The Lifeguard

I've got no experience with Veronica Mars, but I can see why people like Kristen Bell. She's real and relatable, as are all of the characters in this film.

At age 29, with her life in the city more disheartening and less complete than she ever expected, Kristen Bell's Leigh heads back home, where her two best friends (Mammie Gummer of The Good Wife and the familiar Martin Starr of Freaks and Geeks and about a million other comedies) are leading lives equally unperfected. During her aimless summer in her home town, she crosses paths with the local drop-outs, played sensitively and convincingly by a trio of young actors, including recently discovered teen actor Alex Shaffer of the Paul Giamatti film Win, Win, in a supporting role. Youthful indiscretions can't really cohabit with adult responsibilities, and the dramatic tension is ratcheted-up (if also resolved fairly easily) in sincere ways.

Nice production and a convincing story of early middle-age indecision with nuanced acting by a strong cast of recognizable faces adds up to a satisfying film.

It's easy to see why not everyone loves this film. It's just not all that funny. Or exciting. Or inspiring. Worst of all, it doesn't leave you with any sense of accomplishment or insight.

It works, however, if you can relate to this movie as an adult who has ever gone through a period of your life where you just wanted to go back to a simpler time.

I was able to relate in particular because like Leigh in the movie I actually went back to being a lifeguard in my 20s after graduating from college and not really knowing what to do with myself. And like Leigh, things didn't really work out entirely as I planned them to. Was it a good move? I'm a happy I did it? Did I learn anything from it? Hard to say really.

Similarly you're not going to find a lot of definitive answers in this movie as to whether the heroine makes choices that are right or wrong. But if you've had a similar experience - you'll feel like she's a friend.

I thought this was a really good movie.

Whats bullshit is Netflix has movies like this with 1 or 2 stars that people don't watch and pass up because of the low ratings. I wish they would give IMDb ratings so that I could really gauge what to give a chance.

But anyways, again I thought it was a really good movie, with a realistic plot and story line. I thought it would have a "lifetime" feel to it but it had a life of its own.

If you don't have much to do, and you have an hour or two on your hands to watch a movie, I suggest this one.

Leigh London (Kristen Bell) is 29 and ten months old. She's a reporter in NYC. She feels lost and moves back in with her parents (Amy Madigan). She reconnects with her school friends Mel (Mamie Gummer) and Todd (Martin Starr). Mel is the high school vice-principal and struggling to get pregnant. Todd is still in the closet. Leigh gets her old lifeguard job at the pool. She befriends pool maintenance guy's teenage son Little Jason (David Lambert) and they become more.

I really love Mamie Gummer and her struggles. I like Martin Starr also and his story could be expanded. Kristen Bell's story is probably the least interesting of the three. I still like her but it's not like she's having a grand romance. It would be better to have more time with Gummer and Starr. It takes too long having sexy time with Bell and Lambert. I didn't think it was that type of movie. There is also the character Matt. He is a big part of the ending. He should have been a much bigger part of the story. The movie should spends more time with him than the little section with Todd. He should be a bigger character. Both Matt and Little Jason are not particularly compelling. I love the three main actors but this isn't quite special enough.

The script is mediocre. The dialogue is particularly clunky. Liberal use of the F word is not offensive; it's just awkward. Kristen Bell is always good, but she seems to end up in one unworthy role after another. (I wasn't a big fan of Veronica Mars, but it was a quality project and should have resulted in better roles than this.) Plenty of problematic scripts get made into movies. Part of the actors' jobs is to make them work. Silk purse out of a sow's ear, as they used to say. Gummer and Starr and Madigan all seem to think that overacting is the answer to the challenge. It isn't. Sincerity isn't achieved by overacting. Lambert's character has some wonderful moments and some very weak ones. He could have benefited from the strong hand of a director, but there is little evidence of that in this film. Shaffer, so wonderful in Win Win, is completely wasted here. All in all, Bell fans will probably need to see it. (With no make-up, she looks every bit her real age.) The rest of you can skip it.