A documentarian strikes up a friendship with reclusive artist Al Carbee, whose Barbie-doll photography gains acclaim and interest over the course of this project's 10-year history.A documentarian strikes up a friendship with reclusive artist Al Carbee, whose Barbie-doll photography gains acclaim and interest over the course of this project's 10-year history.A documentarian strikes up a friendship with reclusive artist Al Carbee, whose Barbie-doll photography gains acclaim and interest over the course of this project's 10-year history.
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10renbellu
This making of this film was clearly a labor of love. It is a great movie, and not a mere "project" as one IMDB user reviewer falsely describes it. The filmmaker, Jeremy Workman, had to walk a tightrope between pity and piety, and only his honest and fearless love for his subject, a mysterious, bizarre and eccentric old gentleman, Al Carbee, kept him aloft. The result is a MUST SEE for audiences of all kinds. This film is not political; it doesn't have an agenda; it doesn't have a cause or an ax to grind; it is neither mean-spirited nor sarcastic; it's just plain weird fun, that pulls you in, engages you, but then, most surprisingly, leads you to ponder the most profound questions that one can ask. Fact is stranger than fiction, and the story of Al Carbee illustrates this strange fact perfectly. Mr. Workman's brilliance is evident in his artful slow peeling back of the layers of the endless onion that is the bizarre enigma of Al Carbee. You have to see this movie for yourself to understand why it keeps affecting people so deeply, and has garnered such a following, a growing following. The real mystery is this: was Al Carbee a silly old fool, or a sly mystical sage? What did Al Carbee actually know? Where did he actually go? And most important, what is and where is Epicuma?
I enjoyed this film so much; my attention never wavered. Delving into Al Carbee's world is like escaping into a storybook that feels like childhood but is very much grown-up. The film evoked compassion in me for this gentle, happy, strange old man with a vivid imagination and lovely spirit. Every time I watched him on the screen, I couldn't help but feel tender towards him. I wanted to hug him! The film shows how his art is so much more than "photos of Barbies" and the essence of his work is captured beautifully. I found myself coveting some of his photos. Jeremy Workman has created a splendid narrative about an obscure artist and his wonderful little world. What a touching tribute to Al Carbee.
The compulsion to create was innate in Al Carbee and so his art, if odd, also feels necessary and natural. Even though each piece was painstakingly contrived and crafted by him, his body of work feels inevitable.
This film feels similarly motivated and is therefore one of the more moving documentaries I have seen.
This film feels similarly motivated and is therefore one of the more moving documentaries I have seen.
This unique documentary, directed by Jeremy Workman, focuses on the very strange world of 88-year-old Al Carbee, residing in Saco, Maine, who has spent most of his life creating photos, diaramas, and artwork of Barbie dolls. The film can be quite creepy, bizarre, even a little erotic (as weird as that sounds), yet can also be fascinating at the same time.
While on vacation in Maine with his girlfriend Astrid, the filmmaker Workman got a tip from a local newspaper photographer to check out Carbee at his home, where the odd and reclusive senior might be a good subject for a future documentary. Carbee allowed Workman to view some of his meticulous creations involving Barbies, that he had been working on, in private, for over 45 years.
Workman did create a short film (less than 4 minutes long) from the visit, but in time, as a friendship developed between the two men, he was able to expand it to this movie. In the last third of the film, they'll be some real twists and surprises for the viewer, which, overall, all add up to a remarkable experience.
I saw how some reviewers felt that this movie exploited Carbee, and I did get some sense of that while watching it and even afterwards. However, in my opinion, it didn't cross that line especially with Carbee so enthusiastic about his works and how they might be shown.
While on vacation in Maine with his girlfriend Astrid, the filmmaker Workman got a tip from a local newspaper photographer to check out Carbee at his home, where the odd and reclusive senior might be a good subject for a future documentary. Carbee allowed Workman to view some of his meticulous creations involving Barbies, that he had been working on, in private, for over 45 years.
Workman did create a short film (less than 4 minutes long) from the visit, but in time, as a friendship developed between the two men, he was able to expand it to this movie. In the last third of the film, they'll be some real twists and surprises for the viewer, which, overall, all add up to a remarkable experience.
I saw how some reviewers felt that this movie exploited Carbee, and I did get some sense of that while watching it and even afterwards. However, in my opinion, it didn't cross that line especially with Carbee so enthusiastic about his works and how they might be shown.
What an interesting journey this documentary takes you on! I grew up collecting and playing with Barbies, but the star of the film, Al Carbee, takes it to a whole other level, and it's truly fascinating. Throughout the many rooms of his house, Carbee crafts complicated vignettes with Barbies and photographs them. The fact that the world would never know about Carbee's work if filmmaker Jeremy Workman hadn't happened upon him accidentally and realized the incredible story and friendship he stumbled upon, is incredible. Carbee had literally been quietly working alone for years and years, tucked away in his house. In Workman's hands, Carbee's "magical universe" truly comes alive, and it inspires the viewer to create something great too.
Did you know
- ConnectionsFeatures Carbee's Barbies (2002)
Details
- Runtime
- 1h 20m(80 min)
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