Having You

Having You is a small UK drama about a man about to marry his infertile girlfriend, who suddenly finds out he already has a child. It raises an interesting moral dilemma, should he stay with the girl he loves or potentially lose her and instead get to know the child he thought he would never have.

A strong cast helps featuring the beautiful Anna Friel and the always excellent Philip Davis all help to make the intelligent script sparkle. Andrew Buchan is very likable and evokes real sympathy as the man left in a lose lose situation. Interspersed with some realistic and at times touching drama there are plenty of funny lines. It is one of the rare films that gets the balance between drama and comedy spot on. An added bonus is an excellent soundtrack that fits the film perfectly.

This is one of those small gems that you occasionally come across unexpectedly. I found this to be an engrossing, believable and enjoyable film with a good pay off. Highly recommended.

Beautiful movie. Understated acting, but very expressive - the entire cast. Wonderful sound track. Lighting and sound extremely well done. (My hearing is not great and frequently small-budget movies, especially from the UK are marked by muffled dialogue.)

The story was moving without a wasted scene. In fact, a few of the scenes were so well done, and unveiled the interior life of the character so well, as to rank with the best I've watched in recent memory.

The ending was perhaps my least favorite part of the movie. It kept in tone with the rest, so it was of a piece. But it was unoriginal.

Last, both in the spots where the movie reached for laughs - and a few places where quirky acting hit me unexpectedly, I burst out laughing, which is rare for me. So many movies in this genre are just somber, or unable to hit the right comedic note - just the opposite here.

All told an extremely enjoyable film experience of the first order!

Good actors immersed in their characters carrying us along their emotional journey. No heroes - real people are imperfect! No villains, although an occasional unlikable character.

In a time where so many films rely on special effects and extreme plot twists and turns, it's lovely to just settle into a film that will pull you in emotionally. Yes, it moves slowly, but it moves you, makes you identify with and empathize with these less than perfect people.

Jack's flaws are prominently displayed and yet we find ourselves sympathizing with him, understanding the choices he makes even if they are wrong, rooting for him to find his way.

Jack Turner (Andrew Buchan ) finally proposes to the long time girlfriend. But out of the blue, a hook-up from months ago turns up on his door step. Anna ( Anna Friel ) has a seven year old. And wants to know if it's Jack's kid. Of course, the right thing to do is immediately tell the new fiancee Camilla, but will he? Is Phoenix really his kid? Of course, he doesn't tell the fiancee about his situation, and it snowballs into bigger trouble. Like we all knew it would. Written and directed by british director Sam Hoare. His first ful length film, having directed two shorts before this. Here's a secret.... Romola Garai (Camilla) is married to the director. Good film. Cute. Good story, good acting. And a cute little song at the very end...not sure of the title. Cute Little One? Richard Thomas FInn? The plot of the film sure sounds like someone's personal experience. Good stuff.

An unexpected gem.

I started watching this on TV without having heard of it or seen any inkling of what it was about. I was immediately taken in by the story, which portrays a normal, good, average guy dealing with a difficult situation. It managed to capture my attention quickly because of its carefully crafted portrayal of life as it often is; flawed, imperfect, but ultimately well-meaning and plain "normal".

There is no unnecessary menace. No fabrication of conflict, often derived purely by the script-writers by forcing characters to "act stupid" in order to create drama that wouldn't otherwise exist (Walking Dead is a good example of that popular cinematic crime). Everyone (with perhaps the exception of the father, and Barry) makes decisions which we can all relate to, with no suspension of disbelief required. It is that which made the film both heartfelt, and truly engaging. At every turn I felt I could actually relate to the characters. A rare treat in this world of plastic cinema and counterfeit drama.

It is certainly slow moving, and lacking in "theatrics", but this is precisely why it works. It doesn't rely on cliches or any of the banal moralising tripe that swamps so many Hollywood films. The decisions and choices that the central characters makes are immediately humane and real.

If you like blockbusters, and only blockbusters, then you'll probably hate this film for its slow pace and lack of action. If, however, you aren't a soulless dolt then maybe you'll even shed a tear at the finale like I did. Unusually for me, I didn't feel totally manipulated in doing so.

Great cast, great script, great film.