Pioneer

'Pioneer' should by rights be an interesting film, inspired by true stories of commercial and governmental espionage, scientific advance, and personal bravery, as the Norwegian government was attempting to build (in the 1970s) its first pipeline to take North Sea oil ashore. But in fact, it's rather disappointing. Firstly, there's not much dramatic tension, in spite of a ostensibly vigorous plot. And secondly, that plot itself seems unlikely: large multinational companies are certainly guilty of many evils, but I find it relatively incredible to imagine they would murder Norweigian citizens to cover up ethics breaches - more normal behaviour would be to pay the fine and carry on as before. Perhaps it's because the motivation seems so preposterous that the story fails to ignite. The unvarnished truth (which we are told led to a lawsuit by disgruntled divers) would have been more interesting.

Saw this advertised on Sky Movies. The movie poster had an Abyss feel to it, which I guess did the job of getting my interest.

The info then described this as a gripping 80's thriller. Believe me, unless your idea of gripping is people sitting around in decompression chambers, jittery flashbacks announced with annoying sound effects and far too much coverage given to the lead guy's fur lined jacket, this couldn't be further from the truth.

I watched this for about 50 minutes before the boredom became more crushing than the pressure at the bottom of the Marianas trench.

The Wave wasn't bad but after this and the appalling The Last King, I think I'm gonna have to give these Norwegians films a bit of a miss.

That oil and gas is the national treasure of norway, but axel hennie is for sure one of our most precious national treasures on the silver screen, its not that i like his looks and style, but act he can

its a film from the pioner era of norwegian oil industry, a very narrow but very important part of the moneybinging, namely the industrial deep sea divers and their deeds done to try to make diving on 300+ meters bsl being a safe and durabel standard operation proceedure. But crap happens when trying and failing is the only options.

The technical knowhow the grumpy old man doesnt have on diveproceedures, but its a claustrophobic divebell ride, made on a do it or die budget, well made visually, therefore a recommend.

It might feel like a TV movie of the week at times, but it does have an interesting story to tell and is far more decent than you might expect. And suspenseful for that matter. The underwater scenes look really good and the acting is up to the task as well (as the men were back when this unfolds).

Not sure how much of the things shown, actually transpired, (this is based on real events during the 80s you see?) but the movie does a good job holding any viewers attention with people trying to find out what is actually going on ... will they find out? What consequences will there be either way though? It gets political at times obviously, but in a good way if there is one

Pioneer is a thriller inspired by true events in the 70'ies, when Norwegians and Americans was experimenting with deep sea diving, so that oil could go directly in pipelines from the deep sea oil wells on to land. This was landmark and record breaking work, and there was some tension between the Norwegians and the Americans back then. Humans were guinea pigs, in the sense that this was never done before. You could call it a moon landing at deep sea.

This thriller has a very different style from what you might usually think a thriller should have. It bears resemblances with sci-fi films when landing on the moon. The feeling of the film is also close to films paranoia films like "The conversation" (of which thus doesn't even come close) or more known submarine films. Claustrophibic from time to time. The finishing scene is pure film art, but still maybe too obvious symbolic.

I found the film exciting, and I liked especially the way the underwater situations were told. We were taken in on the blurry life of deep sea divers, either they were looking through water, murky waters or glass, and drug effects making distortion on sight. I also liked the setting. Very bleak seventies, down to every little details as to colors like we see them on photos today, and to authentic looking milk cartons. This is very qualified film making in many ways.

However, there's some problems. The sound is a bad flashback from the seventies as well, and some of the ideas are not too well thought through. The limping (no more needed to be said) is ridiculous, and far off when it comes to the script. What the Hell happened here!?!

Once again I think Aksel Hennie is electric in his role, as were the others. Very good instruction, and quality actors all the way through. It was like looking on a seventies spy thriller. A very international crew, with Wes Bentley, Stephen Land, Jonathan LaPaglia, Stephanie Sigman, Ane Dahl Torp, all making us remember the seventies with both heart and shrugs.

Again screenwriter Nicolaj Frobenius proves his worth, as of course do director Erik Skjoldbjærg, which also has done great work with the films "Insomnia" (later remade by Christopher Nolan), "Prozac Nation", "An Enemy of the People" and the bank heist thriller "Nokas". But here there's some problems, and there are plot holes and easy solutions which irritates, especially on second watch. This tells that the film is more entertainment than really great filmmaking for film buffs.

What a director! So different films, and such great feels to every single one! Still this falls through compared With Insomnia and Nokas with much easier solutions, and a more shallow film making than we're used to by Skjoldbjærg.