A dying real estate mogul transfers his consciousness into a healthy young body, but soon finds that neither the procedure nor the company that performed it are quite what they seem.A dying real estate mogul transfers his consciousness into a healthy young body, but soon finds that neither the procedure nor the company that performed it are quite what they seem.A dying real estate mogul transfers his consciousness into a healthy young body, but soon finds that neither the procedure nor the company that performed it are quite what they seem.
Sandra Ellis Lafferty
- Phyllis Jensen
- (as Sandra Laugherty)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Billionaire Damian Hale (Ben Kingsley) is on top of the world until he runs into a problem he can't solve, Cancer. His only hope is a new medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After Damian undergoes this procedure, he becomes a man named Edward (Ryan Reynolds). Once he attempts to start a new life in New Orleans, he starts to become ravaged by visions of his new body's past. As he begins to investigate the origin of his new body, he learns the lengths that his creators will take to protect their procedure and keep their identities secret.
The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.
The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.
This film tells the story of a real estate tycoon who is terminally ill. He undergoes a procedure that transplants his mind into a new body, which continues his life in a different way. Yet, when he experiences unfamiliar flashbacks, he decides to investigate the origins of these intrusive memories.
The plot examines what it is like if there are mind transplants, and it does so very well. It provokes much debate towards the ethical issues on this controversial procedure. During this process, there is much adventure, including thrilling cat and mouse chases and lots of combats. It blends science fiction and action thriller very well together, captivating my attention and making me on edge very often. I really enjoyed it.
The plot examines what it is like if there are mind transplants, and it does so very well. It provokes much debate towards the ethical issues on this controversial procedure. During this process, there is much adventure, including thrilling cat and mouse chases and lots of combats. It blends science fiction and action thriller very well together, captivating my attention and making me on edge very often. I really enjoyed it.
Damian(Ben Kingsley) a self made billionaire discovers he is dying, and does have much longer to live, discovers a secret facility that can transfer his soul into a younger body(Ryan Reynolds), when the transfer is a success, Damian really begins to enjoy his new life in his new body, but soon realizes that his new life will have a price to pay.
I'm surprised that I liked this, I went expecting this to be bad, but I was amazed on how intriguing it kept me. It shows on we deal with dying and immortality, and things we must learn to face in life. Ben Kingsley was good, and Ryan Reynolds really surprised me. Matthew Goode was incredible. It does have some good action scenes, and great sci-fi element. Everybody gives a good performance here, and it does what sci-fi should do, kept you intrigue.
I'm surprised that I liked this, I went expecting this to be bad, but I was amazed on how intriguing it kept me. It shows on we deal with dying and immortality, and things we must learn to face in life. Ben Kingsley was good, and Ryan Reynolds really surprised me. Matthew Goode was incredible. It does have some good action scenes, and great sci-fi element. Everybody gives a good performance here, and it does what sci-fi should do, kept you intrigue.
This film is full of underdeveloped ideas and concepts. It's starts off somewhat promising, but along the way it just transforms into Schwarzeneggers The 6th Day re-make (which wasn't great in the first place) with flamethrowers.
First of all, the film looks like it's set in present time, but it handles consciousness transfer as nothing mind-blowing or groundbreaking. Just imagine what can be achieved when you can imprint any human being inside another one. Some great and dangerous ideas are here. But no, the film uses this very poorly. They should've set this far into the future to make it something ordinary or take it more seriously if it was set in modern times.
Second, we don't get nearly enough old Kingsley character to understand his motivations. He's all over the place. He takes the transfer easily and starts enjoying life which he didn't seem to enjoy in the first place as much. They give you a couple of hints that he still feels young at heart, but it all falls down to picking beautiful women in clubs and having sex in his luxury apartments. This would've made the dilemma much stronger, the choice between retaining his young body and returning a father into the family.
Third, the ending was way too obvious and was super easy to achieve. Damien just gave it up like it mattered nothing to him. He is not nearly believable as a property mogul. There is no transition in him from a selfish person and the self-sacrifice makes no sense. His motivations overall just make no sense. He's way too caring for a random person when it is clearly not his character. I mean, there is so much you can do with this concept. Just make him suffer, try to go to his daughter and reconnect, make her reject his younger version.
Forth, the main "villain's" motivation also makes no sense. He looks like a smart person at first, but as the story progresses he just becomes a money-obsessed crook, and in the end for a minute he spits out childish philosophy.
I mean, I wanted to see the film only for the concept of immortality and it's price, but instead I got lots of pointless action scenes The 6th Day's style.
Also, the main female lead's voice was annoying, sorry.
Maybe I expected too much from Tarsem.
P.S. I love how he was able to put more pointless "weird imagery" in this like he did in the Cage, oh, Tarsem.
First of all, the film looks like it's set in present time, but it handles consciousness transfer as nothing mind-blowing or groundbreaking. Just imagine what can be achieved when you can imprint any human being inside another one. Some great and dangerous ideas are here. But no, the film uses this very poorly. They should've set this far into the future to make it something ordinary or take it more seriously if it was set in modern times.
Second, we don't get nearly enough old Kingsley character to understand his motivations. He's all over the place. He takes the transfer easily and starts enjoying life which he didn't seem to enjoy in the first place as much. They give you a couple of hints that he still feels young at heart, but it all falls down to picking beautiful women in clubs and having sex in his luxury apartments. This would've made the dilemma much stronger, the choice between retaining his young body and returning a father into the family.
Third, the ending was way too obvious and was super easy to achieve. Damien just gave it up like it mattered nothing to him. He is not nearly believable as a property mogul. There is no transition in him from a selfish person and the self-sacrifice makes no sense. His motivations overall just make no sense. He's way too caring for a random person when it is clearly not his character. I mean, there is so much you can do with this concept. Just make him suffer, try to go to his daughter and reconnect, make her reject his younger version.
Forth, the main "villain's" motivation also makes no sense. He looks like a smart person at first, but as the story progresses he just becomes a money-obsessed crook, and in the end for a minute he spits out childish philosophy.
I mean, I wanted to see the film only for the concept of immortality and it's price, but instead I got lots of pointless action scenes The 6th Day's style.
Also, the main female lead's voice was annoying, sorry.
Maybe I expected too much from Tarsem.
P.S. I love how he was able to put more pointless "weird imagery" in this like he did in the Cage, oh, Tarsem.
Like the previous year, the 2015 was also considered the year of sci-fi in the film world. Plenty of large and small scale flicks came out and among them I was eagerly waiting for this one. If the story is what you always prefer with a fine production quality, then this film won't disappoint you. The performances were also well supported. Then what was this film's issue?
The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.
Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.
People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.
My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.
7/10
The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.
Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.
People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.
My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.
7/10
Did you know
- TriviaThe New Orleans house was used as the house in Interview with the Vampire (1994). It also once was owned by Nicolas Cage and the foyer chandelier hangs in the house.
- Goofs(at around 1h 25 mins) When Damian crashes Martin's SUV into the car in front, the airbags of the SUV (as seen from a long distance shot) clearly inflate. On the next shot from inside the car, Damian is still driving with no airbags inflated.
- ConnectionsFeatured in MsMojo: Top 10 Greatest Body Swap Movies (2023)
- SoundtracksBig 1
Performed by Young Fellaz Brass Band
- How long is Self/less?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- In/mortal
- Filming locations
- Ballast Key, Florida, USA(final scene on the island)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $26,000,000 (estimated)
- Gross US & Canada
- $12,279,691
- Opening weekend US & Canada
- $5,403,460
- Jul 12, 2015
- Gross worldwide
- $31,807,156
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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