A recently released inmate from a mental asylum learns from his sister that the murder he was convicted of committing were actually orchestrated by a supernatural entity, the Lasser Glass mi... Read allA recently released inmate from a mental asylum learns from his sister that the murder he was convicted of committing were actually orchestrated by a supernatural entity, the Lasser Glass mirror.A recently released inmate from a mental asylum learns from his sister that the murder he was convicted of committing were actually orchestrated by a supernatural entity, the Lasser Glass mirror.
- Awards
- 3 wins & 17 nominations total
Garrett Ryan
- Young Tim
- (as Garrett Ryan Ewald)
Brett Murray
- Officer 1
- (as Brett Luciana Murray)
Odina Odette
- Skype Worker
- (as Elisa Victoria)
Featured reviews
This film was fantastic. I was creeped out the entire time, right from the introduction of the mirror. There has always been something slightly disconcerting about staring into a mirror at night, half expecting someone to jump out from over your shoulder. This film captured the essence of this perfectly. There was not a lot of action, not much blood or violence, but just enough to scare the audience. Just when you think that you have the mirror figured out, something else comes around to make you think otherwise. It makes you wonder if the characters are just crazy, that none of the film is actually real. You will never know exactly what is going on. That is what made it such a well done horror film, backed up by great acting performances from both adults and children. If you enjoy horror films as I do, go to see this film, you will not be disappointed!
21 year old Tim Russell is released from a mental institution.That same week his older sister is able to get a few days alone with the Lesser mirror. Kaylie, the sister, decides to take the mirror back to their old house, where unspeakable horrors unfolded during their childhood shortly after they moved to the back-then-new-house, and their father bought the infamous mirror. Kaylie is convinced the mirror is haunted: the mirror being some sort of evil supernatural being. Tim, on the other hand, has grown completely skeptic about the supernatural aspect of the mirror, believing his sister only holds on to that notion simply to have a way to cope with the horrific events of their childhood. Needless to say, the mirror does seem haunted, and as the night progresses for the adult siblings, the door to those memories open up, revealing more and more those events which both are trying to move on from; albeit in very different ways. These two timelines (their childhood and their present-day adult selves) unfold in a parallel manner, with the ending of the film culminating the two timelines' climaxes together.
One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.
The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.
A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.
More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.
If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.
Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.
One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.
The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.
A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.
More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.
If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.
Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.
Convincing horror effortlessly weaves together past, present, truth, & perception. Makes you question what you're witnessing while remaining completely believable. Twisted & unsettling, it's also cinematic proof redheads are crazy.
#nitrosMovieChallenge.
#nitrosMovieChallenge.
Far more than a tale of supernatural horror, "Oculus" explores the fundamental terror of not being able to trust one's own mind. Newly released from mental institution incarceration, a young man is swept along by his sister to confront the demon in the mirror to shattering results. Too often, an evil force is described as unbeatable, and then easily beat. Not so here...
As ends go, this one goes dark-perhaps to realism within the rules of the world, but unsatisfying to those wishing for any kind of redeeming factor.
Other points dissatisfy, such as the amount of dialogue the actors have to say as quickly as they can, particularly Kaylie. And then Kaylie's odd face-framing bangs and her extension ponytail.
Overall though, a terrifying experience. If you'd like to watch a movie by this director Mike Flanagan that does balance a sense of consequence as well as victory, watch "Doctor Sleep" based on Stephen King's sequel his classic story The Shining.
As ends go, this one goes dark-perhaps to realism within the rules of the world, but unsatisfying to those wishing for any kind of redeeming factor.
Other points dissatisfy, such as the amount of dialogue the actors have to say as quickly as they can, particularly Kaylie. And then Kaylie's odd face-framing bangs and her extension ponytail.
Overall though, a terrifying experience. If you'd like to watch a movie by this director Mike Flanagan that does balance a sense of consequence as well as victory, watch "Doctor Sleep" based on Stephen King's sequel his classic story The Shining.
This is a classic ghost story.
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
Did you know
- TriviaHad director Mike Flanagan agreed to film "Oculus" in the "found footage" genre (like Paranormal Activity (2007)), a number of studios would have backed it as early as 2006. However, Flanagan refused.
- GoofsWhen Kaylie starts recording her video, she says the time is 4:15PM. Two minutes later when Michael calls her, she says "Could you try and call on the hour? It's about seven past."
- Quotes
Alan Russell: I've met my demons and they are many. I've seen the devil, and he is me.
- ConnectionsFeatured in Nostalgia Critic: Top 11 New Halloween Classics (2014)
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $27,695,246
- Opening weekend US & Canada
- $12,005,402
- Apr 13, 2014
- Gross worldwide
- $44,459,951
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