One Eyed Girl
- 2013
- 1h 42m
IMDb RATING
5.9/10
5.4K
YOUR RATING
A young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its me... Read allA young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members.A young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members.
- Director
- Writers
- Stars
- Awards
- 2 wins & 1 nomination total
Kate Cheel
- Rachel
- (as Katy Cheel)
Adom Carter
- Train Commuter
- (as Adom Kartor)
Adrian Gruszka
- Commuter
- (uncredited)
Emily McMahon
- Commuter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm still sitting with everything it made me feel. It's one of those slow-burning, unsettling films that doesn't go where you think it will in a good way.
The movie follows this guy, Travis, a psychiatrist who's clearly dealing with some serious internal turmoil. He's depressed, kind of numb to the world, and not really coping with the weight of his work or personal life. Then he meets Grace this quiet, strange young woman and through her, ends up in a secluded cult-like community led by a guy named Father Jay.
At first, it seems like they might be helping him. The place is remote, strict, almost military-like, but there's a sense of belonging there that Travis is drawn to. That's where the movie gets really interesting it starts challenging you to think about what people are willing to believe in when they're desperate for purpose or healing.
The performances are what really make this film stick. Mark Leonard Winter, who plays Travis, does a brilliant job of showing someone completely unraveling, while still trying to hold it together. Tilda Cobham-Hervey as Grace is just... haunting. There's so much pain behind her eyes, but she also carries this strange sense of calm that keeps you guessing. And Steve Le Marquand as Father Jay terrifyingly charismatic. You can see exactly why people would follow him, even when things start to feel off.
It's not a flashy film it's quiet, tense, and moody. A lot of grey tones, empty spaces, minimal soundtrack. It builds atmosphere more than action, but that worked for me. It felt real, raw, and honestly a bit uncomfortable at times which I think was the point.
The movie follows this guy, Travis, a psychiatrist who's clearly dealing with some serious internal turmoil. He's depressed, kind of numb to the world, and not really coping with the weight of his work or personal life. Then he meets Grace this quiet, strange young woman and through her, ends up in a secluded cult-like community led by a guy named Father Jay.
At first, it seems like they might be helping him. The place is remote, strict, almost military-like, but there's a sense of belonging there that Travis is drawn to. That's where the movie gets really interesting it starts challenging you to think about what people are willing to believe in when they're desperate for purpose or healing.
The performances are what really make this film stick. Mark Leonard Winter, who plays Travis, does a brilliant job of showing someone completely unraveling, while still trying to hold it together. Tilda Cobham-Hervey as Grace is just... haunting. There's so much pain behind her eyes, but she also carries this strange sense of calm that keeps you guessing. And Steve Le Marquand as Father Jay terrifyingly charismatic. You can see exactly why people would follow him, even when things start to feel off.
It's not a flashy film it's quiet, tense, and moody. A lot of grey tones, empty spaces, minimal soundtrack. It builds atmosphere more than action, but that worked for me. It felt real, raw, and honestly a bit uncomfortable at times which I think was the point.
It's not about jump scares or fast pacing. It's more like watching someone quietly fall apart, and you can't look away.
What really hit me was how real the characters felt. Not perfect, not likable all the time, but so painfully human. Travis is broken in a way that's uncomfortable to watch because it's relatable This isn't a movie for everyone. If you're looking for action or answers wrapped up in a neat little bow skip it. But if you like psychological stories that dig into grief, vulnerability, and the weird places people end up when they've got nothing left..
What really hit me was how real the characters felt. Not perfect, not likable all the time, but so painfully human. Travis is broken in a way that's uncomfortable to watch because it's relatable This isn't a movie for everyone. If you're looking for action or answers wrapped up in a neat little bow skip it. But if you like psychological stories that dig into grief, vulnerability, and the weird places people end up when they've got nothing left..
One Eyed Girl is not an easy film to watch. It is heavy, uncomfortable, and at times distressingly real in its portrayal of trauma and emotional manipulation. But it is also a film of great sensitivity, psychological depth, and moral complexity. It asks hard questions about mental health, belief systems, and the longing for redemption in a fractured world.
While it won't appeal to audiences looking for action or traditional horror, those interested in psychological character studies and understated cult dramas will find a lot to appreciate. It's a film that lingers long after the credits roll, not because of any shocking twist, but because it dares to sit in the quiet, painful spaces most stories avoid.
While it won't appeal to audiences looking for action or traditional horror, those interested in psychological character studies and understated cult dramas will find a lot to appreciate. It's a film that lingers long after the credits roll, not because of any shocking twist, but because it dares to sit in the quiet, painful spaces most stories avoid.
Just finished this and wow it's one of those quiet, heavy films that sits in your chest. Slow, unsettling, emotionally raw. Not scary in the traditional sense, but it messes with your head in a very real, human way. If you've ever felt lost or numb, this hits hard. Definitely not for everyone, but if you like that kind of emotional weight... worth it.
I saw this movie last year at the ECU film festival in Paris and still to this day, I think about it often. I am not familiar with Australian movies but I am so grateful the organizers of the festival have selected this movie. The concept of healing the soul was really disturbing to me and very powerful. It made me change the way I view negative past experience. The idea I had of Australia was beaches, surf and ice cream but the decor is more like a Scandinavian thriller movie. The music has great beauty and makes the movie really haunting. This is a deep analysis of a man's life into the darkest places in his head. The cast was really well chosen and their performances shows so much courage and intelligence. This is the first movie for this director and I am impatient to see more of his work.
Discover the nominees, explore red carpet fashion, and cast your ballot!
Did you know
- TriviaThe use of The Humming chorus from Madame Butterfly by Giacomo Puccini is a reference to Jennifer 8 that utilized the same track. The 90s Bruce Robinson thriller is a favorite of co-writers Nick Remy Matthews and Craig Behenna.
- SoundtracksPretty Little Girl Of Mine
Written by The Yearlings
Performed by Chris Parkinson, Robyn Chalklin, Michael Darren, Naomi Tillett, Michael Green
Details
Box office
- Budget
- A$1,100,000 (estimated)
- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content