A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODF... Read allA documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. ... Read allA documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of product... Read all
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Featured reviews
There is no denying the knowledge of some fan-boys like Tarantino, but this documentary still manages to impart a book-like knowledge of the genre by editing the player interviews into a kind of "power point" presentation. The documentary does a good job of explaining, for instance, the period and conditions where these movies were made, in a country which was at the time ridden with crime, corruption, violent mafiosi, and left-wing revolutionaries, but also one where people literally went to the movies 4-5 weeks on average and had an endless appetite for this kind of fare. You wouldn't think most of these movies would be any good given the rushed and impoverished conditions under which they were made, but they're actually MORE interesting on average than most of the over-produced Hollywood crapola you see these days, and it was no mistake that these cheap films also made up a lot of the America grindhouse filler that Tarantino et. al. spend so much time worshiping today.
I appreciated especially the interviews with the English dubbers like Michael Forrest and. I have personally said many bad things about these kind of guys over the years (especially when they managed to turn a serious Italian film into half-ass comedy), but they clearly had a difficult job and they took it a lot more seriously than perhaps I've really ever appreciated.
The only downside of this documentary is they missed a few of the major players like Tomas Milan (who I guess IS on the DVD extras), Barbara Bouchet, who really shouldn't have been that hard to find, and Fabio Testi. But I suppose that can't be helped. And obviously a lot people like director Fernand Di Leo are no longer with us. They do pay homage to Maurizio Merli (who is also dead) and Umberto Lenzi (who just refuses to do interviews with anybody), but I would have like to see more with Sergio Martino, who--whether he was available for an interview or not--was a lot more essential to the genre than Antonio Sabato or Joe Dallesandro. Still, these are minor quibbles. I would definitely recommend this overall.
Eurocrime! The Cop & Gangster Films That Ruled the '70s, explores the mentality behind this genre, the factors that played part, and the players themselves, with contributions from the likes of Fred The Hammer Williamson, John Saxon, Henry Silva, Franco Nero, Joe Dallesandro & Luc Merenda, as well as from the technical end, from Enzo G Castellari and Claudio Fragasso.
While not without its flaws- it could have been leaner (it clocks in at over two hours, with some of it coming across rather needless padding), and fails to get any contributions (although this is probably not the maker's fault ultimately, in fairness) from the likes of Fabio Testi, Tomas Milian and Umberto Lenzi, and unforgivably hardly even mentions Di Leo, who even I, a relative novice to the Eurocrime genre am aware of- it's still a well researched and often pretty funny documentary on a prolific for its time, but often overlooked genre of Italian exploitation, with some cool clips and an awesome '70s score throughout.
Any fan of Eurocrime flicks should definitely check this one out, as it's very probably the only documentary you'll ever see on the genre, and again while not without its flaws, is overall a decent, well made and researched effort, with lots of entertaining anecdotes.
8/10, very enjoyable doc, and recommended.
Lots of archive footage, great stories, and interviews with the people who lived it all firsthand - shooting with real guns, no filming permits, pulling off stunts that would shut down a whole production company today. A treat for anyone who enjoys movies full of shootouts and cars flying through the air.
And to top it off, that sentimental ending tone - a kind of cinema that's gone, that no longer exists, but that we all miss.
You don't have to be an expert to enjoy it - just love movies that go full throttle and never ask for permission.
The documentary catches the essence of what Eurocrime was all about, Tough Cops, Horrible Villains and everything in between, Car Chases, Cammora involvement it is all here.
All the great actors/directors who were present in the genre in it's heyday who are still alive give their input into why the movies were so special, what they were like to make, the death defining stunts, everything a fan of Eurocrime would want and more.
The greatest thing about this documentary though is that it does what all good documentaries do- it keeps you interested even if you have no interest in the subject matter- and it makes you laugh, it takes serious subject matter surrounding the genre and at points makes you cry with laughter due to the tales being told.
It is brilliantly paced and does not outstay it's welcome. I could have watched another hour or two of this.
For a first time director Mike Malloy really shows he has a talent for pacing, for asking the right questions, for garnering the best reactions from those interviewed who were involved in the whole Eurocrime scene.
I cannot recommend this highly enough if you are interested in Eurocrime. If you are not though you will become interested by the end and will be on the hunt for old VHS copies of these films before you know it.
Did you know
- TriviaIn 2012 when co-producer Michael A. Martinez met with Michael Forest in a Hollywood coffee shop to hand him an edit of the film, actress Barbara Bouchet (who is mentioned in much detail in the film) walked in and introduced herself, purely coincidentally. Bouchet and Forest casually knew each other as guest stars on episodes of "Star Trek" in addition to their work in Italian films.
- ConnectionsEdited from Detective School Dropouts (1986)
Details
- Release date
- Countries of origin
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- Also known as
- Еврокрайм! Итальянские криминальные фильмы 70-х годов
- Filming locations
- Torino, Piemonte, Italy(street view shots)
- Production company
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- Runtime
- 2h 17m(137 min)
- Color
- Aspect ratio
- 16:9 HD