Alice works for "Rebelle" magazine, where she needs to let her hair down to get a promotion. When Balthazar returns a lost USB to Alice, the appearance of dating someone half her age helps h... Read allAlice works for "Rebelle" magazine, where she needs to let her hair down to get a promotion. When Balthazar returns a lost USB to Alice, the appearance of dating someone half her age helps her. Does it get real?Alice works for "Rebelle" magazine, where she needs to let her hair down to get a promotion. When Balthazar returns a lost USB to Alice, the appearance of dating someone half her age helps her. Does it get real?
- Awards
- 1 win total
Pierre Niney
- Balthazar Apfel
- (as Pierre Niney de la Comédie française)
Louis-Do de Lencquesaing
- Julien
- (as Louis-Dominique de Lencquesaing)
Featured reviews
This was surprisingly good and fast paced compared to in bed with Victoria, there was nothing too much dramatic and the characterization was realistic, would recommend ohe time watch. The story was normal, but instead of a anticlimatic "WE CAN'T BE TOGETHER WE MUST BE REALISTIC" kind of stupid tropes, this movie took a different route towards ending and i liked it.
I mean Virginie Efira is gorgeous and Pierre Niney has crazy hair and big soulful eyes and that's reason enough really...
Wasn't a fan of where the story went towards the end, I hate those tropes and it stopped being fun for me.
Also, never ceases to amaze me how lovers with carnal knowledge of each other still employ "vous". It's very disconcerting.
Also, never ceases to amaze me how lovers with carnal knowledge of each other still employ "vous". It's very disconcerting.
The plot is formulaic and predictable for a romantic comedy, except with the interesting twist that this time the two leads have a purportedly 20-year age gap.
I will say that, perhaps because I don't understand Portuguese (I saw a Portuguese dub) and the subtitles weren't of good quality, the dialogue and situations didn't seem to be as bad as they would be in a typical US production. Although maybe that's just up to the novelty of it and it comes from a uniquely French tradition.
What really makes this a compelling film and worth watching, though, is the direction and performances of the two leads. The woman who plays Alice very skillfully conveys a career woman being assailed on all sides and practically shoved into having a relationship that someone in her position in real life would consider absurd, but then coming to develop ambivalent feelings toward the teenager she's forced to spend time with. Now, the romance isn't very well-developed - there's never really any reason for her to be attracted to Balthazar: neither fetish nor dashing confidence nor extreme attractiveness nor skill with women on his part. However, his female counterpart does look like someone whose emotions for the boy germinate despite her logical mind trying to pull away in the opposite direction. It's an internal battle conveyed in half-forced smiles and sighs of half-repressed frustration.
As for the Balthazar actor, he seems to be brimming with attraction and hope toward this older woman. At least on his side, it's a realistic portrayal - an attractive woman unexpectedly gives him the time of day and he does his best to please her, coming to grow attached in the process. It may have been the lighting, but the scene in the auditorium with his eyes twinkling as Alice crushes him slowly was powerful.
Highly enjoyable, to say the least.
Honourable Mentions: Down to You (2000). Boy falls in love with girl but girl wants to devote herself to fun and career. Another pretty decent story about a young man in love with an amivalent woman.
I will say that, perhaps because I don't understand Portuguese (I saw a Portuguese dub) and the subtitles weren't of good quality, the dialogue and situations didn't seem to be as bad as they would be in a typical US production. Although maybe that's just up to the novelty of it and it comes from a uniquely French tradition.
What really makes this a compelling film and worth watching, though, is the direction and performances of the two leads. The woman who plays Alice very skillfully conveys a career woman being assailed on all sides and practically shoved into having a relationship that someone in her position in real life would consider absurd, but then coming to develop ambivalent feelings toward the teenager she's forced to spend time with. Now, the romance isn't very well-developed - there's never really any reason for her to be attracted to Balthazar: neither fetish nor dashing confidence nor extreme attractiveness nor skill with women on his part. However, his female counterpart does look like someone whose emotions for the boy germinate despite her logical mind trying to pull away in the opposite direction. It's an internal battle conveyed in half-forced smiles and sighs of half-repressed frustration.
As for the Balthazar actor, he seems to be brimming with attraction and hope toward this older woman. At least on his side, it's a realistic portrayal - an attractive woman unexpectedly gives him the time of day and he does his best to please her, coming to grow attached in the process. It may have been the lighting, but the scene in the auditorium with his eyes twinkling as Alice crushes him slowly was powerful.
Highly enjoyable, to say the least.
Honourable Mentions: Down to You (2000). Boy falls in love with girl but girl wants to devote herself to fun and career. Another pretty decent story about a young man in love with an amivalent woman.
20 ans d'écart is the prototype of the not fully achieved French comedy, where the premise is rather interesting but doesn't go the distance.
Indeed, the script first sets in a very efficient and rather dynamic way the base of the plot, with a few touches of humour perfectly spicing up the dialogues. But unfortunately, the more the movie goes, the more you realise the writers didn't quite know where to go. The pace drops, the lines become less incisive, and the story struggles to get a second wind until the happy ending.
Overall, the movie is too conventional and doesn't exploit enough its comical resources. The characters lack depth but the duo of actors works well even though Niney overacts a bit, probably due to how his character was written.
Everything isn't to be thrown away therefore, far from it, but with a little more ambition, this could have been a good to very good comedy.
Indeed, the script first sets in a very efficient and rather dynamic way the base of the plot, with a few touches of humour perfectly spicing up the dialogues. But unfortunately, the more the movie goes, the more you realise the writers didn't quite know where to go. The pace drops, the lines become less incisive, and the story struggles to get a second wind until the happy ending.
Overall, the movie is too conventional and doesn't exploit enough its comical resources. The characters lack depth but the duo of actors works well even though Niney overacts a bit, probably due to how his character was written.
Everything isn't to be thrown away therefore, far from it, but with a little more ambition, this could have been a good to very good comedy.
A fair good French comedy. Not very good, not very bad. The main actress is gorgeous and you don't believe a single minute she is 38, but the difference gap works well in the movie. I would recommend it for a cold night. If you don't have a lot of expectations, c'est marrant (you'll have fun!)
Did you know
- TriviaDespite what the title says, the two main actors only have a 12 year age gap.
- SoundtracksI Think I Like U 2
by Jamaica
© 2013 EuropaCorp
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- 20 años no importan
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $12,604,999
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