A love story centering on the connection between music and memory and how they transport us, sometimes literally.A love story centering on the connection between music and memory and how they transport us, sometimes literally.A love story centering on the connection between music and memory and how they transport us, sometimes literally.
- Awards
- 2 wins & 2 nominations total
Thomas Ochoa
- Dru
- (as Pocket Turlington)
T.J. Keanu Tario
- Very Pretty Man in Drag
- (as Laritza LaBouche)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
And, to overuse a delicious quote from SEINFELD, not that there is anything wrong with that. The most interesting thing about this quite adequate film is the odd way reviewers approach it. It is as if no two pundits can agree on what they just saw? Some see a time travel film along the lines of THE TIME TRAVELOR's WIFE. Some see a deconstruction of the role of music in modern society. Some simply see a useful vehicle to move along the career of the always photogenic Boynton (who, for example, is all most of us can recall from the otherwise tedious IPCRESS FILE). Some even suggest that the film's auteur created this ambiguity deliberately to hold the attention. Which is, after all, the primary purpose of any film. Entertainment. Holding one's gaze. This reviewer, like Boynton's own character, sees all the possibilities at once, and each has merit.. But, unlike that character, will not attempt to change or alter any of them. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Lucy Boynton plays a VERY charming girl with a tragic past. One she can access with the help of a magical-and-music-driven form of time travel, where every song becomes a potential key to undoing her tragedy. A film about grief and permanent loss.
It's good, but not great.
The time-travel system is surprisingly well-defined and consistent, and it works because it is very simple. The posed question has weight, and becomes quite defining.
So what's wrong about it?
Well, the script shows its hand early, removing intrigue from the table, and becomes a question of "choice".
Then, and sadly for me, the core relationship doesn't work.. as I didn't get to like him at all, which makes it very difficult to understand why she would. The setup feels rushed, and every development feels forcefully special. It left me wanting more authenticity and less insistence.
Ultimately, the film is quite nice, in sentiment, creativity and execution. Everything works.. except for him. And it is a REAL shame, as I really wanted to like it!
As the movie states, "the most terrifying and amazing part of being a human being.. our capacity to move on". So, here I am, moving on.. But she is wonderful! Reason enough to watch. While tragic, she is ready for betterness and open minded. An excellent main character. Oh, and the music is also great! But a lack of a good core, and an ending I found particularly unsatisfying, keeps it from me loving it. Still, I enjoyed its potential and the great execution.
It's good, but not great.
The time-travel system is surprisingly well-defined and consistent, and it works because it is very simple. The posed question has weight, and becomes quite defining.
So what's wrong about it?
Well, the script shows its hand early, removing intrigue from the table, and becomes a question of "choice".
Then, and sadly for me, the core relationship doesn't work.. as I didn't get to like him at all, which makes it very difficult to understand why she would. The setup feels rushed, and every development feels forcefully special. It left me wanting more authenticity and less insistence.
Ultimately, the film is quite nice, in sentiment, creativity and execution. Everything works.. except for him. And it is a REAL shame, as I really wanted to like it!
As the movie states, "the most terrifying and amazing part of being a human being.. our capacity to move on". So, here I am, moving on.. But she is wonderful! Reason enough to watch. While tragic, she is ready for betterness and open minded. An excellent main character. Oh, and the music is also great! But a lack of a good core, and an ending I found particularly unsatisfying, keeps it from me loving it. Still, I enjoyed its potential and the great execution.
This film was so well pieced together from start to finish. From the tiny details like the timeless timepiece on her wrist to the editing with the memory flashes. The acting was so much more realistic than typical movies these days. The dialogue felt natural and not forced or scripted. And the storytelling itself was just excellent! I was so impressed with this film. I was in a similar scenario as her and I have certainly been transported by music when it comes to certain songs tied to certain memories. For me, this film was like a daydream fantasy of mine that I'd give anything to be able to experience in real life. Absolutely fantastic from start to finish. 10/10.
Everybody has songs which bring them back to specific times in their lives. For Harriet Gibbons (Lucy Boynton), it happens literally as she travels back in time. She is trying to save her boyfriend Max Enders (David Corenswet) from a deadly crash. She meets David Park (Justin H. Min) at her self-help group.
This has an intriguing elevator pitch from filmmaker Ned Benson. He has a few good ideas in this movie, but the premise needs more work. There are basic problems stemming from the concept. First, she needs to keep going back to the death moment. It only makes sense. It also doesn't help that Max is forced by the story to dismiss her at every turn. It makes him look bad as a boyfriend. The whole movie gets dragged down by many minor issues.
This has an intriguing elevator pitch from filmmaker Ned Benson. He has a few good ideas in this movie, but the premise needs more work. There are basic problems stemming from the concept. First, she needs to keep going back to the death moment. It only makes sense. It also doesn't help that Max is forced by the story to dismiss her at every turn. It makes him look bad as a boyfriend. The whole movie gets dragged down by many minor issues.
Its a intresting concept of travling through time due to certain music but this film does not deliver if you like the concept please watch press play 2022
this has tried coping the same storyline near enough with a few differances.
And as always the only 10/10 is a new account probably family members again even the 9/10 seems a bit suspect been a member 6 years and only ever reviewed this film.
Worth a watch if bored
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
And as always the only 10/10 is a new account probably family members again even the 9/10 seems a bit suspect been a member 6 years and only ever reviewed this film.
Worth a watch if bored
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
Did you know
- TriviaWhen Harriet sits in the chair to listen to music, the setup is an homage to the Maxell cassette tape ads from the 1970s.
- Quotes
Dr. Evelyn Bartlett: My husband, before he died, said this thing that stuck with me.He said, "Live your dash." On his tombstone is the date of his birth and the date of his death.And in between is the dash. I don't know, maybe it's a little NutraSweet but, I always thought there were pretty decent words to live by.
- ConnectionsReferences Mad Max (1979)
- Soundtracks405
Written by DJ Harvey (as Harvey Bassett)
Performed by Wildest Dreams
Courtesy of Harvey's General Store Recordings
Details
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
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