A news team trails a man as he travels into the world of Eden Parish to find his missing sister, where it becomes apparent that this paradise may not be as it seems.A news team trails a man as he travels into the world of Eden Parish to find his missing sister, where it becomes apparent that this paradise may not be as it seems.A news team trails a man as he travels into the world of Eden Parish to find his missing sister, where it becomes apparent that this paradise may not be as it seems.
- Director
- Writer
- Stars
- Awards
- 4 wins & 12 nominations total
Reginald Lashaun Clay
- Robert
- (as Lashaun Clay)
Christian Ojore Mayfield
- Pilot
- (as Christian O'Jore)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Just Ripping Off What's....
Already out there that stands as legitimate information. Try reading "Raven,"try viewing a quality documentary and understanding the historical context from which this "movie" came from. I'm sorry but people really died in this horrible ordeal and it clearly wasn't a film. Sometimes spending 4m on a project is just a bad idea outside giving work to actors and film crews. It's not a mystery that opening weekend seemed to bring in less than $550 USD. This effort would have been better served by the creators simply retelling the original story perhaps from a different view point. I thought it was in poor taste to put up that 167 lives were lost and that only two survived. Try over 900 with no movie stars involved. 3/10 was for how things looked at the outset. Don't pay any money for this.
Starts promising, completely falls apart in second half
What starts out as a promising look into a religious cult, quickly turns into a jumbled mess of incoherent storytelling, baffling motivations, and annoying camera work.
The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). So when things start going bad, it's hard to care. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. Everyone is a caricature ...especially "Father", who is little more than a mouthpiece for religious mumbo jumbo.
The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him.
And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.
All in all a disappointing film.
The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). So when things start going bad, it's hard to care. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. Everyone is a caricature ...especially "Father", who is little more than a mouthpiece for religious mumbo jumbo.
The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him.
And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.
All in all a disappointing film.
Makes the most of what it has...
If The Sacrament has anything going for it, it would be how much the filmmakers accomplished with such a small budget. The colony is a worthy achievement; a lot of time and effort has been put into constructing the huts and various buildings. The isolation of the colony and the complacency of its inhabitants effectively establishes an eerie vibe and these are the main reasons why the first half of the film is the strongest. What tension there is builds slowly, and your time isn't wasted with jump scares and cheap thrills. Also, I appreciate, despite the fact that this is a found-footage film, that the camera isn't too shaky.
As a whole, unfortunately, The Sacrament is ultimately ineffective as a horror/thriller film. Ti West and company have derived a lot of inspiration from the Jonesville mass suicide in 1978, and this ends up being a negative contribution to the film. I have watched harrowing TV documentaries regarding this truly horrifying moment in human history, but The Sacrament is simply as predictable as any routine horror film. I made the Jim Jones connection very early on. The appearance of Gene Jones as "Father" only confirmed this connection, though Jones is definitely a wonderful member of the cast and I applaud the filmmakers for tracking him down.
I'm sure that there was a way to make this work. But the resemblances to Jonesville render the film practically unnecessary; I knew exactly what was going to happen. I understand that the film was based on a very disturbing event, but that doesn't give it a free pass. From a historic point of view, this is an interesting representation of Jim Jones' cult. But from a creative point of view, the film is ultimately an hour of slow -building tension with a restrained payoff. A good twist or perhaps taking the Jonesville concept in a unique direction would have given this a few more stars from me.
In conclusion, I recommend this for people who have never heard of Jim Jones and the Peoples Temple. For everyone else, I can't say the same.
As a whole, unfortunately, The Sacrament is ultimately ineffective as a horror/thriller film. Ti West and company have derived a lot of inspiration from the Jonesville mass suicide in 1978, and this ends up being a negative contribution to the film. I have watched harrowing TV documentaries regarding this truly horrifying moment in human history, but The Sacrament is simply as predictable as any routine horror film. I made the Jim Jones connection very early on. The appearance of Gene Jones as "Father" only confirmed this connection, though Jones is definitely a wonderful member of the cast and I applaud the filmmakers for tracking him down.
I'm sure that there was a way to make this work. But the resemblances to Jonesville render the film practically unnecessary; I knew exactly what was going to happen. I understand that the film was based on a very disturbing event, but that doesn't give it a free pass. From a historic point of view, this is an interesting representation of Jim Jones' cult. But from a creative point of view, the film is ultimately an hour of slow -building tension with a restrained payoff. A good twist or perhaps taking the Jonesville concept in a unique direction would have given this a few more stars from me.
In conclusion, I recommend this for people who have never heard of Jim Jones and the Peoples Temple. For everyone else, I can't say the same.
Jonestown
This was an almost exact telling of the Jonestown Massacre. The only differences were the date because it was present day, a film crew came with a parishioners relative rather than a congressman and there were not as many victims.
"This is the last sacrament."
Most people seem to dislike the "found-footage" genre, though I personal like to see what stories filmmakers can create and develop it as a found-footage (mostly horror). I did like the first 3 installments of "Paranormal Activity," I absolutely loved "Cloverfield," and "The Blair Witch Project" did scare me. Thus, if you found more than one of these repulsive, ignore my review. I will also warn that this is obviously not a movie for everyone. After watching this movie, I can say that I came out very disturbed and mortified, which was Ti West's intentions (I presume). The whole film feels very real, and I did enjoy Gene Jones and Amy Seimitz's terrifyingly surreal acting. Most people will see this movie knowing how it'll end since it's based on the Jonestown massacre (don't look this up if you don't know it!!!), but that doesn't mean there weren't other aspects of the movie that weren't entertaining. For what the movie is about, I was surprised to still be jumping in my seat and breathing heavily at moments of great suspense. My only complaints about the film were some of the choices Ti West chose to move the story (those moments where the audience knows they are doing something very stupid and it feels unrealistic that they would do that to begin with). Some criticism I've heard is that it takes forever to get to the "good" parts. I'm going to argue that that is false criticism unless you are only looking to watch a 95 minute movie filled with terror and suspense. Yes, the first half of the movie doesn't have very much suspense, but there is still a chilling mood creeping up every minute. Plus, the chemistry between the actors is great and entertaining!
Found Footage Picks From the Directors of 'V/H/S/Halloween'
Found Footage Picks From the Directors of 'V/H/S/Halloween'
We asked the directors of V/H/S/Halloween to curate a list of some of their favorite found footage films, including some classics of the sub-genre and some deep cuts to add to your Watchlist.
Did you know
- TriviaGene Jones nailed his big interview scene in a single seventeen minute take.
- ConnectionsFeatured in WatchMojo: Top 10 Creepy Cults in Movies (2015)
- SoundtracksHeartbeats
Words and Music by Olof Dreijer (as Olof Bjorn Dreijer) & Karin Dreijer (as Karin Elizabeth Dreijer Andersson)
© Universal - Polygram International Publishing Inc. On behalf of Bert's Songs Ltd. (ASCAP)
Performed by The Knife
Courtesy of Mute & Rabid Records
By arrangement with Bank Robber Music
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $9,221
- Opening weekend US & Canada
- $583
- Jun 8, 2014
- Gross worldwide
- $9,221
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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