Dawn of the Planet of the Apes

"I always think... ape better than human. I see now... how much like them we are."

After the magnificent "Rise of the Planet of the Apes" from 2011, Caesar the legendary ape who started the revolution for his species, can show up again in this sequel. It's 10 years later and the world has been decimated thanks to the Simian virus. This flu originated from a genetically engineered virus and ensured that the apes became systematically wiser. The magisterial beginning shows Caesar in close-up and from there it's a run-up to an amazing first 20 minutes in which no human is seen and we witness the ins and outs of the apes commune, who communicate by use of a kind of sign language. They have retreated into a mountainous forest near San Francisco, where they have formed a primitive society with Caesar as the absolute leader. They lead a peaceful existence, not aware of the fact that humanity has survived the pandemic. Until such underdeveloped biped turns up one day and immediately shoots an ape at first sight. And that's the beginning of a very interesting struggle for power between two different cultures with survival instinct, self-preservation and demarcating the territory as a central issue. Eventually you start to wonder who really are the primates.

Is it necessary to see this movie in less than no time because of the original story with surprising twists? Nope, not at all. It's not really that exciting and even a normal chimpanzee can predict the outcome. But, it's the amazing design of the apes and the sometimes real human actions and emotional traits that they show. Probably the fact that the actors are "motion captured" has something to do with it, but it's still breathtaking to watch. At certain moments the CGI wasn't quite correct. Especially the fragments of the horse riding apes. You can notice sometimes that these were computer animations. But that's really nitpicking. The Most part looked lifelike and one can only conclude that the authentic episodes of "Planet of the Apes" from the 60's were irrefutable populated by costumed actors.

The final confrontation between humans and apes, with Caesar, again played by Andy Serkis (who formerly also performed as Gollum in TLotR), and Malcolm (Jason Clarke) as the two righteous leaders of the two parties, is of course inevitable. Clearly a socio-political theme was ingeniously woven throughout the cheap, ordinary Hollywood entertainment. The mutual distrust with revenge as the cause for the sneaky tricks and treachery. One group is angry because the apes are supposedly the origin of the extermination of mankind. The other group is unnerved by the years of abuse in laboratories and a doomed life in captivity. The result, of course is a clash with also some internal feuds and conflicts.

Unfortunately after several memorable and downright masterful film clips, we're treated with some ordinary, cheap action movie scenes. A kind of "Expendables meets The A-Team" with heroically swinging of automatic rifles, rockets whizzing around the ears as if the third world war just began and even a tank broke loose. Next to that a big can of sentimentality is pulled open quickly leading to an engaging conversation between Caesar and his son. And then the curtain falls across this magnificent epos with a picture of a real Messiah who parades among his followers. An open end that yearns for an overwhelming third part. But beyond this kitschy final offensive you can admire a few cinematic gems like the appearing of the apes colony in the big city, where they speak to the crowd in an admonishing tone. You could feel the consternation of the crowd after hearing the first words of Caesar. And also the magnificent mimicry Koba used at one time to deceive two armed men. A moment where CGI and facial expressions blend effortlessly. Yes, that's the reason why you should watch this movie.

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Dawn of the Planet of the Apes is at the same time a great Planet of the Apes movie and a terrific science fiction movie. The way speech is brought upon in the movie is amazing and really brings a lot of reality to something so out of the box. The tension is palpable through the whole movie and there's never a dull moment.

A really great follow up that builds on what the first film set up, and still features fantastic effects, performances and action, even if they still haven't fixed some of the problems with the original. The big issue across these two films is that the human characters are very one-note and bland. Gary Oldman is the only complex human character in it - the rest just have one personality trait that is well explored, if that, and a lot of them make very stupid decisions. But on the flip side, Caesar is a fantastic character, and I really like how the apes' opinions on humans are affected directly by their experiences of them - it makes their characters a lot better. Andy Serkis is still fantastic, and the effects have aged very, very well. The action is really well shot, and has a really nice gritty feel, particularly in the second half. I will say that the first half was a tad slow for me, but I did appreciate how the film spent time building up the characters in order to go all out for the finale. The cinematography is strong and the story is well developed - those opening few minutes really pack a punch now. Overall, I wouldn't call this one of the best sequels of all time, but it is a genuinely great and recommendable film.

Among Hollywood's recent output of mediocre (and in some cases: downright abysmal) remakes of Sci-Fi classics, 'Rise of the Planet of the Apes' was the rare movie which stood out, for it had as much of a brain as it had a heart – plus an original approach to the well-known material and great visuals. Having said that, 'Rise' practically pales in comparison to Matt Reeves' sequel: the upcoming 'Dawn of the Planet of the Apes' is as close to a Science-Fiction masterpiece as a 170 million PG-13 Hollywood summer blockbuster can possibly get.

The storyline picks up ten years after we saw Ceasar and his fellow simian escapees seek refuge in the woods near San Francisco, and although the film's trailers already gave away pretty much everything that happened during that time (and alas, way too much of what will happen), I'm not going to spoil anything for those who carefully avoided watching said trailers. As with all my reviews, instead of giving away any details about the story, I'll elaborate on all other aspects of the movie.

What needs to be mentioned first is what an astonishing achievement 'Dawn' is when it comes to the use of CGI. I'm normally very critical towards the (over-)use of CGI – but the level of craftsmanship displayed here simply has to be admired. It only took me seconds to forget I was watching digital characters (brought to life through the outstanding motion-capture performances by Andy Serkis, Toby Kebbell and Judy Grier – to name but a few), and I can't begin to imagine what a task it must have been for the artists and wizards in the animation department to work on every background and every tiny little detail of every character until this level of seamlessness and reality could be achieved.

But nearly every other aspect of the movie has been realized equally well: Michael Giacchino's haunting musical score fits and reflects the drama on screen perfectly, while the – often terrifying – beauty of the images on screen had me immediately wondering who the DoP was (now I know: Michael Seresin, the genius veteran DoP of such classics as 'Midnight Express' and 'Angel Heart'). When it comes to the action; well, 'Dawn' is not your usual summer blockbuster. This is no light-hearted, comic-book-style fantasy film with fun, over-the-top action scenes. What we have here is a gritty, realistic portrayal of a slowly escalating conflict, and when we do get to the battle scenes in the third act, those scenes are a spectacular, mesmerizing visual feast (and ultimately heart breaking).

But the core of this film – and also the reason why the action scenes in the third act really do have an impact and all the mayhem really gets to you – is the intelligent, skilfully told story with its well-drawn, believable characters (portrayed by equally believable actors). The tragic simian/human conflict mirrors our real – and very human – past and present day wars and social frictions in a very credible way and thus makes this film resonate far beyond what any mere Sci-Fi premise would let you expect.

So my verdict: With its beautiful imagery, highly relevant story and breath-taking effects, 'Dawn of the Planet of the Apes' is as close to a Science-Fiction masterpiece as its mass-audience orientated constrictions allowed it to be (which – in this case – is very close); an astonishing achievement and highly recommended. 9 stars out of 10.

Favorite Films: http://www.imdb.com/list/ls054200841/

I love the stories around "Planet of Apes" in their different adaptations. but "Dawn of the Planet of the Apes" is more than a good film from the serie. it has a powerfull, convincing, dramatic story. it has CGI as basic tool and that is fantastic for the art to use it not as jewel but as the right tool. it has the perfect cast. and it is a smart mix of parable, warning, feelings and picture of human virtues and sins. it has all the chances to be one of films proposing the new perspective about the near reality. that does it special. and more than a cityplex movie. but a good opportunity to reflect, in not conventional way, about the future of mankind. and that does it a real remarkable film.