Financial TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor takes them and their crew as hostage.Financial TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor takes them and their crew as hostage.Financial TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor takes them and their crew as hostage.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Caitríona Balfe
- Diane Lester
- (as Caitriona Balfe)
Dola Rashad
- Bree (The Assistant)
- (as Condola Rashad)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Fairly tense thriller with unexpected laughs
Considering this is a pretty intense movie about a desperate guy threatening to shoot and blow up people, this movie had moments of unexpected humour. The whole cinema was laughing at various points. Which was very cleverly done by director, Jodie Foster. The movie is well scripted and well acted. Clooney and Roberts clearly enjoy working together (just don't remind me of Ocean's 12). I agree with the other reviewer who said the movie should have just stopped with the return to the foosball table, and not gone for the schmaltzy hospital scene. Not the greatest movie of the year and not Oscar-worthy, but well worth the price of the movie ticket. Can't understand why it's only got a rating of 6.8 on IMDb.
6.5/10
Despite a failure to realize its full potential and become something like this decade's "Inside Man", which ironically Jodie Foster stars in and from which the film clearly takes a page or two, "Money Monster"is a fine thriller that doesn't run too low on adrenaline or surprise and even manages to squeeze in some genuine commentary and emotion.
What the film has to be commended for is for not presenting an easy way out of things. It presents an enormous amount of ideas and moralities and doesn't cheapen things to black and white. The fact is that this variety and complexity of points of views isn't brought to the screen in the most organic way. If you compare every story beat to a brick in a wall I'd say the wall stands up overall because of a major presence of strong bricks in it, but it is repeatedly undermined by the lesser, but notable percentage of weaker beats.
Many times when you think the film has finally won you over, in comes something, an out of place action or a character, that really takes you out of the groove. Yet, also the exact opposite is true: for every time I thought the movie just did something that it wouldn't be able to recover from, in came a new twist that sparked my interest again. What it ultimately comes down to is the fact that the screenplay always keeps giving some new challenge to the characters or the audience, it is relentlessly paced and so despite the fact that some don't work, the majority do and it is always fresh enough for the viewer to put aside what is not working and focus on the interesting parts.
Talking about the parts that don't work, I noticed the film does a little too much spoon feeding to the audience. Sometimes situations aren't given a chance to breathe and make the editing do the storytelling and we are fed exposition by characters or the characters themselves overcome an obstacle or further the story by coincidence and you aren't really sold on why some of the stuff that's happening is happening. That's the inherent problem of the film, which it never overcomes, you are never 100% free of doubt or hesitation on character motivation or plot developments and that deeply undermines the overall structure of the thriller. All the problematic parts arise because of a lack of subtlety in them.
That is frustrating when you consider the fact that there is a lot subtlety in the film which works and which ultimately makes this a good ride. When it is not preaching to you the film really has it, characters, performances, Jack O'Connel is really great in this, cinematography, script, these elements are all in good place. As I said before, the majority of the moral issues that are presented to you work because they are all in the subtext of what is going on, those parts make for a thrilling watch, it's when it got too on the nose that it really bothered me.
I loved the setup, the cast, the conversation it brought up, the tight pace, I just wish it could have trusted the audience a little more and focused on less fancy material at times to bring a more complete film together.
What the film has to be commended for is for not presenting an easy way out of things. It presents an enormous amount of ideas and moralities and doesn't cheapen things to black and white. The fact is that this variety and complexity of points of views isn't brought to the screen in the most organic way. If you compare every story beat to a brick in a wall I'd say the wall stands up overall because of a major presence of strong bricks in it, but it is repeatedly undermined by the lesser, but notable percentage of weaker beats.
Many times when you think the film has finally won you over, in comes something, an out of place action or a character, that really takes you out of the groove. Yet, also the exact opposite is true: for every time I thought the movie just did something that it wouldn't be able to recover from, in came a new twist that sparked my interest again. What it ultimately comes down to is the fact that the screenplay always keeps giving some new challenge to the characters or the audience, it is relentlessly paced and so despite the fact that some don't work, the majority do and it is always fresh enough for the viewer to put aside what is not working and focus on the interesting parts.
Talking about the parts that don't work, I noticed the film does a little too much spoon feeding to the audience. Sometimes situations aren't given a chance to breathe and make the editing do the storytelling and we are fed exposition by characters or the characters themselves overcome an obstacle or further the story by coincidence and you aren't really sold on why some of the stuff that's happening is happening. That's the inherent problem of the film, which it never overcomes, you are never 100% free of doubt or hesitation on character motivation or plot developments and that deeply undermines the overall structure of the thriller. All the problematic parts arise because of a lack of subtlety in them.
That is frustrating when you consider the fact that there is a lot subtlety in the film which works and which ultimately makes this a good ride. When it is not preaching to you the film really has it, characters, performances, Jack O'Connel is really great in this, cinematography, script, these elements are all in good place. As I said before, the majority of the moral issues that are presented to you work because they are all in the subtext of what is going on, those parts make for a thrilling watch, it's when it got too on the nose that it really bothered me.
I loved the setup, the cast, the conversation it brought up, the tight pace, I just wish it could have trusted the audience a little more and focused on less fancy material at times to bring a more complete film together.
Money Monster is your typical hostage thriller with a predictable ending, but the surprising twists keep you guessing and at the edge of your seat.
Money Monster features George Clooney as one those loud obnoxious Finance TV hosts. It also features Julia Roberts as the shows director. However, when an angry investor played by Jack O'Connell, breaks into the studio and holds George Clooney hostage till he gets some answers, George Clooney has to do anything he can to stay alive.
I originally went into this movie with relatively low expectations. I thought the plot was going to be predictable and boring, but overall, I found it to be very entertaining.
The Good:
The performances. You can always expect a good performance from George Clooney And you can honestly say the same thing about Julia Roberts. That being said this is the 3rd movie that features Jack O'Connell in a leading role and let me just say that he is quickly becoming one of my favorite actors. At this point, I think he can do no wrong.
The next thing I liked were the clichés in the movie. This movie reminded me a lot of John Q in that it is a normal person standing up for something he knows is right, even though the means might not have been the best. That being said, even though many of the hostage clichés that you get in movies like John Q, the Negotiator, and The Inside Man, are still here the result of the clichés took a completely different turn. So although I thought they were going to be cliché, they actually turned out to be completely unique.
Money Monster was also surprisingly funny. Now don't get me wrong, I wouldn't call it a comedy by any stretch of the imagination because there were moments that were roll-you-eyes obnoxious, most of which came from the TV shows production, but there were definitely moments where I found myself laughing out loud.
The Ehh:
As I said already I liked how the movie would start a plot point with a cliché and then completely turn it on it's head. I only wish the same thing could be said about the ending. I figured out roughly how the movie was going to end by about 5 minutes into the movie. It was pretty obvious where they were going, but it was still refreshing how they ended up getting there.
The Bad:
The dang TV show that George Clooney's character hosted. I can't stand shows like Mad Money, and Money Monster is an extreme version of that. Luckily the main story line started pretty quickly so I didn't have to see too much of it.
Recommendation:
Even though Money Monster is your typical hostage thriller with a predictable ending, the great acting and surprising twists keep you guessing and at the edge of your seat. For those reasons I recommend that this movie should be seen in theaters. Visit Unpopped Review for more movie review from a movie lover, not a movie critic.
I originally went into this movie with relatively low expectations. I thought the plot was going to be predictable and boring, but overall, I found it to be very entertaining.
The Good:
The performances. You can always expect a good performance from George Clooney And you can honestly say the same thing about Julia Roberts. That being said this is the 3rd movie that features Jack O'Connell in a leading role and let me just say that he is quickly becoming one of my favorite actors. At this point, I think he can do no wrong.
The next thing I liked were the clichés in the movie. This movie reminded me a lot of John Q in that it is a normal person standing up for something he knows is right, even though the means might not have been the best. That being said, even though many of the hostage clichés that you get in movies like John Q, the Negotiator, and The Inside Man, are still here the result of the clichés took a completely different turn. So although I thought they were going to be cliché, they actually turned out to be completely unique.
Money Monster was also surprisingly funny. Now don't get me wrong, I wouldn't call it a comedy by any stretch of the imagination because there were moments that were roll-you-eyes obnoxious, most of which came from the TV shows production, but there were definitely moments where I found myself laughing out loud.
The Ehh:
As I said already I liked how the movie would start a plot point with a cliché and then completely turn it on it's head. I only wish the same thing could be said about the ending. I figured out roughly how the movie was going to end by about 5 minutes into the movie. It was pretty obvious where they were going, but it was still refreshing how they ended up getting there.
The Bad:
The dang TV show that George Clooney's character hosted. I can't stand shows like Mad Money, and Money Monster is an extreme version of that. Luckily the main story line started pretty quickly so I didn't have to see too much of it.
Recommendation:
Even though Money Monster is your typical hostage thriller with a predictable ending, the great acting and surprising twists keep you guessing and at the edge of your seat. For those reasons I recommend that this movie should be seen in theaters. Visit Unpopped Review for more movie review from a movie lover, not a movie critic.
"Money Monster" is well worth your hard-earned cash.
If someone were to enter your home and steal from you, naturally, you'd be angry. You'd want to see that person caught and to pay for the crime and, if possible, to get your money back. When someone commits financial crimes, it's a little harder to accomplish all that, but the first step after the crime (or unethical behavior) comes to light is to assign blame. It also happens to be cathartic. As cathartic as movies can be, they've been a useful tool over the years for venting our collective rage over such misuse of our money and/or showing us how these things happen. Some of the better and/or more notable examples include "Trading Places" (1983), "Wall Street" (1987), "Barbarians at the Gate" (1993), "Boiler Room" (2000), "Enron: The Smartest Guys in the Room" (2005), "Capitalism: A Love Story" (2009), "Margin Call" (2011), "Arbitrage" (2012), "The Wolf of Wall Street" (2013) and, in 2015 alone, "99 Homes" and the Best Picture Oscar nominee "The Big Short". 2016 brings us "Money Monster" (R, 1:38), starring Oscar winners George Clooney and Julia Roberts and directed by 2-time winner Jodie Foster.
Clooney is Lee Gates, the cocky and flamboyant host of a financially-themed NYC-based TV show called "Money Monster". It's high finance meets entertainment (similar to CNBC's "Mad Money", hosted by Jim Cramer) and it features Lee and his oversized personality both advising and amusing investors. Lee's long-time producer, Patty Fenn (Julia Roberts), keeps things stock-ticking along but is suddenly forced to become a hostage negotiator, crisis manager and investigative journalist when a man with a gun and a bomb takes over the studio (during a live broadcast!) and takes Lee hostage. Viewers first think that this is just another one of Lee's on-air stunts, but it's all too real (even though it's just a movie, of course).
The desperate, well-armed man is Kyle Budwell (Jack O'Connell, from Angelina Jolie's 2014 WWII epic "Unbroken"), an ordinary working man who lost his nest egg of $60,000 after investing in a stock that Lee recommended on the air, with his usual showmanship and a little hyperbole. The day after the company loses $800,000,000, Kyle holds his gun to Lee's head and demands answers. The company's public relations COO, Diane Lester (Caitriona Balfe) does a live interview with Lee, but simply spouts corporate rhetoric about a mysterious computer glitch, while CEO Walt Camby (Dominic West) is MIA.
As Lee wears an explosive vest which Kyle threatens to detonate, Lee and Patty use their professional talents to satisfy Kyle's demands that he be able to air his grievances publicly and try to diffuse the situation by getting him some real answers. Outside the studio, Patty has help from staffers Ron and Bree (Christopher Denham and Condola Rashad) and the police, under Captain Powell (Giancarlo Esposito from TV's "Breaking Bad" and "Revolution"), strategize. While Ron is (literally) running around town, Bree keeps an eye on the police. The NYPD bring in Kyle's girlfriend (Emily Meade) to try to talk her boyfriend down, which doesn't exactly go well, and then they hatch a risky plan, to which Lee would certainly object, if he knew about it. Diane does her level best to get Lee and Kyle the answers they seek, but is stymied by CFO Avery Goodloe (Dennis Boutsikaris) and with their mutual boss traveling and being incommunicado. The characters (and Movie Fans) eventually get some answers, but only after scenes in South Korea, Iceland and South Africa and back in the Big Apple after Camby's plane finally lands.
"Money Monster" is a taut and entertaining thriller. Within the film's economical running time, Foster keeps things moving and injects several lighter moments, while also managing excellent character development, which her perfectly-cast and very talented actors sell with aplomb. The script, which was developed by three different writers over the course of more than three years, features dialog that feels true, but packs an unrealistic amount of investigative success into a very narrow time frame. All this results in an indictment of some financial practices which doesn't simply trash capitalism, and a message movie which never forgets that is must entertain in order to deliver its timely message effectively. "B+"
Clooney is Lee Gates, the cocky and flamboyant host of a financially-themed NYC-based TV show called "Money Monster". It's high finance meets entertainment (similar to CNBC's "Mad Money", hosted by Jim Cramer) and it features Lee and his oversized personality both advising and amusing investors. Lee's long-time producer, Patty Fenn (Julia Roberts), keeps things stock-ticking along but is suddenly forced to become a hostage negotiator, crisis manager and investigative journalist when a man with a gun and a bomb takes over the studio (during a live broadcast!) and takes Lee hostage. Viewers first think that this is just another one of Lee's on-air stunts, but it's all too real (even though it's just a movie, of course).
The desperate, well-armed man is Kyle Budwell (Jack O'Connell, from Angelina Jolie's 2014 WWII epic "Unbroken"), an ordinary working man who lost his nest egg of $60,000 after investing in a stock that Lee recommended on the air, with his usual showmanship and a little hyperbole. The day after the company loses $800,000,000, Kyle holds his gun to Lee's head and demands answers. The company's public relations COO, Diane Lester (Caitriona Balfe) does a live interview with Lee, but simply spouts corporate rhetoric about a mysterious computer glitch, while CEO Walt Camby (Dominic West) is MIA.
As Lee wears an explosive vest which Kyle threatens to detonate, Lee and Patty use their professional talents to satisfy Kyle's demands that he be able to air his grievances publicly and try to diffuse the situation by getting him some real answers. Outside the studio, Patty has help from staffers Ron and Bree (Christopher Denham and Condola Rashad) and the police, under Captain Powell (Giancarlo Esposito from TV's "Breaking Bad" and "Revolution"), strategize. While Ron is (literally) running around town, Bree keeps an eye on the police. The NYPD bring in Kyle's girlfriend (Emily Meade) to try to talk her boyfriend down, which doesn't exactly go well, and then they hatch a risky plan, to which Lee would certainly object, if he knew about it. Diane does her level best to get Lee and Kyle the answers they seek, but is stymied by CFO Avery Goodloe (Dennis Boutsikaris) and with their mutual boss traveling and being incommunicado. The characters (and Movie Fans) eventually get some answers, but only after scenes in South Korea, Iceland and South Africa and back in the Big Apple after Camby's plane finally lands.
"Money Monster" is a taut and entertaining thriller. Within the film's economical running time, Foster keeps things moving and injects several lighter moments, while also managing excellent character development, which her perfectly-cast and very talented actors sell with aplomb. The script, which was developed by three different writers over the course of more than three years, features dialog that feels true, but packs an unrealistic amount of investigative success into a very narrow time frame. All this results in an indictment of some financial practices which doesn't simply trash capitalism, and a message movie which never forgets that is must entertain in order to deliver its timely message effectively. "B+"
Tension Heavy but Predictable
Money Monster is financial crime thriller directed by Jodie Foster. It centers around Lee Gates (George Clooney) a financial reporter and Patty Fenn (Julia Roberts), his executive producer as they are in the midst of a hostage situation being run by Kyle Budwell (Jack O'Connell) as he attempts to get answers as to why 800 million dollars was lost by a financial company that Gates recommended everyone buy stock in.
Being that the majority of the film takes place in a secluded area with our three main characters, Jodie Foster does a great job making sure that the film never feels claustrophobic. Part of this is due to the performances of George Clooney and Jack O'Connell. The two of them spend the majority of the screen time together and they have great chemistry. It almost reminded me of the strange yet surprisingly believable chemistry between Bryan Cranston and Aaron Paul in Breaking Bad. Throughout the hour and forty minute run length, the two of these characters have extremely development that is represented extremely well by the two of their performances. They each portray a believable character as we see under each of their fake personalities and truly digest the fact that they are just regular people.
Throughout the entire film, my heart was pounding. The tension was extremely well written and directed as we are constantly worried that Budwell's thumb could slip at the slightest of moments. The movie doesn't just use one type of tension--it moves some scenes slow and other scenes are much more fast paced. But I can tell you this; throughout the whole film, I was on the edge of my seat, constantly waiting to see what would happen next. A lot of this is due to the well done pacing. The mix between humor, drama and tension made the film feel more realistic. When the movie went from drama to action based, it felt natural as opposed to being forced onto the audience for the sake of just having an action scene.
Now let's get into why this film isn't phenomenal. First of all, the sheer predictability of the film. From about 10 minutes in, I knew exactly how the movie was going to end. This did take away from the film for me, as there were times that I almost wasn't nervous for the characters as the big "twist" at the end could be seen coming from a mile away.
Julia Roberts was just okay in this movie. She didn't necessarily take away from the film, but she certainly didn't add to the quality of it with her performance. She felt somewhat bland at points and only had a couple of moments where she really came out to shine
The beginning 10 minutes was extremely rushed. An extra few minutes onto the film wouldn't have killed them. Instead, it probably would have helped them. Kyle is on the set within at least 5 minutes of the film and it would have been nice to have a little more introduction to Gates and to see a little more about the crash that happened with the market.
Overall, I really enjoyed the film. It held my attention and had believable pacing, but the predictability did take away a far bit for me.
7/10
Being that the majority of the film takes place in a secluded area with our three main characters, Jodie Foster does a great job making sure that the film never feels claustrophobic. Part of this is due to the performances of George Clooney and Jack O'Connell. The two of them spend the majority of the screen time together and they have great chemistry. It almost reminded me of the strange yet surprisingly believable chemistry between Bryan Cranston and Aaron Paul in Breaking Bad. Throughout the hour and forty minute run length, the two of these characters have extremely development that is represented extremely well by the two of their performances. They each portray a believable character as we see under each of their fake personalities and truly digest the fact that they are just regular people.
Throughout the entire film, my heart was pounding. The tension was extremely well written and directed as we are constantly worried that Budwell's thumb could slip at the slightest of moments. The movie doesn't just use one type of tension--it moves some scenes slow and other scenes are much more fast paced. But I can tell you this; throughout the whole film, I was on the edge of my seat, constantly waiting to see what would happen next. A lot of this is due to the well done pacing. The mix between humor, drama and tension made the film feel more realistic. When the movie went from drama to action based, it felt natural as opposed to being forced onto the audience for the sake of just having an action scene.
Now let's get into why this film isn't phenomenal. First of all, the sheer predictability of the film. From about 10 minutes in, I knew exactly how the movie was going to end. This did take away from the film for me, as there were times that I almost wasn't nervous for the characters as the big "twist" at the end could be seen coming from a mile away.
Julia Roberts was just okay in this movie. She didn't necessarily take away from the film, but she certainly didn't add to the quality of it with her performance. She felt somewhat bland at points and only had a couple of moments where she really came out to shine
The beginning 10 minutes was extremely rushed. An extra few minutes onto the film wouldn't have killed them. Instead, it probably would have helped them. Kyle is on the set within at least 5 minutes of the film and it would have been nice to have a little more introduction to Gates and to see a little more about the crash that happened with the market.
Overall, I really enjoyed the film. It held my attention and had believable pacing, but the predictability did take away a far bit for me.
7/10
Did you know
- TriviaFor scheduling reasons, Julia Roberts and George Clooney worked together very little in this film. All of the 'Money Monster' TV show, within the movie, were shot first, using both broadcast TV cameras and movie cameras. Then the entire TV show and everything that happened in the TV studio and was seen in the control room and broadcast live was edited and synchronized together. Then synchronized playback filling all 140 monitors in a working CBS control room, was played back for each scene with Julia Roberts interacting with the prerecorded George Clooney on the screens. The control room scenes were shot at the CBS Broadcast Center in an actual working control room. Pre-recorded clips of the TV studio were played back on various locations so that actors could react to the 'live' TV show. The 'Money Monster' studio set was built at Kauffman Astoria Studios and all scenes happening on that set were shot several weeks before the control room scenes were shot. George Clooney and Julia Roberts were briefly together for a scene on the TV studio floor set and for the hospital scene at the end of the film.
- GoofsThe wireless, handheld camera Lenny uses towards the end of film wouldn't be able to transmit while in the elevator. Unless receiving equipment was placed along the route between the studio and Federal Hall, and again inside Federal Hall, he wouldn't be able to transmit from there, either.
- Quotes
Patty Fenn: [final line] So what the hell kind of show are we going to do next week?
- SoundtracksWhat Makes The World Go Round? (MONEY!)
Written by Dan The Automator (as Daniel Nakamura) and Del the Funky Homosapien (as Teren Delvon Jones)
Produced by Dan The Automator
Performed by Dan The Automator featuring Del the Funky Homosapien
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- El maestro del dinero
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $27,000,000 (estimated)
- Gross US & Canada
- $41,012,075
- Opening weekend US & Canada
- $14,788,157
- May 15, 2016
- Gross worldwide
- $93,282,604
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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