Annie is girl with no moral compass, thanks to a complete lack of parental supervision. One day, while playing in the woods, a voice calls out to her from deep within an abandoned well, caus... Read allAnnie is girl with no moral compass, thanks to a complete lack of parental supervision. One day, while playing in the woods, a voice calls out to her from deep within an abandoned well, causing her to consider the right course of action.Annie is girl with no moral compass, thanks to a complete lack of parental supervision. One day, while playing in the woods, a voice calls out to her from deep within an abandoned well, causing her to consider the right course of action.
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10EyesTea
Having been a long-time fan of the Zellner Bros.' work, I was pretty eager to see their latest feature. Needless-to-say, KID-THING did not disappoint. I loved every second of it, and can't wait to see it again!
Newcomer, Sydney Aguirre, gives a break-out performance as Annie -- a friendless, essentially parent-less, 11 year old who roams around her east-Texas town wreaking havoc. One day, while hanging out alone in the woods, Annie comes across a woman at the bottom of a well (voiced by Hollywood legend, Susan Tyrrell). The cast is rounded out by the Zellner Bros. themselves (who are delightful as usual), and a host of interesting characters -- a catatonic, young birthday girl, a blind, backwards-guitar playing singer, lots and lots of farm animals (alive and dead), etc.
I can't recommend this film enough. Check it out if you get the chance!
Newcomer, Sydney Aguirre, gives a break-out performance as Annie -- a friendless, essentially parent-less, 11 year old who roams around her east-Texas town wreaking havoc. One day, while hanging out alone in the woods, Annie comes across a woman at the bottom of a well (voiced by Hollywood legend, Susan Tyrrell). The cast is rounded out by the Zellner Bros. themselves (who are delightful as usual), and a host of interesting characters -- a catatonic, young birthday girl, a blind, backwards-guitar playing singer, lots and lots of farm animals (alive and dead), etc.
I can't recommend this film enough. Check it out if you get the chance!
The pizza was crunchy but with ample topping. It looked delicious and sounded delicious and I've never seen any food in a film that I've wanted more because of the way it was portrayed on film. The movie itself was as shallow as it gets, but these guys could definitely have a promising career in making pizza commercials.
The movie really sets very high goals. And I guess you could talk quite a bit about that ending. But I'll leave that up to you (if you are willing to go the whole distance that is). The thing is that while the main actor (a child) is really good in what he is doing, he is absolutely not likable. Even if you take into account that it's not really the fault of the kid (the kid does not have supernatural powers or anything else like that).
The director was there (with his brother, who is in the movie) and did explain a few things. Again the intentions were very good, but I do feel the movie fails in a few aspects of it. It remains mysterious until the end, which you either think is a good thing or will make you loathe the movie even more. Very strange pace and not really with mass appeal
The director was there (with his brother, who is in the movie) and did explain a few things. Again the intentions were very good, but I do feel the movie fails in a few aspects of it. It remains mysterious until the end, which you either think is a good thing or will make you loathe the movie even more. Very strange pace and not really with mass appeal
But more destructive as this lil' girl has her wits about her; but later, after some stuff, I was like oh no, this girl is so terrible, and then I was like this girl just needs a lil' help and then at the very end I was like --- this lil' girl what? Period...
Oh no! and that is the end...
I just wow, really really good script defnitely the metaphors and the themes and all are really nice and then the end and I'm like wait what?
Please someone expound ??????? expatiate something!! pray please!
Oh no! and that is the end...
I just wow, really really good script defnitely the metaphors and the themes and all are really nice and then the end and I'm like wait what?
Please someone expound ??????? expatiate something!! pray please!
A truly independent American production, Kid-Thing was produced, written, directed, recorded and shot by the Texan Zellner Brothers. And if one of them was a 10 year old girl, they would have taken the lead role as well, but seeing as they're not, the brothers instead play her father, Marvin, and his dumb ass sidekick Caleb.
Annie is a 10 year old girl living in a rundown Hicksville town somewhere in Texas. With no apparent friends and a father who pays little attention to her, she lives on a diet that consists almost entirely of sweets (breakfast is a big multicoloured bowl of them, with milk) and spends her days ambling through the streets and surrounding woodland, setting off firecrackers, pelting things at cars and various other acts of minor vandalism.
At first this looks like it's shaping up to be a southern fried American take on the social realist work of another hardworking pair of film making siblings, Belgium's Dardennes Brothers. But a couple of scenes in, things take a different turn when Annie stumbles across a hole in the ground and hears an old woman calling for help. She returns with food to feed the mysterious voice, who identifies herself as Esher, but refuses her pleas to help her get out of there.
We are now in a quirky fairy tale world where everything is just a little off kilter. The brothers delight in scene after scene of unexpected comic moments that make ingenious use of the locations, props and people they had to hand – a rotting dead cow, a blind guitarist who can sing and play songs backwards (a Kings of Leon number, at a guess), a hypnotised chicken - and the little details - dead cockroaches on the windowsill, weeds sprouting through paving slabs, a tramp sleeping under newspaper at a bus stop. It's worth seeing just Annies unique sandwich making technique.
The brothers made a brave choice in casting Sydney Aguire as Annie, who doesn't fit the cute kid role that is normally required for this sort of thing. Instead we get a tomboyish force of nature with a cruel, destructive streak, but who is also sensitive enough to convey a whole host of emotions and to always keep us guessing as to what she will do next.
Annie is a 10 year old girl living in a rundown Hicksville town somewhere in Texas. With no apparent friends and a father who pays little attention to her, she lives on a diet that consists almost entirely of sweets (breakfast is a big multicoloured bowl of them, with milk) and spends her days ambling through the streets and surrounding woodland, setting off firecrackers, pelting things at cars and various other acts of minor vandalism.
At first this looks like it's shaping up to be a southern fried American take on the social realist work of another hardworking pair of film making siblings, Belgium's Dardennes Brothers. But a couple of scenes in, things take a different turn when Annie stumbles across a hole in the ground and hears an old woman calling for help. She returns with food to feed the mysterious voice, who identifies herself as Esher, but refuses her pleas to help her get out of there.
We are now in a quirky fairy tale world where everything is just a little off kilter. The brothers delight in scene after scene of unexpected comic moments that make ingenious use of the locations, props and people they had to hand – a rotting dead cow, a blind guitarist who can sing and play songs backwards (a Kings of Leon number, at a guess), a hypnotised chicken - and the little details - dead cockroaches on the windowsill, weeds sprouting through paving slabs, a tramp sleeping under newspaper at a bus stop. It's worth seeing just Annies unique sandwich making technique.
The brothers made a brave choice in casting Sydney Aguire as Annie, who doesn't fit the cute kid role that is normally required for this sort of thing. Instead we get a tomboyish force of nature with a cruel, destructive streak, but who is also sensitive enough to convey a whole host of emotions and to always keep us guessing as to what she will do next.
Did you know
- TriviaSusan Tyrrell's final film.
- Crazy creditsNo critters were harmed in the making of this film.
- SoundtracksLes Amis (Cues)
Written by François de Roubaix
Details
- Runtime
- 1h 23m(83 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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