An air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minu... Read allAn air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes.An air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes.
- Awards
- 1 nomination total
Featured reviews
I saw an advanced screening of this movie yesterday, and I was absolutely blown away. I had hoped it would be a fun thrill-ride, but I did not expect it to be as exciting and involved as it was.
My favorite part of this movie, was the fact that it takes a plot that is implausible, and makes it as plausible as possible. You can definitely tell that the writers did their research on air marshals, airplane mechanics, etc. There was not one moment in this film that I was bored, and it was filled to the brim with twists, and turns.
There definitely is a lot that went into this movie, and even though it'll have you thinking more deeply about the security of airlines, most of all it's just a really, really fun ride.
My favorite part of this movie, was the fact that it takes a plot that is implausible, and makes it as plausible as possible. You can definitely tell that the writers did their research on air marshals, airplane mechanics, etc. There was not one moment in this film that I was bored, and it was filled to the brim with twists, and turns.
There definitely is a lot that went into this movie, and even though it'll have you thinking more deeply about the security of airlines, most of all it's just a really, really fun ride.
I never was a huge fan of Liam Neeson's action flicks, but I went to see this because of the good reviews. This movie is a very suspenseful and a great "Whodunnit" movie. It it's share of action scenes, but it never went too over the top. Even if you don't like Liam Neeson, this movie is worth seeing and is a guaranteed good time. Lot's of twists and suspicious characters leave you guessing and most likely wrong. Lot's of on the edge-of- your-seat scenes because of how well it was made and has a silent and lonely feel to it which helps you understand everything going on. Overall, this movie is a great thriller without being packed full of action.
NON-STOP is another movie featuring Liam Neeson in his newfound 'hard man' role following on from the success of TAKEN. This time around, he's a boozy Air Marshall working a routine flight who suddenly finds himself caught up in a murder mystery involving ransom demands and some high-octane action. Pretty soon it's a race against the clock to stop the murderer from committing any more crimes.
I wasn't sure what to expect from this film, given the middling reviews; after all, Neeson's last film UNKNOWN was a disappointment. The good news is that NON-STOP is a lot better, a film that holds it together for the most part. The main thing is that it keeps you watching throughout with nary a slow moment in sight. Neeson is on strong form as the grumpy antihero and I particularly liked his brutal treatment of the suspects - no nice-guy pussyfooting around here, just blunt force when needed. Inevitably the scriptwriters throw in a few fight scenes to keep action fans happy and they all work very well. The script is tight and focused and kept realistic as possible, only becoming over the top in a few moments.
The film isn't perfect, but the problems tend to be minor. I could have done without the SHERLOCK-copying on-screen texts, and I could have also done without the disappointing Julianne Moore once more forced down our throats in a role she really isn't suited for. In fact, not many of the supporting cast are that great, apart from maybe Linus Roache. Still, this is a film which is all about the plot and for the most part it works; I know I enjoyed it.
I wasn't sure what to expect from this film, given the middling reviews; after all, Neeson's last film UNKNOWN was a disappointment. The good news is that NON-STOP is a lot better, a film that holds it together for the most part. The main thing is that it keeps you watching throughout with nary a slow moment in sight. Neeson is on strong form as the grumpy antihero and I particularly liked his brutal treatment of the suspects - no nice-guy pussyfooting around here, just blunt force when needed. Inevitably the scriptwriters throw in a few fight scenes to keep action fans happy and they all work very well. The script is tight and focused and kept realistic as possible, only becoming over the top in a few moments.
The film isn't perfect, but the problems tend to be minor. I could have done without the SHERLOCK-copying on-screen texts, and I could have also done without the disappointing Julianne Moore once more forced down our throats in a role she really isn't suited for. In fact, not many of the supporting cast are that great, apart from maybe Linus Roache. Still, this is a film which is all about the plot and for the most part it works; I know I enjoyed it.
This surprised me. A thriller on a plane that has you thinking you know all the answers (because we're such expert movie watches), then flips it. Yes, it's a contrived subplot. And the reasoning behind this terrorist act is goofy, BUT...it is a lot of fun. It interweaves a really elaborate set-up that you have to focus on to understand.
Also, for people who think they're sophisticated in camera motion. Think about that space. The camera moves in (perceived) 360 degrees without a) seeing camera shadow b) camera angle is near impossible with the movements they had. This is visually sophistication that most won't see or care. But it adds a ton to the claustrophobia.
Julianne Moore is great, as always. Neeson is perfect for this role, but one has to wonder how this behemoth of a guy fits in a airplane bathroom.
Also, for people who think they're sophisticated in camera motion. Think about that space. The camera moves in (perceived) 360 degrees without a) seeing camera shadow b) camera angle is near impossible with the movements they had. This is visually sophistication that most won't see or care. But it adds a ton to the claustrophobia.
Julianne Moore is great, as always. Neeson is perfect for this role, but one has to wonder how this behemoth of a guy fits in a airplane bathroom.
The movie have a way to approach the airplane disaster in different way and that was pretty good. The play with the killer and liam neeson were pretty entertaining and we wonder until the end who is behind all of that. And the twist at the end can let us very surprised by the name of the killer. Was pretty entertaining with some psychological point sometimes. I recommend it.
Did you know
- TriviaThe set for the plane was built slightly larger than a standard commercial airliner, to accommodate Neeson's 6'4" height for filming. According to Neeson, over 90% of the shoot occurred in this 'plane' over a two-week period.
- GoofsIn the beginning, when Bill Marks visits the cockpit, you see the power levers of a 4 engine airplane. However, the all exterior shot of the airplane show the plane has 2 engines only.
- Quotes
[from trailer]
Bill Marks: I hate flying. The lines. The crowds. The delays...
Jen Summers: I always kinda liked it. Six hours. One seat. Nobody can get to you.
- Crazy creditsThe first part of the end credits is displayed in the fashion of the arrival/departure boards using flipped panels.
- SoundtracksPhat
Written by A Longlands
Performed by AKA
Backing Vocals by Lady A.M.
Courtesy of Sound System Recordings
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Non-Stop: Sin escalas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $92,168,600
- Opening weekend US & Canada
- $28,875,635
- Mar 2, 2014
- Gross worldwide
- $222,809,600
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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