A Night in Old Mexico

A Night in Old Mexico is a sweet little tale about a down-and-out and bitter old-timer who goes on a trip to Mexico and finds new purpose in life after getting his hands on a young exotic dancer and some dirty drug money. If that sounds a little naïve and trite, it's because it is. But Robert Duvall has always had a strange ability to add validity to almost anything, no matter how mediocre the circumstances, and so he does here as well. The supposed weighty material in the movie, such as the relationship between Duvall and his grandson (played by Jeremy Irvine), or such as the existential themes in the script, always stay just a little short of poignant, but at least the filmmakers want to make them felt, even if they're not quite able to convey it. And when the drama isn't quite working, there's just enough humour in here to cover it up.

Spanish/US co-production well played , magnificently set in Mexico , stunningly directed and it pays tribute to the great American actor Robert Duvall . About to lose the property that's been in his family for generations, Texas rancher Red Bovie (Robert Duvall) is contemplating suicide , as forced to sell his family ranch to developers, a financially strapped but proud senior citizen, finally meets his grandson (Jeremy Irvine) and gets involved with drug dealers (Luis Tosar) .

This is an exciting as well as thought-provoking story about sympathetic human beings and how they cope with an relentless chase who carry out some drug dealers . It is an extreme situation and this is conveyed pretty well by Emilio Aragon ; as a trio of unfortunate characters -perfectly played by Robert Duval , Jeremy Irvine and Angie Cepeda- are mercilessly pursued and they have to flee with a loot that have found . The flick is dedicated in loving memory of Christopher Bates , executive producer of the film and dead at 2013 . The main discernible reason to watch Spanish director Emilio Aragon's English language debut , A Night in Old Mexico, results to be to see star Robert Duvall in front of a nice cast and center dancing circles around the cringe worthy supporting players . To be fair , his interpretation is fabulous , he is the first character , granting a special kind of depth . Intelligent and interesting script written by screenwriter William D. Wittliff, reteaming with Duvall for the first time since the memorable 1989 television miniseries, "Lonesome Dove" . It's a project that's reputed to be nearly 35 years in the making , but the end product can't quite justify the means with this reunion that feels akin to Duvall's last stint as director , 2002's ¨Assassination Tango¨ . And Duvall has recently directed ¨Wild Horses¨, he stars as an old rancher who once kicked his son off his property for being gay and now finds himself at the center of a missing person investigation ; in addition to starring , Robert directed a cast that includes James Franco and Josh Hartnett.

Thrilling as well as evocative musical score by the same filmmaker , Emilio Aragon , including Mexican sounds . Colorful and evocative cinematography by David Omedes . The motion picture was compellingly directed by Emilio Aragon , an effort that feels far superior in comparison his first film : ¨Paper birds¨ . The production and directing of his Opera Prima "Pájaros De Papel" (paper birds), a lifelong dream, seems he has been dedicating his whole life to , being nominated for Best First Director Award at 2011 Goyas (Spanish Oscars) .

"I have never in my whole life seen someone like you." Red Bovie (Duvall) is a proud rancher who has just lost his farm, land, house and everything he owns. He has also just met Gally (Irvine) who claims to be his grandson. After being shown the trailer which will be his new home Red drives off with Gally and they head for Mexico. Along the way they pick up two hitchhikers which change the course of not only the night but their lives. The first thing I have to say about this movie is that Robert Duvall was the perfect choice. This is his Gran Torino in the way that this seemed like a movie where they turned on a camera and just filmed him being himself for a few days. He is the only real name in this but that does not diminish the movie at all. It started off a little slow but by the end I ended up liking it and was glad I stuck it out. There is drama, action and some comedy in this but the real reason to watch is Duvall. You really can't take your eyes off of him and his casting alone makes the movie better. Overall, a good movie that I did like but Robert Duvall is the reason to watch. I give this a B.

Let me start off by saying I love Robert Duvall, but this is not one of his better efforts (no fault of his, lousy writing and lousy co-stars). It's his typical "tough old guy" routine on steroids.

The movie starts slow and gets slower. From there it becomes boring and increasingly predictable.

I found myself fast forwarding to get to a point where there was something going on.....and then suddenly I was at the end, thank God.

Skip this one, and keep your love and appreciation of Mr Duvall intact!

A Night in Old Mexico was well-received in its North American Premiere at the SXSW Film Festival. Some of our great actors age poorly and take easy money making roles (such as Robert DeNiro in Last Vegas and the Meet the Parents series), but Robert Duvall is still doing some serious acting. In A Night in Old Mexico, he plays a character that is likely not that different from himself. He plays a crazy old Texan united with his wayward grandson and looking to have a last thrill ride in south of the border. In some ways, the role is reminiscent of Al Pacino in Scent of a Woman. The thrill ride takes a few unbelievable twists and turns, but it is still enjoyable to see how much spunk the old fellow still has. I'm not sure this will get much of a wide release, but if you have a chance check it out. Duvall remains a worthwhile entertaining old curmudgeon in old Mexico.