One Eyed Girl
- 2013
- 1h 42m
IMDb RATING
5.4/10
5.8K
YOUR RATING
A young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its me... Read allA young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members.A young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members.
- Director
- Writers
- Stars
- Awards
- 2 wins & 1 nomination total
Kate Cheel
- Rachel
- (as Katy Cheel)
Adom Carter
- Train Commuter
- (as Adom Kartor)
Adrian Gruszka
- Commuter
- (uncredited)
Emily McMahon
- Commuter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
My Thoughts
I'm still sitting with everything it made me feel. It's one of those slow-burning, unsettling films that doesn't go where you think it will in a good way.
The movie follows this guy, Travis, a psychiatrist who's clearly dealing with some serious internal turmoil. He's depressed, kind of numb to the world, and not really coping with the weight of his work or personal life. Then he meets Grace this quiet, strange young woman and through her, ends up in a secluded cult-like community led by a guy named Father Jay.
At first, it seems like they might be helping him. The place is remote, strict, almost military-like, but there's a sense of belonging there that Travis is drawn to. That's where the movie gets really interesting it starts challenging you to think about what people are willing to believe in when they're desperate for purpose or healing.
The performances are what really make this film stick. Mark Leonard Winter, who plays Travis, does a brilliant job of showing someone completely unraveling, while still trying to hold it together. Tilda Cobham-Hervey as Grace is just... haunting. There's so much pain behind her eyes, but she also carries this strange sense of calm that keeps you guessing. And Steve Le Marquand as Father Jay terrifyingly charismatic. You can see exactly why people would follow him, even when things start to feel off.
It's not a flashy film it's quiet, tense, and moody. A lot of grey tones, empty spaces, minimal soundtrack. It builds atmosphere more than action, but that worked for me. It felt real, raw, and honestly a bit uncomfortable at times which I think was the point.
The movie follows this guy, Travis, a psychiatrist who's clearly dealing with some serious internal turmoil. He's depressed, kind of numb to the world, and not really coping with the weight of his work or personal life. Then he meets Grace this quiet, strange young woman and through her, ends up in a secluded cult-like community led by a guy named Father Jay.
At first, it seems like they might be helping him. The place is remote, strict, almost military-like, but there's a sense of belonging there that Travis is drawn to. That's where the movie gets really interesting it starts challenging you to think about what people are willing to believe in when they're desperate for purpose or healing.
The performances are what really make this film stick. Mark Leonard Winter, who plays Travis, does a brilliant job of showing someone completely unraveling, while still trying to hold it together. Tilda Cobham-Hervey as Grace is just... haunting. There's so much pain behind her eyes, but she also carries this strange sense of calm that keeps you guessing. And Steve Le Marquand as Father Jay terrifyingly charismatic. You can see exactly why people would follow him, even when things start to feel off.
It's not a flashy film it's quiet, tense, and moody. A lot of grey tones, empty spaces, minimal soundtrack. It builds atmosphere more than action, but that worked for me. It felt real, raw, and honestly a bit uncomfortable at times which I think was the point.
Explores the fragile
One Eyed Girl is a slow-burn thriller that rewards patient viewers with a haunting psychological exploration of loss, vulnerability, and the search for meaning. It's not always easy to watch, but it lingers long after the credits roll.
Highly recommended for fans of character-driven thrillers with a psychological and philosophical edge.
Highly recommended for fans of character-driven thrillers with a psychological and philosophical edge.
The Emotional Journey
No matter how you approach it, this movie is ultimately about the search for meaning after trauma and how easily that search can lead us into darkness or, if we're lucky, toward redemption
If you watch it with empathy, the story becomes about two damaged souls Travis and Grace seeking connection. Both are trying to heal in their own way. Grace's faith and Travis's skepticism clash, but they also reflect each other's longing for understanding. The ending, seen from this view, feels tragic but compassionate like two people finally seeing the truth, even if it destroys them.
If you watch it with empathy, the story becomes about two damaged souls Travis and Grace seeking connection. Both are trying to heal in their own way. Grace's faith and Travis's skepticism clash, but they also reflect each other's longing for understanding. The ending, seen from this view, feels tragic but compassionate like two people finally seeing the truth, even if it destroys them.
Can't believe he ever lived.
The film opens with a very interesting story. It's mysterious, lonely, and full of questions about faith and emotional pain and boldly explores the mind, hopelessness, and religion without preaching morality. Instead, it asks, "How do we survive when everything in our lives falls apart?"
I like the picture is very beautiful. Every frame looks like it was composed like an art film.
I like the picture is very beautiful. Every frame looks like it was composed like an art film.
It is heavy
One Eyed Girl is not an easy film to watch. It is heavy, uncomfortable, and at times distressingly real in its portrayal of trauma and emotional manipulation. But it is also a film of great sensitivity, psychological depth, and moral complexity. It asks hard questions about mental health, belief systems, and the longing for redemption in a fractured world.
While it won't appeal to audiences looking for action or traditional horror, those interested in psychological character studies and understated cult dramas will find a lot to appreciate. It's a film that lingers long after the credits roll, not because of any shocking twist, but because it dares to sit in the quiet, painful spaces most stories avoid.
While it won't appeal to audiences looking for action or traditional horror, those interested in psychological character studies and understated cult dramas will find a lot to appreciate. It's a film that lingers long after the credits roll, not because of any shocking twist, but because it dares to sit in the quiet, painful spaces most stories avoid.
Did you know
- TriviaThe use of The Humming chorus from Madame Butterfly by Giacomo Puccini is a reference to Jennifer 8 that utilized the same track. The 90s Bruce Robinson thriller is a favorite of co-writers Nick Remy Matthews and Craig Behenna.
- SoundtracksPretty Little Girl Of Mine
Written by The Yearlings
Performed by Chris Parkinson, Robyn Chalklin, Michael Darren, Naomi Tillett, Michael Green
Details
Box office
- Budget
- A$1,100,000 (estimated)
- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 2.35 : 1
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