The Sacrament

I was born in 83, so anything I know of Jonestown has been gleaned from podcasts, documentaries, or anniversary television broadcasts. Even that is much more than some.

And that's how it works, right? As much as we hate to admit it, as time moves on, everything (and I do mean *everything*) fades from memory. Go ahead and ask a 16 yr old nowadays who Jim Jones or David Koresh were - I bet they'll roll their eyes and assume you're talking about an 80s rock band lead. That fading and moving on of time is exactly why the remake/prequel/sequel/reboot industry is a thing of the Millennial age that never was before.

In order for history (good, bad, or indifferent) to continue to be passed along, the stories have to be retold and reincarnated in ways that are more appealing to those who come after. So maybe The Sacrament doesn't come right out and say, "Hey, we remade Guyana," but I sincerely doubt any of the filmmakers involved thought that viewers of the right age were going to mistake the story for anything else. Another movie that tells a variation of Jonestown without acknowledging it is "The Veil" btw.

As far as found footage films go, this one is high quality cinematography-wise. I thought the casting was actually fairly impressive, and despite knowing exactly where the story was headed, I did find the second half hard to watch; it did give me insight into Jonestown in a way that was truly shocking.

Worth a watch. Won't blow your mind, or bring home an Oscar, but Ti West is always hit or miss with me (mostly miss) and this one wasn't too bad. If you would rather see Jonestown through a less modern, less horror-genre lens, then by all means, go watch the stuff made in the 80s.

The journalist Patrick (Kentucker Audley) works at the VICE, a company dedicated to cover bizarre news. When his sister Caroline (Amy Seimetz) joins a community, she travels abroad with her new family. Out of the blue, Caroline invites her brother to visit her in an undefined country and Patrick travels by helicopter with his friends Jake (Joe Swanberg) and Sam (AJ Bowen) that work with him at VICE.

They find weird that the men that have come to guide them to the Eden Parish have guns. On the arrival to the camp, Patrick, Sam and Jake find a community of happy people that worship Father (Gene Jones). They interview Father but soon they realize that people are not as happy as they seem to be. Further, they find that they are trapped in the Parish Eden and they want to leave the place with the newcomers. But the Father does not have intention to let them go.

"The Sacrament" is a suspenseful horror movie with a music score in the beginning that recalls "The Twilight Zone". However this awful "found- footage" genre spoils the creepy story. The Dogma 95 has only 77 recognized movies, but this rip-off of the genre seems to be the easiest means to produce cheap low-budget movies in the present days. My vote is five.

Title (Brazil): "O Sacramento" ("The Sacrament")

The Sacrament is a fairly straightforward movie. It's about a group of guys who are part of a documentary film group and one of the guys' sister moves into an isolated commune and the film crew wants to know the full scoop. You'll know exactly where this movie is going as it progresses, but that isn't necessarily a bad thing. It gives a chance for director Ti West to establish some character background and vague insights into the religious group while slowly turning the creep dial up until the movie's climax. The acting is good across the board, the standout being the Father (Gene Jones) who is suitably charismatic as the cult's ominous leader. For a found-footage movie it's shot well, but of course there are the typical issues that come with the turf - impossible angles, how the footage was even found - but these are things you'd know going in. The movie itself is a well executed, suspenseful slow burn.

The biggest fault in The Sacrament is its predictability. Again, it's not a bad thing, we just know what's coming at every turn. Creepy cult, innocent people poking their noses in places they don't belong, an underlying dark scheme that slowly unravels to the protagonists. If that kind of stuff interests you and you're willing to forgive the tropes that come with the genre, The Sacrament is a worthwhile watch.

This was an almost exact telling of the Jonestown Massacre. The only differences were the date because it was present day, a film crew came with a parishioners relative rather than a congressman and there were not as many victims.

This is basically a re-telling of the Jonestown Massacre, which, if anyone doesn't know, is a real event that happened in the late 1970's, when a megalomaniac by the name of Jim Jones brought several hundred members of a religious group called the People's Temple to a remote jungle location in Guyana.

After a small cadre of politicians arrived by a small private plane to respond to several requests from disillusioned members of the congregation, there suddenly was a desperate stampede by a number of the group to leave the compound. Jim Jones then ordered the guards to shoot the members who were attempting to leave, and gave the entire crowd each a cup of kool-aid laced with cyanide in a mass suicide.

The event was forgotten for many years, and has been dramatized in this film, which takes the original story and hams it up for the camera, by taking the stance of a "reality" show approach to the filming.

Unfortunately, the experiment fails to generate the sense of reality that the filmmakers were attempting to capture, and the feeling is much more forced rather than coming from a real event. Although it was a reasonably noble attempt to make a notorious situation somehow believable, by it's very nature, it is doomed. It would have been much more believable if the film were just shot as a normal film would be, without the extra layer of a "found footage" project.

Since the camera is always supposed to be running, there are moments in the film in which the actors have to look directly into the lens and explain that the camera is going to keep running "so that there is a record of whatever happens," which completely destroys any sense of the reality of the moment -- the idea of deliberately having a camera in someone's hand in each scene is so unbearably false that the viewer is immediately left wondering why on earth they even thought this technique would help to make the story seem "real." In fact, it does the exact opposite.

The use of the hand-held 'shaky cam' in almost every scene is utterly unmotivated -- in what would be the climax of the movie, the camera is so ridiculously present that it almost seems like SNL decided to take the idea and turn it into one of Andy Samberg's sarcastic short films, because they have used such a heavy-handed approach to the material.

In telling the story of Jonestown, nothing would have been needed other than to have just told the story as it unfolded without the addition of this added layer of "reality" -- and it would have been a much more superior film. This, sadly, destroys any chance of that happening.

The story of the People's Temple deserves better treatment than this, and, given a more experienced filmmaker, would have had a much deeper impact. I regret that we have lost that opportunity now, having seen this approach fail.