The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.
- Won 3 BAFTA Awards
- 31 wins & 35 nominations total
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The only reason why I'm not giving it a 10/10 is because I have to leave a little room for humbleness. However, without a doubt, one of the best TV dramas that I have ever seen. It blends human frailty, melodramatic egos among professionals, frigid and temperamental relationships among small town residents, child anxieties, and mistrust, in a very artful way. It also shows the very real side of how people are often confused and blameworthy against everyone especially with the most flimsy of evidence.
I probably could come up with more adjectives, and penetrating analysis, but perhaps it is better for those who haven't seen, to see. It left me in tears at the end. I think about my own children, my own family, and it left me with a strange feeling of uncertainty and doubt. It will take me a long time to shake that.
Very good story-telling!
I probably could come up with more adjectives, and penetrating analysis, but perhaps it is better for those who haven't seen, to see. It left me in tears at the end. I think about my own children, my own family, and it left me with a strange feeling of uncertainty and doubt. It will take me a long time to shake that.
Very good story-telling!
I can't say too much how much I enjoyed this series. Unlike most murder dramas, this story isn't about autopsies and gunfights. It's about human nature. It's about the tragedy of the murder of a child. It's about the court of public opinion, the sinister nature of irresponsible journalism, the failures, frailties and flaws of our fellow human beings. This is 'Shakespeare writes a detective story'.
Chris Chibnall has now gone to the top of my list as a writer. It was beautifully done. In no way has he broken the cardinal rule of show, don't tell. Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings, and with no character is this more obvious than our protagonist, DI Alec Hardy, masterfully played by David Tennant as the world-weary detective with secrets of his own and a shadowy past. He is so wonderfully written by Chibnall and executed by Tennant that we find ourselves won over by a character that on the surface is quite unlikable. Tennant's performance has, IMO, overshadowed his role in Doctor Who with this work. He has proved before that he's far more than the Tenth Doctor. With his Hardy, he made me forget about all other roles.
Olivia Colman, too, is wonderful. Her character enjoys a growth that's wonderful to behold. Colman is as good as any actress out there. I've seen her before, but with her Ellie Miller, she has captured me completely.
In fact not a single actor or actress was badly chosen. From eldest to youngest and male and female, all of them turned in sterling performances. Even the dog! I was especially pleased with Arthur Darvill. Young Adam Wilson, who played Tom Miller, was quite impressive as well.
This series is what TV should look like. This is what The Killing should have looked like. This is TV at it's finest. The story arc was magnificent, centered, not on procedurals and junk science-based CSI (actual CSI is nothing like what's shown on TV) but on the tragedy of it, and how that tragedy bled into the lives of the people of Broadchurch, itself, even the ones investigating it. The dialog was wonderful, especially the banter between Hardy and Miller, whose polar-opposite natures should have been cliché, yet were pulled off masterfully by Colman and Tennant. Hardy's subplot was simply divine. We find out why he is so world-weary, yet, in the end are still left with the mystery of him, and know he is Broadchurch's greatest mystery still. Little touches, like the 'love thy neighbor' signs add further richness and poignancy and lend the tale yet more humanity. Rich in character development, beautifully photographed, the series ended in a perfect denouement. And the best part is we are left wanting more, which is the mark of a truly great story.
Chris Chibnall has now gone to the top of my list as a writer. It was beautifully done. In no way has he broken the cardinal rule of show, don't tell. Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings, and with no character is this more obvious than our protagonist, DI Alec Hardy, masterfully played by David Tennant as the world-weary detective with secrets of his own and a shadowy past. He is so wonderfully written by Chibnall and executed by Tennant that we find ourselves won over by a character that on the surface is quite unlikable. Tennant's performance has, IMO, overshadowed his role in Doctor Who with this work. He has proved before that he's far more than the Tenth Doctor. With his Hardy, he made me forget about all other roles.
Olivia Colman, too, is wonderful. Her character enjoys a growth that's wonderful to behold. Colman is as good as any actress out there. I've seen her before, but with her Ellie Miller, she has captured me completely.
In fact not a single actor or actress was badly chosen. From eldest to youngest and male and female, all of them turned in sterling performances. Even the dog! I was especially pleased with Arthur Darvill. Young Adam Wilson, who played Tom Miller, was quite impressive as well.
This series is what TV should look like. This is what The Killing should have looked like. This is TV at it's finest. The story arc was magnificent, centered, not on procedurals and junk science-based CSI (actual CSI is nothing like what's shown on TV) but on the tragedy of it, and how that tragedy bled into the lives of the people of Broadchurch, itself, even the ones investigating it. The dialog was wonderful, especially the banter between Hardy and Miller, whose polar-opposite natures should have been cliché, yet were pulled off masterfully by Colman and Tennant. Hardy's subplot was simply divine. We find out why he is so world-weary, yet, in the end are still left with the mystery of him, and know he is Broadchurch's greatest mystery still. Little touches, like the 'love thy neighbor' signs add further richness and poignancy and lend the tale yet more humanity. Rich in character development, beautifully photographed, the series ended in a perfect denouement. And the best part is we are left wanting more, which is the mark of a truly great story.
It took me a while to review 'Broadchurch', wanting to wait until watching all three seasons before reviewing. From the very start, 'Broadchurch' had me gripped and despite a couple of things that didn't quite work didn't let go.
At its best, 'Broadchurch' was some of the best television to grace my television set, not just in recent years but in general. Simply adore mystery dramas and the positive word of mouth was near-universal, reasons enough to watch it. Was riveted and couldn't look away throughout all three seasons and was thirsty for more, that's the mark of a great or more series. Like 'The Missing' and the Danish version of 'The Killing', as far as series from the past decade go, 'Broadchurch' came incredibly close to perfection. It isn't quite but even the little that didn't quite work weren't enough to stop it from being exceptional.
The ending of Season 1, while very shocking, was a bit of a let-down after the rest of the season being so flawless. It just felt rushed and contrived and the perpetrator and motive did seem on the unlikely side. While Season 2 was still incredibly interesting and enjoyable, with lots of tension, suspense and poignancy to spare with greatly written characters and engaging court room scenes, the old case mystery was atmospheric and tense but felt shoehorned in initially and forced in placement with Hardy out of character, though did get better and more interesting later on.
With all that aside, 'Broadchurch' is fully deserving of the acclaim. It started off absolutely brilliantly with Season 1 let done only by an ending that didn't do it justice, wasn't quite as good but good enough to not lose interest in Season 2 and, contrary to what a few have said, Season 3 does something different with a new case but referring to previous events and still has the ability to shock, absorb and move.
'Broadchurch' is one of the finest visually series seen by me. The locations are gorgeous and so atmospheric, and the series is beautifully photographed, fluid and brooding. The music is both haunting and tragic.
Standing out also is the writing. It's rare to find on television recently to have a series so intelligently written and be so layered and meaty. While the pacing is deliberate in places, a lot happens to keep one gripped and ensure that the tension and mystery never slips. Aside from the multi-layered and utterly absorbing cases, all three series have many characters and subplots and do justice to all of them, rare these days in television and film.
Characters, lead and supporting, are interesting and never black and white, having redeeming qualities as well as flaws. 'Broadchurch' does a particularly good job with Ellie in Season 2. The subplots are a perfect balance of dark, sensitive and emotional, especially in Season 1. The direction is accomplished throughout.
You couldn't have asked for better performances either. Particularly outstanding is Olivia Coleman, now this is an actress who brings many emotions and nuances to a role that few actresses of the television medium do so well, and sometimes in an understated way. David Tennant's acting here is some of his career's best, bringing conflict and likability to a deliberately flawed character.
David Bradley, Pauline Quirke, Jodie Whittaker, Charlotte Rampling, Eva Myles, James D'Arcy, Julie Hesmondhalgh and Sarah Parish are standouts in support.
In summation, exceptionally riveting. 9/10 Bethany Cox
At its best, 'Broadchurch' was some of the best television to grace my television set, not just in recent years but in general. Simply adore mystery dramas and the positive word of mouth was near-universal, reasons enough to watch it. Was riveted and couldn't look away throughout all three seasons and was thirsty for more, that's the mark of a great or more series. Like 'The Missing' and the Danish version of 'The Killing', as far as series from the past decade go, 'Broadchurch' came incredibly close to perfection. It isn't quite but even the little that didn't quite work weren't enough to stop it from being exceptional.
The ending of Season 1, while very shocking, was a bit of a let-down after the rest of the season being so flawless. It just felt rushed and contrived and the perpetrator and motive did seem on the unlikely side. While Season 2 was still incredibly interesting and enjoyable, with lots of tension, suspense and poignancy to spare with greatly written characters and engaging court room scenes, the old case mystery was atmospheric and tense but felt shoehorned in initially and forced in placement with Hardy out of character, though did get better and more interesting later on.
With all that aside, 'Broadchurch' is fully deserving of the acclaim. It started off absolutely brilliantly with Season 1 let done only by an ending that didn't do it justice, wasn't quite as good but good enough to not lose interest in Season 2 and, contrary to what a few have said, Season 3 does something different with a new case but referring to previous events and still has the ability to shock, absorb and move.
'Broadchurch' is one of the finest visually series seen by me. The locations are gorgeous and so atmospheric, and the series is beautifully photographed, fluid and brooding. The music is both haunting and tragic.
Standing out also is the writing. It's rare to find on television recently to have a series so intelligently written and be so layered and meaty. While the pacing is deliberate in places, a lot happens to keep one gripped and ensure that the tension and mystery never slips. Aside from the multi-layered and utterly absorbing cases, all three series have many characters and subplots and do justice to all of them, rare these days in television and film.
Characters, lead and supporting, are interesting and never black and white, having redeeming qualities as well as flaws. 'Broadchurch' does a particularly good job with Ellie in Season 2. The subplots are a perfect balance of dark, sensitive and emotional, especially in Season 1. The direction is accomplished throughout.
You couldn't have asked for better performances either. Particularly outstanding is Olivia Coleman, now this is an actress who brings many emotions and nuances to a role that few actresses of the television medium do so well, and sometimes in an understated way. David Tennant's acting here is some of his career's best, bringing conflict and likability to a deliberately flawed character.
David Bradley, Pauline Quirke, Jodie Whittaker, Charlotte Rampling, Eva Myles, James D'Arcy, Julie Hesmondhalgh and Sarah Parish are standouts in support.
In summation, exceptionally riveting. 9/10 Bethany Cox
Broadchurch is one of those Crime/Mystery series that once you start watching you can't stop. The urge to find out what is happening, who is guilty, is jus too strong and so you start binge watching it, well that's what I did. I watched the three seasons in four days, the first one I would rate with a nine, the other two seasons with an eight. The mystery level couldn't be higher, every episode you think someone else is guilty, what makes this series so interesting to watch. But also the class acting from Olivia Colman and David Tennant, the two characters and their (non)-compliticity are pleasant and fun to watch. To me Olivia Colman was the best actress, she's very believable in anything she plays, she's pure class. The rest of the cast wasn't bad either, some better than others, but overall they all add something to the intriguing stories. They could have made more seasons if it was up to me, this kind of stuff just never gets boring, certainly not with the quality story writing they have here, that's certainly the best thing about Broadchurch, the quality story writing.
I have seen a lot of mini series, I love British TV - but I will have to say this is probably the best I have seen. Riveting. unpredictable and intense without over dramatization. At first it took me to a little slow but as i got to know the characters and the story that was progressing, I was hooked. The ending - I didn't see coming. But is was done so well. Relatable to so many people without being over the top. I found every character had such an important role that the ending almost came as a surprise. If you want a show that is realistic without being over the top - but at the same time relateable - this is it!!! I only hope season two is as good. The characters were amazing. The story line was believable. i could not stop watching it. If the other seasons are written with thew same demeanor and the same quality _ i will be sure to watch them all.
Did you know
- TriviaContrary to popular belief, Broadchurch is not based on or a remake of Danish show The Killing (2007), and the script for Broadchurch actually predates The Killing by at least five years. Chris Chibnall originally had the idea for Broadchurch and started working on the script in 2002, however, it took him ten years to get the show on air.
- GoofsUnder UK court procedures a witness would not be allowed to view proceedings until they have given evidence. Throughout the trial characters are in the public gallery prior to being called to give evidence.
- Quotes
DS Ellie Miller: Most people have a moral compass.
DI Alec Hardy: Compasses break.
- ConnectionsFeatured in Screenwipe: 2013 Wipe (2013)
- How many seasons does Broadchurch have?Powered by Alexa
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- Also known as
- Бродчерч
- Filming locations
- West Bay, Dorset, England, UK(bridportnews.co.uk)
- Production companies
- See more company credits at IMDbPro
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