The Purge

Humans have a natural instinct as predators to kill, but society forces us to repress these feelings by living in a ''civilized'' way....according to new Ethan Hawke led film The Purge, a very interesting concept of a film, which explores a future society in which all crime is allowed for one night a year...

It's 2022 (not actually that far away), and unemployment in America is 1%, crime is at an all-time low, and generally, everybody seems happy, especially James Sandin (Hawke), a rich citizen who makes his fortune selling security systems for houses to use during the annual Purge. Basically the reason why unemployment and crime is so low is because, for one night a year, a Purge occurs, where all crime (murder, raper robbery, the whole lot) is made legal, and no police or emergency services are allowed to interfere. Mad. But also intriguing. James and his family happily avoid the Purge by using a security system outside their large house while the rest of society kills each other, but all that changes when their youngest son Charlie decides to let a stranger into the house......

This starts off as a really captivating film, the concept of legal crime kept me hooked, but soon enough, it descends into a stereotypical action film where Ethan Hawke fights off gangs from his house with a variety of handguns,and all originality gets lost in a haze of bullets (literally). The short running time (85mins) and variety of twists every 5 minutes makes sure that it doesn't get too boring, so overall a decent watch, but nothing that provokes any thinking afterwards.

6/10- A lesser version of Panic Room

It's 2022 in America. Unemployment is at 1% and crime is at an all-time low except one night every year. The law allows many forms of crime including even murder in that 12 hour period. James Sandin (Ethan Hawke) sells home security and is having his best year. He has gathered his family (Lena Headey, Max Burkholder, Adelaide Kane) to wait out the night. Things don't turn out well starting with the daughter's boyfriend. Then the son allows a vagrant to enter their house who is followed by a mob intend on killing that homeless person.

The premise is interesting and original reminding me of Sparta and the Helots. It's certainly a good way to get into a horror movie. However there are a lot of aspects that went uninvestigated in this movie. Everybody has enemies and it's an obvious avenue to go for. For example, he's the best salesman which seems to me to be an obvious reason for other co-workers to kill him. Writer/director James DeMonaco just didn't think through all the possibilities in this world.

The obvious fix is to make the purge be only against the poor and the helpless. There could be rules about harboring the hunted. The family lets in that homeless guy which could make them fair game. I'm willing to not harp on it but I must deduct a point for the mistake.

When the power goes out, the darkness is not a good way to shoot a film. However when the mob gets vehicles which could light up the house, the lighting looks good. All the light and shadows provide great horror opportunities. I wish more of the movie take place in that lighting scheme.

Another missed opportunity is the ticking clock. It could have been a great vehicle for raising the tension. Instead the movie wastes this away by sitting around to run out the clock. It's not the most compelling climax.

It's a great original premise with loads of opportunities. With a few more tweaks, this could be a great horror franchise. It has a built-in morality play. The premise doesn't even need any one particular character to carry it either. This could run for a long time if they put in a few fixes.

The Purge (2013)

Well, this is either the stupidist movie ever or it's a mishmash of something audacious and creative and a slasher film with campy expectations. It doesn't make the grade as a great movie mostly because of an hour of redundant ax-wielding around a big suburban house. But the first half hour is really great—some potential here that went aground fast.

The premise is clear right away: it's the near future, maybe 2021, in the United States. Once a year for twelve hours everyone is allowed to be an ultra criminal without repercussion. None. Kind of like Devil's Night in Detroit without any cops. You can murder, destroy things, be a general naughty boy or girl, and have no criminal consequences the next day. Hurray!

Everything is just okay! Or not.

Well, the reason this works in the first half hour is the calm, steady, well appointed believablility of the acting and scenario in this fancy (upscale American) house. Ethan Hawke plays a great regular, successful, nice Dad. His wife (Lena Headey) is a sweetheart in the clichéd way (she is sadly the typical Hollywood female, incompetent but nice to have around). They have two children in the standard mode, talented and slightly disaffected.

So 7pm rolls around and the family has a fortress of a house (steel doors drop down in front of the windows and doors). So they watch on their monitors the calm and then the lack of calm on the nice street outside, at night. And things go sour badly.

Okay, so a great set up. Of course, if you think about it, it's about as believable as zombies. And so therefore you can go with it if you decide to. So the public can expunge their violence by killing a few people and the other 364 days are crime free. Great. Except, well, uh, really?? Yeah, it implies that we would kill without compunction, and that the next day you would walk by your neighbor, who just killed a few people during the Purge, and say, "Good morning Mrs. Johnson," as if all was fine. And there is no guilt. Or feeling. Or morality.

But that's if you think about it. A lot of Hollywood's idea of the future is not meant to be parsed out and logical. Look at "The Giver," or even (yes) "Avatar." Etc.

So on a simpler level we have the problem of a movie that turns into a slasher film. Because the bad people do, of course, get into the house (you saw that coming) and the family tries to defend itself. This part of the movie is not especially well made, or well acted, or original. It destroys all potential, and makes it a disturbing bore.

I liked the concept of this movie it was engrossing and made me really think. I had hoped this movie would push above average but with certain plot holes and a story that gets weak towards the end it fell within this category. None of the acting stood out apart from Lena Headey. You will want to watch the movie for its concept but find the final product a average thriller action.

I am a movie theatre employee, so I saw this film last night at an employee screening. Going into the movie, I was rather excited. The concept is interesting, and has never been done before. While this movie was not as scary as I had anticipated, I still thoroughly enjoyed it. The antagonists were disturbing, and the movie really shows the struggle between self-preservation and what's right. It is somewhat short, but the makers certainly do get the job done. Plenty of flashlight-and-pistol standoffs and suspenseful scenes make for a movie with an interesting plot, and good acting. The ending was a bit predictable, but did not ruin the movie in my opinion. Not the best that I've seen, but overall a decent flick.