Words and Pictures

If you are looking for a romance, you might want to skip "Words and Music". The romance portion of the film is very abortive and not at all satisfying if that is what you have in mind. However, if you watch the film simply to watch fine acting, then you'll be very impressed. As for the story, with a slight reworking, it would have been wonderful. As it is, it's decent but no more.

The film is set at a fancy prep school in Maine. The story is about two teachers. One is a 'cool' English teacher, Jack (Clive Owen), and the other a brand new teacher--an art teacher named Dina (Juliet Binoche). At first, the audience likes Jack--he seems very clever and funny. And, in contrast, Dina is angry and difficult to like. However, through the course of the film as you learn more about them, your opinion will change. Jack is a drunk--and he's also full of crap. It's actually very difficult to like him or even care about him, handsome as he is. As for Dina, you realize that a lot of her grouchiness is the result of her having to give up her beloved art career, as she's become disabled due to severe rheumatoid arthritis. She is decent down deep and despite her thorny veneer, you tend to like her. The problem, then, with what romance there is in the film is that you know Dina can do so much better and you really DON'T want her with Jack. So how does all this work itself out? See the movie.

The best thing about the movie is the acting. Clive Owen is simply amazing. He gets you to hate him--which is great. But he also shows vulnerability and emotion that make his performance riveting. He also manages to somehow outshine Binoche--which is amazing considering she's a fine actress herself.

As for the story it's a lot of good and a little bad. I loved some of the other characters and subplots (such as the sexual harassment situation) and the story was so unique. However, on the negative side, the alcoholism aspect is REALLY rushed and Jack goes from a jerk in denial to a guy in touch with his need for AA too quickly. Additionally, the film goes through this aspect to his making peace with Dina way too fast--much more time should have transpired to make the viewer realize his sudden transformation is NOT just some passing fad. Still, on balance, the good far outweighs the bad...even though it is NOT really a romance and should not be seen as one going into the film. If you do expect this, you'll likely be disappointed.

It's a rare film that manages to be tedious and fascinating at the same time, but that's precisely what happens with the clumsily-named and executed Words And Pictures. The film's central conceit is right there in its title: a battle for supremacy unfolds between an English teacher (words) and his new colleague, who schools students in the fine arts (pictures). It shouldn't work at all, especially when the relationship moves predictably into romantic territory. But it's tough to completely dismiss the film when its awkward screenplay also features two intriguing central characters, played with subtle, almost miraculous depth by Clive Owen and Juliette Binoche.

English teacher Jack Marcus (Owen) is on the brink of academic implosion: his job is on the line, he's barely making it to his classes on time, and he's drinking a little too much for anyone's comfort. But, just as things are looking really bleak, his downward trajectory is briefly interrupted by the arrival of Dina Delsanto (Binoche), a revered artist who's losing her ability to make art as her body is increasingly ravaged by the aches and pains of rheumatoid arthritis. She values imagery and art; he treasures words and literature - their clash fires up their students' imaginations, even as they bicker and spar their way into an evident mutual attraction.

There's no denying that the film rests on an awkward foundation: the script keeps returning to the ridiculous dichotomy it establishes between words and pictures, pitting Marcus against Delsanto in a competition that makes very little sense. It's all tied up with a subplot involving shy arts student Emily (Valerie Tian), whose ability to come out of her shell to be the artist she can be is all wrapped up with issues of sexual harassment and public humiliation. Frankly, it's just not very good.

What is very good about the film is its two central characters, and the spiky, difficult and joyfully equal relationship that springs up between them. There's so much depth, sadness and maturity layered into Marcus and Delsanto that it's absolutely fascinating just to watch them in action, together and apart. Both characters have rough edges that aren't sanded away, and the odd fireworks between them work precisely because both their lives have stalled: Marcus is a charming mess who lost himself somewhere along the way; Delsanto is a brilliant artist who can no longer express herself the way she wants to. Somehow, they wind up inspiring each other to do better and be better - and, instead of feeling horribly mawkish, it works.

That's due in no small part to the excellent work done by the two lead actors. Owen sinks thoroughly into the part of Marcus, dialling up the charm and the horror of his character in equal measure. The film doesn't soften or romanticise Marcus and his problems, which gives Owen plenty of great character stuff to do. Binoche, too, has ample room to uncover the sad, yearning soul of a whip-smart, independent woman whose illness has stolen not just her art but also a little of her dignity.

Ultimately, the fantastic and fascinating interplay between the two actors and characters are pretty much worth the price of admission. They're surrounded by an odd, awkward beast of a movie, built on a very shaky foundation. But their brave, deep performances and bittersweet chemistry come very close to making Words And Pictures worth a lot more than it really is.

There's great magic in Words and Pictures. And that magic comes from the sheer joy of watching a real human story so eloquently played out before our eyes. In a time when we are bombarded by CGI laden, tent pole films crafted by marketing firms rather than great storytellers, it is refreshing to find a summer film that focuses on character and the human condition. I loved this film and the emotional journey it takes us on. Clive Owen and Juliette Binoche are both at the top of their game in this film, giving us layered performances that are humorous, touching and yes… I'll use the word again… human. The greatest strength of this film is it's screenplay with it's honest look at relationships. The relationship between words and pictures becomes the vehicle by which we dive into all the emotional relationships. These are flawed and delicate characters making their way through the minefield of life. Fathers and sons, lovers, coworkers, mentors and mentees. All of the relationships play out so beautifully and honestly on screen. From our wonderful leads to even the smallest of supporting characters, not an emotive moment is wasted. Thank God there are films where great writing is still revered and producers, directors and actors who take a chance with those words and bring them to the screen in glorious moving pictures. Don't miss this one!

I almost opted out of seeing Words and Pictures but I'm very happy that I saw it. The movie is about a high school English teacher who was once an acclaimed publisher but lost his creativity because he thinks it's not appreciated by his students and drowns his sorrows in alcohol. He is played by Clive Owen who performed brilliantly. He intersects with a new world renowned Art teacher played by Juliette Binoche who is struggling to maintain her ability to create due to a debilitating medical condition which physically prevented her from painting with fine strokes. Juliette Binoche transforms amazingly and performs well. I didn't even recognize her as the actress that played Vianne in Chocolat which I loved her in and Hana the nurse in The English Patient. In their dual over their passions of words and pictures, they end up challenging each other and their students and movie goers alike to appreciate and desire to create beauty using words and art. After watching Belle and a slew of other movies set around Victorian Era England, I noted that our conversational language has become so simple when there are so many beautiful words available to us. This movie echoes that sentiment. I expected Words and Pictures to be an overly artsy romantic love story but it was balanced. There are two things I didn't like about this movie. The first is that we aren't given the back story of the main characters. The characters even acknowledge they don't know a lot about each other but they are satisfied with it and I guess movie goers were supposed to be OK with it as well. The second is that besides reciting other people's words, Clive Owen's character doesn't say much of his own words that conveys his whole premise about words. I kept waiting for this great prose from him, but never got it. Overall the movie is entertaining and inspiring and I recommend you go see it.

I saw it for Juliette Binoche. And, indeed, she remains, scene by scene, the good motif for see ( and love ) this film.

I saw it as teacher, recognizing situations, gestures, mistakes.

I hated the too pink end and I perceived the romance between Dina and Jack as too, too forced, to the border of fake.

I loved, very much, the paintings of Juliette Binoche. And the young actors, giving fair portraits of students.

I saw the duel between words and pictures as decent crafted but not real convincing more than as a didactic method for seduce students and create some romance.

In short, a beautiful film in its essence.