The Sacrament

What starts out as a promising look into a religious cult, quickly turns into a jumbled mess of incoherent storytelling, baffling motivations, and annoying camera work.

The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). So when things start going bad, it's hard to care. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. Everyone is a caricature ...especially "Father", who is little more than a mouthpiece for religious mumbo jumbo.

The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him.

And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.

All in all a disappointing film.

Already out there that stands as legitimate information. Try reading "Raven,"try viewing a quality documentary and understanding the historical context from which this "movie" came from. I'm sorry but people really died in this horrible ordeal and it clearly wasn't a film. Sometimes spending 4m on a project is just a bad idea outside giving work to actors and film crews. It's not a mystery that opening weekend seemed to bring in less than $550 USD. This effort would have been better served by the creators simply retelling the original story perhaps from a different view point. I thought it was in poor taste to put up that 167 lives were lost and that only two survived. Try over 900 with no movie stars involved. 3/10 was for how things looked at the outset. Don't pay any money for this.

This is basically a re-telling of the Jonestown Massacre, which, if anyone doesn't know, is a real event that happened in the late 1970's, when a megalomaniac by the name of Jim Jones brought several hundred members of a religious group called the People's Temple to a remote jungle location in Guyana.

After a small cadre of politicians arrived by a small private plane to respond to several requests from disillusioned members of the congregation, there suddenly was a desperate stampede by a number of the group to leave the compound. Jim Jones then ordered the guards to shoot the members who were attempting to leave, and gave the entire crowd each a cup of kool-aid laced with cyanide in a mass suicide.

The event was forgotten for many years, and has been dramatized in this film, which takes the original story and hams it up for the camera, by taking the stance of a "reality" show approach to the filming.

Unfortunately, the experiment fails to generate the sense of reality that the filmmakers were attempting to capture, and the feeling is much more forced rather than coming from a real event. Although it was a reasonably noble attempt to make a notorious situation somehow believable, by it's very nature, it is doomed. It would have been much more believable if the film were just shot as a normal film would be, without the extra layer of a "found footage" project.

Since the camera is always supposed to be running, there are moments in the film in which the actors have to look directly into the lens and explain that the camera is going to keep running "so that there is a record of whatever happens," which completely destroys any sense of the reality of the moment -- the idea of deliberately having a camera in someone's hand in each scene is so unbearably false that the viewer is immediately left wondering why on earth they even thought this technique would help to make the story seem "real." In fact, it does the exact opposite.

The use of the hand-held 'shaky cam' in almost every scene is utterly unmotivated -- in what would be the climax of the movie, the camera is so ridiculously present that it almost seems like SNL decided to take the idea and turn it into one of Andy Samberg's sarcastic short films, because they have used such a heavy-handed approach to the material.

In telling the story of Jonestown, nothing would have been needed other than to have just told the story as it unfolded without the addition of this added layer of "reality" -- and it would have been a much more superior film. This, sadly, destroys any chance of that happening.

The story of the People's Temple deserves better treatment than this, and, given a more experienced filmmaker, would have had a much deeper impact. I regret that we have lost that opportunity now, having seen this approach fail.

The film is among the found footage genre. It leads in with some decent photography, nice ambient soundtrack, and some pretty good acting. The suspense builds with a decent and slow momentum, but unfortunately doesn't lead to anything interesting or unique. The film had a really nice opportunity to go down a different path. It had all the qualities to do so and be good. Unfortunately it just decided to re hash an old story and try to deliver it as something new. I can give it five out of 10 for keeping me interested until the climax good photography and nice track, but the subsequent let down can't allow me to give it anything higher. If you are interested in something like this I would recommend a documentary on Jonestown. There are many good ones out there.

The journalist Patrick (Kentucker Audley) works at the VICE, a company dedicated to cover bizarre news. When his sister Caroline (Amy Seimetz) joins a community, she travels abroad with her new family. Out of the blue, Caroline invites her brother to visit her in an undefined country and Patrick travels by helicopter with his friends Jake (Joe Swanberg) and Sam (AJ Bowen) that work with him at VICE.

They find weird that the men that have come to guide them to the Eden Parish have guns. On the arrival to the camp, Patrick, Sam and Jake find a community of happy people that worship Father (Gene Jones). They interview Father but soon they realize that people are not as happy as they seem to be. Further, they find that they are trapped in the Parish Eden and they want to leave the place with the newcomers. But the Father does not have intention to let them go.

"The Sacrament" is a suspenseful horror movie with a music score in the beginning that recalls "The Twilight Zone". However this awful "found- footage" genre spoils the creepy story. The Dogma 95 has only 77 recognized movies, but this rip-off of the genre seems to be the easiest means to produce cheap low-budget movies in the present days. My vote is five.

Title (Brazil): "O Sacramento" ("The Sacrament")