Doctor Mabuse

See this movie because Ansel Faraj has been able to do something new in a way that filmmakers twice to three times his age seemed to have never known how to do. Doctor Mabuse is a wholly original film and fearless while it's at it -- detailing a contemporarily rendered vision of fear, even if set in "period" times between the wars yet, as we are now, always in a state of war. Fear, paranoia, claustrophobia, conformity and the banality of evil combine in a visually arresting and mind-blowing way to tell a simply great and terrifying story. Jerry Lacy MAKES the film along with a cast turning in good to great performances that enhance Lacy's dark embodiment of evil. Part homage, part brand new vision and always an analogy for our times, Doctor Mabuse is not only a highly worthy and frightening story in and of itself but marks a serious entry into movie-making. Ansel Faraj means it!

Quite a treat to see Jerry Lacy, Lara Parker, and Kathryn Leigh Scott-- all of Dark Shadows--reunited again. But, the characters really don't do much in the film. The artsy blue screen projections detract from a slim plot. Just what did Dr. Mabuse do to warrant his exile? He's a criminal mastermind...just what did he do? My biggest problems with the film include uneven audio levels. I had to jump up once or more to turn the volume down or up on my stereo from scene to scene. Plus, the characters do not pronounce the name "Mabuse" the same by any means. I heard "Maboose" from Lara Parker...and "Muh-buse" from the young police policeman and others. Even in the the special features section on the DVD, the latter actor referred to Lara Parker as "Laura," when my understanding is the pronunciation is "Lara," rhyming with "Sara." So, these problems did detract from my enjoyment of the film. I would like nothing better than to see a Dark Shadows TV or studio film with Parker, Scott, David Selby, etc. on a higher production level. But, kudos to the director and writer--who, as other reviewers said--could do much more on a bigger budget.

as the movie began , I thought, hmmm...I am now in a theater, in Europe , in the early 30's...then i started looking for reference points, Ed Wood, David Lynch, Fritz Lang, Tarhovsky,Dan Curtis...but by then I was lost at sea with Mabuse and Ansal Faraj and I was scared. ..and amazed..I had never seen such a film!But I was captivated with the ever growing sense of DREAD, mind control, grief, and utter helplessness...aspects of my life were mirrored, all the actors were committed to the unfolding horror...a filmic Greek Tragedy...not for the faint of heart. Lacy, Scott, Parker , all excellent in their new reincarnations. It seems Dark Shadows lives again, in parallel time, in the brilliant fearlessness of young director, Ansal Faraj.

As a fan of both Fritz Lang and the old Dark Shadows soap opera, I was eager to see Ansel Faraj's Doctor Mabuse. You could say I am the target audience, and I wasn't disappointed! Seeing Jerry Lacy, Kathryn Leigh Scott, and Lara Parker together again is a treat in and of itself. As always, they are terrific! Newcomer Nathan Wilson has a lot of on screen charisma too. Faraj creates a noirish atmosphere which draws the viewer in. The lighting is particularly effective. I was surprised to learn that the director was only 21 years old when he made this film. Given his age and budget he had to work with, I am quite impressed. I am looking forward to seeing more of Faraj's work in the future. The movie and the director are definitely worth watching!

An absolutely terrible, amateurish, silly take on the old Dr. Mabuse character with virtually no redeeming value. Okay, the blue screen look of the film is occasionally striking, but this is a mess when it comes to a solid script, strong characters, suspense, tension, or any coherent excitement. I felt sorry for the old "Dark Shadows" actors, of which only Kathryn Leigh Scott gives a memorable performance in a laughably under-written role.

I can only imagine that somebody got their relatives or people who worked on the film to write these rave reviews. The new Spielberg? Come on!