Departure

This is one of those character driven movies that draw you in from beginning to end.

The movie follows mother and son over a week as they pack up a vacation home and ready it for sale. They meet a local boy enters their lives and complicate matters.

Although slow moving at times, I found this a fascinating watch with believable characters and situations.

This is a simple story that has so many layers that it becomes completely complex. Beatrice (Juliet Stevenson) is going through a marital crisis and she has brought her son – Elliot (Alex Lawther 'X and y') to help her pack up their idyllic summer home in rural France; it having become another victim to the relationships deterioration. Then Elliot sees a local lad swimming in the reservoir – which is strictly not allowed – and decides he has to get to know this boy better – a lot better.

This is Clement and he is a force of nature , all emotion and rough hewed charm and his arrival makes the simple act of closing down one part of their lives become more about opening up what – until then – had remained closed off in their lives.

This is beautifully filmed and acted to perfection. It is almost painfully honest in places and the raw emotions are both riveting and almost repulsive in equal measure. This is a film that seems to take its time but it really doesn't it is strong and measured and the characters seem completely real. The depth of the story is as complex as reality often is and strikes home all the more forcefully for it. In short this is an absolutely stunning film that is worth all the plaudits and more.

This film bears a similarity to Call Me By Your Name in the way that it has been filmed. The cameraman has an artists eye and it has been recorded in some beautiful locations. And it's about a young boys teenage experiences. It also bears a resemblance to Food Of Love and not just because Juliet Stevenson plays the mother of a gay lad in that one too, but the semi-love triangle is a common motif. I'm beginning to think she may be a little type cast?

It's a nice story, although it doesn't really get anywhere. I like something with a good ending personally. It's full of passion and emotion which creates drama. I can't help wondering whether I should feel bad that I've never felt so angry or confused that I've acted out in some of the ways portrayed here. Or should I feel happy that I deal with my drama better?

I felt that the lead, played by Alex Lawther was acted very well. An eccentric character with many quirks who can't have been easy to play. The character of Clement was cute, so he kept me watching and his story was interesting anyway. I don't really feel that the Dad was needed in the film and we could have seen the reactions to him from phone calls, rather than in the flesh and in fact his side of things didn't really add anything.

I might like to see a follow up film showing what happened next as, like I say, it all seems a bit open ended.

Worth a watch and I would consider buying it to keep in my DVD collection.

Excellent film. Beautiful backdrop of rural Languedoc in autumn, natural peaceful and unspoiled whilst the lives of the characters portrayed are anything but. I do not agree at all with those reviewers here who give the movie a panning. I thought it was very sensitively handled and there was a lot of authenticity and insight into young Elliott's first gay fumblings.

Yes, some bits of dialogue and screenplay were a bit clunky and wooden, especially when the father arrived towards the end of the film. But I really enjoyed the interaction and exploration between the two young men: lonely young gay English lad bored with his mother on holiday bumps into sexy athletic moody young Frenchman , OK you could say it is 'cliched', but so much of our lives are unoriginal, but no less exciting when it happens to us for the first time at that age. I saw a lot of myself in Elliott.

One of the most enjoyable gay movies I have seen in a long time. And the fact there was very little sex in it was not a problem at all. It improved the narrative. Less is more in this case. Well done Andrew Steggall.

Teenage Elliott and his mother Beatrice return for one last time to the beautiful family house in South-West France in the autumn, to pack up and sell it. Whilst there, they meet someone who touches them both.

"Do you think you can know something before it happens?" asks the young Elliott. As the autumn leaves fall and Elliott explores his sexuality, he realises the summer of innocence is gone forever.

Juliet Stevenson and Alex Lawther are perfect in this haunting film. The photography is stunningly beautiful and complimented by a wonderful soundtrack including Oliver Daldry.

This is a film you will want to see again.