A news team trails a man as he travels into the world of Eden Parish to find his missing sister, where it becomes apparent that this paradise may not be as it seems.A news team trails a man as he travels into the world of Eden Parish to find his missing sister, where it becomes apparent that this paradise may not be as it seems.A news team trails a man as he travels into the world of Eden Parish to find his missing sister, where it becomes apparent that this paradise may not be as it seems.
- Director
- Writer
- Stars
- Awards
- 4 wins & 12 nominations total
Reginald Lashaun Clay
- Robert
- (as Lashaun Clay)
Christian Ojore Mayfield
- Pilot
- (as Christian O'Jore)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Seemed on the right track, but pattered out to uninteresting
The film is among the found footage genre. It leads in with some decent photography, nice ambient soundtrack, and some pretty good acting. The suspense builds with a decent and slow momentum, but unfortunately doesn't lead to anything interesting or unique. The film had a really nice opportunity to go down a different path. It had all the qualities to do so and be good. Unfortunately it just decided to re hash an old story and try to deliver it as something new. I can give it five out of 10 for keeping me interested until the climax good photography and nice track, but the subsequent let down can't allow me to give it anything higher. If you are interested in something like this I would recommend a documentary on Jonestown. There are many good ones out there.
Makes the most of what it has...
If The Sacrament has anything going for it, it would be how much the filmmakers accomplished with such a small budget. The colony is a worthy achievement; a lot of time and effort has been put into constructing the huts and various buildings. The isolation of the colony and the complacency of its inhabitants effectively establishes an eerie vibe and these are the main reasons why the first half of the film is the strongest. What tension there is builds slowly, and your time isn't wasted with jump scares and cheap thrills. Also, I appreciate, despite the fact that this is a found-footage film, that the camera isn't too shaky.
As a whole, unfortunately, The Sacrament is ultimately ineffective as a horror/thriller film. Ti West and company have derived a lot of inspiration from the Jonesville mass suicide in 1978, and this ends up being a negative contribution to the film. I have watched harrowing TV documentaries regarding this truly horrifying moment in human history, but The Sacrament is simply as predictable as any routine horror film. I made the Jim Jones connection very early on. The appearance of Gene Jones as "Father" only confirmed this connection, though Jones is definitely a wonderful member of the cast and I applaud the filmmakers for tracking him down.
I'm sure that there was a way to make this work. But the resemblances to Jonesville render the film practically unnecessary; I knew exactly what was going to happen. I understand that the film was based on a very disturbing event, but that doesn't give it a free pass. From a historic point of view, this is an interesting representation of Jim Jones' cult. But from a creative point of view, the film is ultimately an hour of slow -building tension with a restrained payoff. A good twist or perhaps taking the Jonesville concept in a unique direction would have given this a few more stars from me.
In conclusion, I recommend this for people who have never heard of Jim Jones and the Peoples Temple. For everyone else, I can't say the same.
As a whole, unfortunately, The Sacrament is ultimately ineffective as a horror/thriller film. Ti West and company have derived a lot of inspiration from the Jonesville mass suicide in 1978, and this ends up being a negative contribution to the film. I have watched harrowing TV documentaries regarding this truly horrifying moment in human history, but The Sacrament is simply as predictable as any routine horror film. I made the Jim Jones connection very early on. The appearance of Gene Jones as "Father" only confirmed this connection, though Jones is definitely a wonderful member of the cast and I applaud the filmmakers for tracking him down.
I'm sure that there was a way to make this work. But the resemblances to Jonesville render the film practically unnecessary; I knew exactly what was going to happen. I understand that the film was based on a very disturbing event, but that doesn't give it a free pass. From a historic point of view, this is an interesting representation of Jim Jones' cult. But from a creative point of view, the film is ultimately an hour of slow -building tension with a restrained payoff. A good twist or perhaps taking the Jonesville concept in a unique direction would have given this a few more stars from me.
In conclusion, I recommend this for people who have never heard of Jim Jones and the Peoples Temple. For everyone else, I can't say the same.
A predictable, creepy found-footage romp that is a cut above many.
The Sacrament is a fairly straightforward movie. It's about a group of guys who are part of a documentary film group and one of the guys' sister moves into an isolated commune and the film crew wants to know the full scoop. You'll know exactly where this movie is going as it progresses, but that isn't necessarily a bad thing. It gives a chance for director Ti West to establish some character background and vague insights into the religious group while slowly turning the creep dial up until the movie's climax. The acting is good across the board, the standout being the Father (Gene Jones) who is suitably charismatic as the cult's ominous leader. For a found-footage movie it's shot well, but of course there are the typical issues that come with the turf - impossible angles, how the footage was even found - but these are things you'd know going in. The movie itself is a well executed, suspenseful slow burn.
The biggest fault in The Sacrament is its predictability. Again, it's not a bad thing, we just know what's coming at every turn. Creepy cult, innocent people poking their noses in places they don't belong, an underlying dark scheme that slowly unravels to the protagonists. If that kind of stuff interests you and you're willing to forgive the tropes that come with the genre, The Sacrament is a worthwhile watch.
The biggest fault in The Sacrament is its predictability. Again, it's not a bad thing, we just know what's coming at every turn. Creepy cult, innocent people poking their noses in places they don't belong, an underlying dark scheme that slowly unravels to the protagonists. If that kind of stuff interests you and you're willing to forgive the tropes that come with the genre, The Sacrament is a worthwhile watch.
Starts promising, completely falls apart in second half
What starts out as a promising look into a religious cult, quickly turns into a jumbled mess of incoherent storytelling, baffling motivations, and annoying camera work.
The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). So when things start going bad, it's hard to care. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. Everyone is a caricature ...especially "Father", who is little more than a mouthpiece for religious mumbo jumbo.
The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him.
And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.
All in all a disappointing film.
The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). So when things start going bad, it's hard to care. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. Everyone is a caricature ...especially "Father", who is little more than a mouthpiece for religious mumbo jumbo.
The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him.
And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.
All in all a disappointing film.
Jonestown
This was an almost exact telling of the Jonestown Massacre. The only differences were the date because it was present day, a film crew came with a parishioners relative rather than a congressman and there were not as many victims.
Found Footage Picks From the Directors of 'V/H/S/Halloween'
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We asked the directors of V/H/S/Halloween to curate a list of some of their favorite found footage films, including some classics of the sub-genre and some deep cuts to add to your Watchlist.
Did you know
- TriviaGene Jones nailed his big interview scene in a single seventeen minute take.
- ConnectionsFeatured in WatchMojo: Top 10 Creepy Cults in Movies (2015)
- SoundtracksHeartbeats
Words and Music by Olof Dreijer (as Olof Bjorn Dreijer) & Karin Dreijer (as Karin Elizabeth Dreijer Andersson)
© Universal - Polygram International Publishing Inc. On behalf of Bert's Songs Ltd. (ASCAP)
Performed by The Knife
Courtesy of Mute & Rabid Records
By arrangement with Bank Robber Music
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $9,221
- Opening weekend US & Canada
- $583
- Jun 8, 2014
- Gross worldwide
- $9,221
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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