols, and Elvis meeting with a DEA official played by Tracy Letts.
I found myself smiling throughout, with full understanding that this satirical look at a meeting between two famous men with little common ground has no real historical importance other than resulting in the all-time most requested photograph from the National Archives. But for 86 minutes of smiling, I say to the filmmakers and actors Thank you. Thank you very much.
It would be pretty easy to bash the film as heavy on cheese and light on historical accuracy, but that would be missing the point. These two public figures couldn't have been much different from each other, but the script (Joey and Hanala Sagal, and Cary Elwes) finds a way to have these two icons hold a conversation bonding over their mutual hatred of The Beatles.
The terrific opening credit sequence perfectly captures the time period and is a work of art unto itself. We first see Elvis shooting out the picture tubes in the TV room at Graceland. He's disgusted with the news reports of Woodstock and drug use among America's youth. Constructing a loose plot to meet with President Nixon and offer his service as a Federal Agent-at-large, Elvis is mostly interested in adding a federal badge to his collection.
Michael Shannon plays Elvis and Kevin Spacey takes on the Nixon role. Rather than a finely tuned impersonation, Shannon goes after more of an impression or re-imagining of The King. It's a perfect fit for this setting, and there is nothing like watching Shannon give an impromptu karate demonstration for the leader of the free world in the most famous room in America. Spacey, on the other hand, is spot on in capturing the posture, mannerisms, sound and essence of a man who carried much personal baggage with his political power.
The chain of events leading up to the meeting plays a bit like a farcical comedy. Nixon's staff of Bud Krough (Colin Hanks), Dwight Chapin (Evan Peters) and HR Haldeman (Tate Donovan) is equal parts incredulous and opportunistic. We get two members of Elvis' "Memphis Maphia" with Alex Pettyfer playing Jerry Schilling and Johnny Knoxville adding even more humor as Sonny West. There is a nice blend of "little" comedy moments and outright laughers – Elvis impersonators confronting him in an airport, the Secret Service reaction to Elvis' gift to Nixon of collectible WWII pistols, and Elvis meeting with a DEA official played by Tracy Letts.
I found myself smiling throughout, with full understanding that this satirical look at a meeting between two famous men with little common ground has no real historical importance other than resulting in the all-time most requested photograph from the National Archives. But for 86 minutes of smiling, I say to the filmmakers and actors Thank you. Thank you very much.
It's December 1970. Entertainer Elvis Presley (Michael Shannon) is distressed about the effects of drugs and the counter-culture on America. He recruits his friend Jerry Schilling (Alex Pettyfer) on a mission to be named Federal-Agent-At-Large to go undercover. They show up at a White House gate to get a meeting with President Richard Nixon (Kevin Spacey). Nixon refuses at first despite his aides Egil Krogh (Colin Hanks) and Dwight Chapin (Evan Peters)'s pleas. Jerry has the idea to get Nixon through his daughter Julie.
This movie is mildly amusing. The history is possible. The performances of Shannon and Spacey are intriguing. Shannon may not be completely correct but he brings a self-possessed actualized personality to the role. The movie plays it mostly straight. There aren't any big surprises but I do like Nixon's initial refusal. There are plenty of light moments which leaves the movie feeling lightly fun. It would be more compelling to go overboard with the broad comedy or go darker. This ends up existing in the milky white toast middle.
This movie is mildly amusing. The history is possible. The performances of Shannon and Spacey are intriguing. Shannon may not be completely correct but he brings a self-possessed actualized personality to the role. The movie plays it mostly straight. There aren't any big surprises but I do like Nixon's initial refusal. There are plenty of light moments which leaves the movie feeling lightly fun. It would be more compelling to go overboard with the broad comedy or go darker. This ends up existing in the milky white toast middle.
I've been waiting to see this movie for a year or longer. Eric Bana was originally supposed to play Elvis, and he would have been a much better fit than Michael Shannon. Michael doesn't look anything like Elvis, and he didn't show any charisma in his performance. Elvis is one of the best looking and most charismatic men to ever live, so it was painful to see this casting train wreck. There are several scenes in the original Elvis Meets Nixon that were left out of this remake: the beginning airport scene where the airline clerk asked Elvis for payment of his ticket and he says "can you send the bill to the Colonel as he has no cash or check book, the scene where he was taken off the plane for carrying a pistol, and the taxicab scene when a Michael Jackson song was playing on the radio. Those were just 3 missed opportunities to spice the movie up. The only redeeming thing about this movie was the convincing performance that Kevin Spacey gave. He looked and played that part to the hilt. I really wanted to love this movie, and I am so disappointed that I could not do so.
I really hadn't heard much about this film, and certainly wasn't going in expecting an Elvis impersonator or someone looking exactly like President Nixon. Wasn't disappointed there in regard to Elvis. Michael Shannon didn't look much like Elvis, but he did have the soft voice, the southern charm thing going for him. He did a fine job with this role. And actually, Kevin Spacey did manage to look a great deal like Nixon. Sounded like him, too. Everyone in this movie did a good job, and worked the roles of those involved in this slightly absurd moment in history to justice. So, I guess what I was, was really pleasantly surprised by this picture. Totally enjoyed myself with lots of laughs and a few poignant moments. I dimly remember this episode with Elvis showing up at the White House wanting to become an FBI Agent Abroad. With a badge. And at the time I recall thinking that only Elvis could be that naïve and yet that brash at the same time. In all honesty, this picture managed to show all of that, and more. What a colorful moment in American history all wrapped up in this fine little film.
Did you know
- TriviaBased on a true story. In December 1970, Elvis Presley met President Richard Nixon, who appointed Presley as an honorary DEA agent.
- GoofsIn the Oval Office: The Dr Pepper bottles logos are ten years ahead of their time.
- ConnectionsFeatured in Evening Urgant: Olga Pogodina/Andrey Chernyshov (2016)
- SoundtracksHold On I'm Coming
Written by Isaac Hayes & David Porter (as Dave Porter)
Performed by Sam & Dave
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
- How long is Elvis & Nixon?Powered by Alexa
Details
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- Also known as
- Elvis and Nixon
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,055,287
- Opening weekend US & Canada
- $466,447
- Apr 24, 2016
- Gross worldwide
- $1,798,432
- Runtime
- 1h 26m(86 min)
- Color
- Aspect ratio
- 2.35 : 1
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