Walter White's empire surges with a new pipeline and decisive moves to protect it, while Skyler confronts the cost -- and a quiet family moment hints at danger close to home.Walter White's empire surges with a new pipeline and decisive moves to protect it, while Skyler confronts the cost -- and a quiet family moment hints at danger close to home.Walter White's empire surges with a new pipeline and decisive moves to protect it, while Skyler confronts the cost -- and a quiet family moment hints at danger close to home.
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'Breaking Bad' is one of the most popular rated shows on IMDb, is one of those rarities where every season has either been very positively received or near-universally acclaimed critically and where all of my friends have said nothing but great things about.
Very few shows in recent memory had me so hooked from the very start that before the week was over the whole show had been watched, especially when for a lot of shows now airing watching one episode all the way through can be an endeavour. 'Breaking Bad' had that effect on me, and its reputation as one of the best, consistently brilliant and most addictive shows in many years (maybe even ever) is more than deserved in my eyes. Its weakest season is perhaps the first season, understandable as any show's first season is the one where things are still settling.
Actually everything is established remarkably from the very start, but once the writing and characterisation becomes even meatier the show reaches even higher levels.
"Gliding Over All" is another incredible 'Breaking Bad' episode, one of the best of Season 5. The sizzling tension and emotional impact are only a couple of truly great things and even more the rich subtlety and a cliffhanger that will make one's jaw drop to the floor in amazement and shock, really is one for the ages.
Visually, "Gliding Over All" is both stylish and beautiful, with photography and editing that are cinematic quality and put a lot of films today to shame, where there are a lot of visually beautiful ones but also some painfully amateurish looking ones. The music always has the appropriate mood, never too intrusive, never too muted.
The writing in "Gliding Over All" is a fine example of how to have a lot of style but also to have a lot of substance. The dialogue throughout is thought-provoking and tense, while also have a darkly wicked sense of humour, nail-biting tension and heart-tugging pathos. The story is texturally rich, intimate, tense and layered, with the pace of it consistently deliberate but taut.
Can't say anything bad about the acting. Bryan Cranston is phenomenal as one of the most fascinating anti-heroes, or even of any kind of character, in either film or television. Aaron Paul has never been better and Anna Gunn is affecting. The supporting cast are both intriguing and entertaining. The characters are compelling in their realism, likewise with their chemistry, and the episode is superbly directed.
All in all, another episode that is difficult to find fault with. 10/10 Bethany Cox
Very few shows in recent memory had me so hooked from the very start that before the week was over the whole show had been watched, especially when for a lot of shows now airing watching one episode all the way through can be an endeavour. 'Breaking Bad' had that effect on me, and its reputation as one of the best, consistently brilliant and most addictive shows in many years (maybe even ever) is more than deserved in my eyes. Its weakest season is perhaps the first season, understandable as any show's first season is the one where things are still settling.
Actually everything is established remarkably from the very start, but once the writing and characterisation becomes even meatier the show reaches even higher levels.
"Gliding Over All" is another incredible 'Breaking Bad' episode, one of the best of Season 5. The sizzling tension and emotional impact are only a couple of truly great things and even more the rich subtlety and a cliffhanger that will make one's jaw drop to the floor in amazement and shock, really is one for the ages.
Visually, "Gliding Over All" is both stylish and beautiful, with photography and editing that are cinematic quality and put a lot of films today to shame, where there are a lot of visually beautiful ones but also some painfully amateurish looking ones. The music always has the appropriate mood, never too intrusive, never too muted.
The writing in "Gliding Over All" is a fine example of how to have a lot of style but also to have a lot of substance. The dialogue throughout is thought-provoking and tense, while also have a darkly wicked sense of humour, nail-biting tension and heart-tugging pathos. The story is texturally rich, intimate, tense and layered, with the pace of it consistently deliberate but taut.
Can't say anything bad about the acting. Bryan Cranston is phenomenal as one of the most fascinating anti-heroes, or even of any kind of character, in either film or television. Aaron Paul has never been better and Anna Gunn is affecting. The supporting cast are both intriguing and entertaining. The characters are compelling in their realism, likewise with their chemistry, and the episode is superbly directed.
All in all, another episode that is difficult to find fault with. 10/10 Bethany Cox
This episode is disturbing, is straight-up insane, it's just amazing. Unsurprisingly good.
The first part of Breaking Bad's final season ends on a phenomenal note – a twist audiences have feared since the character of Walter White was introduced in 2008, but have stashed away in the subconscious after more than 50 episodes of the series. "Gliding Over All" sets up so many possibilities and a whole new direction for the final eight episodes of the series and makes predicting the end of this amazing story an impossible endeavour.
To rephrase one of Walt's lines in this episode, last things first: the ultimate scene in "Gliding Over All", that simple yet momentous and jaw- dropping epiphany for one of the characters, wouldn't be as great as it turns out to be if it weren't for the perfect lead-up to it. The intensity is lacking for most parts of this episode, but that turns out to be the perfect calm before the storm – a storm that one could also describe as the best season-ending cliffhanger of the series. However, my 10 rating isn't the result of merely one remarkable scene, since there are loads of other things to praise in this episode. Firstly, there are Breaking Bad's best two minutes of non-stop violence in the most beautifully (not inappropriate to say, right?) shot murder montage. If such bloodshed isn't your cup of tea, there's still the drug cooking and contributing, getting stretched out to a three-minute chain of the whole process, set to contrasting music, looking purely amazing, and impressing with more match cuts you could ever expect to find in any other episode of any TV series.
Fans of subtlety will find a lot to admire about "Gliding Over All" too, with hints to episodes quite a while ago and the little disguised murder contemplations (Walt's ricin, Jesse's gun) being present in these 50 minutes, which may not be the series' most intense or thoroughly entertaining, but are artistically made and opening an outstanding new story for the series, making it the best episode of this half of the fifth season.
To rephrase one of Walt's lines in this episode, last things first: the ultimate scene in "Gliding Over All", that simple yet momentous and jaw- dropping epiphany for one of the characters, wouldn't be as great as it turns out to be if it weren't for the perfect lead-up to it. The intensity is lacking for most parts of this episode, but that turns out to be the perfect calm before the storm – a storm that one could also describe as the best season-ending cliffhanger of the series. However, my 10 rating isn't the result of merely one remarkable scene, since there are loads of other things to praise in this episode. Firstly, there are Breaking Bad's best two minutes of non-stop violence in the most beautifully (not inappropriate to say, right?) shot murder montage. If such bloodshed isn't your cup of tea, there's still the drug cooking and contributing, getting stretched out to a three-minute chain of the whole process, set to contrasting music, looking purely amazing, and impressing with more match cuts you could ever expect to find in any other episode of any TV series.
Fans of subtlety will find a lot to admire about "Gliding Over All" too, with hints to episodes quite a while ago and the little disguised murder contemplations (Walt's ricin, Jesse's gun) being present in these 50 minutes, which may not be the series' most intense or thoroughly entertaining, but are artistically made and opening an outstanding new story for the series, making it the best episode of this half of the fifth season.
I think Gliding Over All is one of the best episodes of Breaking Bad for numerous reasons.
There are character moments involving Walt, Skyler, Hank, Marie, Jesse, and Lydia that all work brilliantly. Some of the more ironic moments, particularly the final shot are very memorable. The writers display constant awareness of previous episodes and keep great consistency with certain callbacks.
The evolution of Walter White is one of the main reasons to watch Breaking Bad and this is another classic depiction of how far down that road from Mr Chips to Scarface his has moved. Bryan Cranston is brilliant as always, but the cinematographers do for his physical appearance what Gordon Willis did for Al Pacino and make him an intimidating force of nature.
Speaking of The Godfather, there are some particularly well made tributes to some of its most famous moments in this episode. Plus it is generally visually stunning in most scenes, particularly the montages and transitions. I love the cut from Walt sitting down whilst leaning forward to him sitting back up in a different situation. The White family house drenched in shadowy darkness is incredibly effective.
Cranston, Anna Gunn, Dean Norris, Aaron Paul, and Laura Fraser are all perfect in their scenes.
There are character moments involving Walt, Skyler, Hank, Marie, Jesse, and Lydia that all work brilliantly. Some of the more ironic moments, particularly the final shot are very memorable. The writers display constant awareness of previous episodes and keep great consistency with certain callbacks.
The evolution of Walter White is one of the main reasons to watch Breaking Bad and this is another classic depiction of how far down that road from Mr Chips to Scarface his has moved. Bryan Cranston is brilliant as always, but the cinematographers do for his physical appearance what Gordon Willis did for Al Pacino and make him an intimidating force of nature.
Speaking of The Godfather, there are some particularly well made tributes to some of its most famous moments in this episode. Plus it is generally visually stunning in most scenes, particularly the montages and transitions. I love the cut from Walt sitting down whilst leaning forward to him sitting back up in a different situation. The White family house drenched in shadowy darkness is incredibly effective.
Cranston, Anna Gunn, Dean Norris, Aaron Paul, and Laura Fraser are all perfect in their scenes.
So, where to start? First of all i have seen this episode, it was good enough, but i unfortunately think it is overrated. Ya'know it has good acting and the story is... WOW. But Really? It has (currently) 9,6/10? Thats almost all full stars. It doesn't happened THAT much in the episode, it had a weak ago 8,5/10. Thats what i think it should have instead of 9,6. If you compare this with for example the episode "Confessions" which also (currently) has 9,6/10 (which in my opinion it should have) you'll see that its a BIG difference and that this episode should have lower rating than it. Its more than one star higher since its last rating. Confessions had some action in it, but in this episode it only has that prison scene which is more ridiculous than action-full. Rest of it they are just talking (what I remember). I don't know about you but in my opinion, it is a very overrated episode. Ratings like 9,6 should be watched over and over again.
All what happens is that they are talking, cook, cries almost like every episodes. Walt quits his meth-making, Gives Jesse his 5 million dollars in cash, and thats just about it.
8,5/10
All what happens is that they are talking, cook, cries almost like every episodes. Walt quits his meth-making, Gives Jesse his 5 million dollars in cash, and thats just about it.
8,5/10
Did you know
- TriviaWalt tells Lydia to "Learn to take yes for an answer." This is the same advice that Mike gave Walt in Thirty-Eight Snub (2011).
- GoofsWhile talking to Walter at the motel meeting, Jack mentions Bin Laden's death. Osama bin Laden got killed in 2011 and this episode took place in 2009. Vince Gilligan later admitted that this was a mistake.
- Quotes
Hank Schrader: [to Walt] Been thinking about that job more and more lately. Maybe I should have enjoyed it more. Tagging trees is a lot better than chasing monsters.
- Crazy creditsBryan Cranston is credited both as an actor and a producer. For his actor credits (Br) is highlighted and for his producer credits (Y) is highlighted for chemical elements Bromine and Yttrium from periodic table.
- ConnectionsFeatured in The 65th Primetime Emmy Awards (2013)
Details
- Runtime
- 47m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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