Golden Boy

This show is as good as TV can get. The characters are carefully built and complicated - you have to watch the series from episode 1, you cant watch a random episode and understand them - love the plots and how they are complicated, and the police politics, not shown in any other cop show I've seen. And the casting is so perfect!! love it so much, my favorite TV show. The way it shows the future and the present seemed strange at first and I thought I didn't like that method of jumping around, but now I love it because it makes the story have more depth and meaning, and it keeps me wanting to find out the rest of the story - and the star of the show is SO handsome!! His partner is so perfect for his part too. this review has to be a minimum of 10 lines gee thats long

This show could've been a really good and long running show if it was given a chance. 13 episodes is all we get though. Network TV has really gone in the crapper lately where when they finally put together a good show they give up on the show shortly after debuting it. It's like why do they even bother putting shows on TV if they have no faith in them? And they cancel the show shortly after adding Michael Madsen as a recurring character, which sucks since he's one of my favorite actors and they suddenly cancel the show right after introducing him.

The show has a fantastic so the success of the show was not because a lack of quality performances on screen. It was from a lack of promotion by the network.

Finally something different other than a bunch of cops that are all best friends, busting criminals together, day after day....(hello Law and Order). There's conflicts between them, competitiveness between them, diverse characters, love hate relationships etc... I'm glad that there's a sister for the main character. There's a story besides catching bad guys. Something different is always welcome! I caught the 2nd episode (didn't hear about the show before that)and thought it was GREAT! I'm watching the pilot online to catch up on it. Great eye-candy too!! Never hurts does it ladies?? I'm so sick of my favorite shows getting canceled so I hope it stays a regular on the network! Heather

I pretty much got addicted to Golden Boy from the very first episode, just like I loved Southland. Both are extremely different dramas and unique in their own manner from the increasing number of cop-dramas out there.

The actors are marvellous, the score is tremendous, and the main/background story captivating. Loved every single episode so far, and keeping my fingers crossed that this one stays around for long and doesn't loose what it's got going for it.

The case of the week so far in each episode has been presented and directed with perfection, not leaving much room for complaints. And the duality of the main character keeps you watching his every move from start to finish.

The premise' sort of reminds me of Jack & Bobby (another series that I loved - which unfortunately was canceled after one superb season). Knowing where the main character ends up and seeing him pave his way by making decisions to further his career has a different appeal to it. He's making mistakes, learning, and you can see his relationship with his partner strengthen with each case.

Chi McBride as a veteran cop shines. And Theo James delivers a superb performance overall... No complaints there!

This is a show that's worth your time. Give it a watch, hopefully you won't be disappointed.

"Golden Boy" illustrates a literary technique called intercalation, which isn't as hard to understand as its highfalutin' name suggests. It means that one story is sandwiched inside of another. Every episode begins with part one of story A: Commissioner Clark, in about the year 2020, finds himself in a situation that reminds him of a lesson he learned (or in some cases mis-learned?) in 2013. Flashback to story B: How then-Detective Clark learned a lesson. Finally, flash forward to part two of story A: Commissioner Clark either applies or reflects on the lesson he learned back in 2013.

Variations on this technique are old: The Gospel According to Mark is full of intercalation, and there as here, the effect can be to underline the moral of the story. ("Pulp Fiction" (1994) uses it seemingly to underline the randomness of life.) It undermines much of the suspense in "Golden Boy": When Clark gets in trouble, the tension is relieved by our knowledge that he will not only live but become commissioner of police; so we know he is going to get out of any trouble he is in. The only thing we might feel anxious about are the hints that his path to the top is going to be costly. His conflict with a fellow detective is going to lead to a crisis, and we do not know whether his old partner (Chi McBride) is going to live to see Clark become commissioner. We also see that Commissioner Clark has a permanent limp, which seems to indicate that he might be going to face death even though we know he will cheat it for the time being.

This show would be edgier if we didn't know that Clark is going to overcome his obstacles. Knowing that he cannot die, even though those around him might, is a source of tension only where the other characters are concerned; his own near immortality seems a bit weird.