Blue Jasmine

when the movie was over the audience sat there somewhat stunned and completely silent... was crazy... crazy is the literal word to use.

the main character is so vivid and sad and real.

the film is a roller coaster ride of drama and comedy... of awkward humor and goofy then disturbing.

the use of flashbacks are done seamlessly and works well to tell the back story of this amazing character.

there are a few things that maybe don't work here and there but 80 percent of this film is cate blanchette and she really is perfect.

at times it's woodyy allen-ish and at other times you forget and are sucked in by blanchette.

rest of cast is great... andrew dice clay is awesome in a very toned down role, louie ck is great is a small part... sally hawkins is awesome in her own way and very different from her sister jasmine... bobby carnivale chews some scenery.

if this movie sucks you in you will have a hard time forgetting it for a while... it hangs with you.

I have never been interested in any Woody Allen films in the past, but over the course of the past year or so, I have gradually become interested in his films and I'm glad because he is actually a film genius, as evident from this film, Blue Jasmine. Blue Jasmine offers a roller-coaster ride of emotions from light comedy to downright depressing. Woody offers up his distinct style of dialog in his screenplay and it's put to good use by Cate Blanchett who delivers one of her best career performances.

Woody Allen's film is about a woman named Jasmine who was quite a rich socialite in Manhattan married to a wealthy businessman named Hal. When Hal is arrested for swindling, Jasmine loses her home and wealth and is forced to move to San Francisco to move in with her sister, Ginger. From there, we see the emotions Jasmine goes through as she is having a hard time moving on.

As said before, Cate Blanchett may have given her best performance and that is a tough feat. Her emotion is so raw and her pain is so real and even though I don't care for people with her kind of snobby attitude, I couldn't help but feel a little sorry for her. Alec Baldwin does a good job as Hal, the man with the money and the affairs. Sally Hawkins delivers quite a performance as Ginger, who is suffering from problems of her own. Finally, Bobby Cannavale does a great job as Ginger's boyfriend who makes it clear his distrust for Jasmine.

Overall, Blue Jasmine is an excellent film but I'm not sure if being labeled as a comedy would work in its favor. The movie is just too depressing at times. I was also reminded of the Bernie Madoff scandal here and Jasmine seems to deliver the emotions Madoff's wife must have gone through. This is a well-acted and well-written film that touches upon the subject of life-altering changes and their effects. I rate this film 9/10.

I confess, I don't usually enjoy Woody Allen movies. There's too much fretting about relationships, and there's too much talking. This, however, was an unexpected, pleasant surprise. The key to the plot all devolves from Jasmine's marriage to a New York financial whiz of questionable integrity. Alec Baldwin hits the part out of the park which allows the movie to spend its quality time exploring the toxic relationship to wealth some people have.

The second most salient plot element is Jasmine's adoptive sister, Ginger, played by Sally Hawkins, who is as unforgettably effective as the other leads. As a guy, I've known women exactly like her, and I would be surprised if any woman in the audience didn't. The interaction between Ginger and Jasmine keeps the entire movie roiling. It involves her sister taking Jasmine in despite her having looked down on her since she became rich.

We're also treated to excellent performances in smaller roles by Andrew Dice Clay, and, my favorite, Bobby Cannavale, as Ginger's boyfriend, Chili. There's even more to be said about the acting than just these standouts that I won't include for the sake of brevity, but suffice it to say, it's all top notch.

The real payoff here is what Mr Allen is choosing to depict of those whose life is overly dependent on wealth. Woody Allen had always seemed fairly indifferent to wealth to me, so I imagined he wanted to protect those who had it, which put me off. But that's not the case here. Mr Allen is quite pointed about what's out there in terms of financial hazards, and how it can destroy lives.

As to Cate Blanchett there is something odd going on with her in this movie. I've seen many great performances by actresses, in particular, but never one that seemed as if the actress was somehow only devoting maybe 90% of her skill to a difficult role, and still she pulls it off brilliantly! That missing 10% is somehow not acting and with us, the audience, as her real self, quite conscious of the moment, and it's like spending time with an attractive woman. It's almost as if we're also actors and she's showing us only enough for us to see what she's capable of. She thinks she can trust us to understand where she's taking her performance, and somehow it works. This is the most wonderful acting by an actress I've seen this winter, a real delight, and I can't imagine her being bested at the Oscars.

So, in short, I'm surprised to find that this is my favorite Woody Allen movie for a variety of reasons, and I highly recommend it.

I thought this was Woody Allen's best film in years. The script was better written than I expected from him at this point, given his more recent turns toward drama, and the laughs are often derived as much from the dark humor in the characters' situations as from snappy punch lines. Kudos to Cate Blanchett who turns in a stellar performance, actors sometimes broadly interpret Woody's neurotic characters for comedic effect, more the way Woody would play the role (think Judy Davis), but Cate very effectively plays it straight and my guess is she'll be taking home the next best actress Oscar. For me the biggest surprise was Andrew Dice Clay, who gives a surprising nuanced performance as a working class guy bitter about having been screwed over by big shots, and in some ways his character morally anchors the film. Good job, Woody.

If you want to see this year's master class in screen acting, you need to watch Cate Blanchett's mesmerizing performance as Jasmine French, a delusional Park Avenue socialite wife in Woody Allen's 45th directorial effort, a sly, bicoastal update of Tennessee Williams' classic "A Streetcar Named Desire". As the film opens, her impeccably dressed character has hit rock bottom after her financial wizard of a husband is arrested and her assets are liquidated. In the throes of a nervous breakdown, she arrives in San Francisco and moves in with her kind- hearted sister Ginger who lives a modest, blue-collar life in a tiny apartment on the edge of the Mission – on South Van Ness near 14th Street to be exact - with her two hyperactive sons. You can tell Jasmine is not only out of her element but quite judgmental about how her sister's life has turned out. The irony of Jasmine's patronizing attitude is that she is a habitual liar who is so angry about her destitute circumstances that she frequently talks to herself. The story follows the basic outline of "Streetcar" but takes some interesting turns, for instance, when she tries to better herself by taking computer classes while working as a receptionist at a dental office.

Allen has crafted his film into a clever juxtaposition of current and past events that feels jarring at first since it reflects Jasmine's precarious mental state but then melds into a dramatic arc which resonates far more than a straightforward chronology could have allowed. As a writer, he has become more vociferous in his dialogue without losing his wit. He doesn't pull punches when he showcases confrontations between his characters, whether it's between the two sisters, men and women, or people from different classes. Hostility can come in flammable torrents or in thinly veiled remarks. That Allen moves so dexterously in tone is a testament to his sharp ability in drawing out the truth in his actors. Blanchett is a wonder in this regard because there is something intensely fearless in her approach. Unafraid to lose audience sympathy for her character, she finds an innate sadness in Jasmine that makes us want to know what happens to her next. She also mines the sharp, class- based humor in Jasmine's struggles with one highlight a hilariously executed scene in a pizza restaurant where she explains to her confused nephews to "Tip big, boys".

The rest of the cast manage effective turns. Alec Baldwin plays Jasmine's swindler husband with almost effortless aplomb. Sally Hawkins brings a wonderful looseness to Ginger, Stella to Blanchett's Blanche, and finds a level of poignancy in her character's constant victimization at the hands of her sister as well as her brutish, blue-collar boyfriend Chili, played with comic fierceness by Bobby Cannavale in the Stanley Kowalski role. In a conveniently conceived role, Peter Sarsgaard gets uncharacteristically breezy as Dwight, a wealthy, erudite, and matrimonially available State Department diplomat who appears to be the answer to Jasmine's prayers, while Allen casts two unlikely comics in about-face roles – Andrew Dice Clay as Ginger's defeated ex-husband Augie and Louis C.K. as Al, an amorous suitor who brings Ginger a few moments of romantic salvation. Allen's European sojourn appears to have freed him up with the movement of characters in scenes and Javier Aguirresarobe's ("Vicky Cristina Barcelona") camera-work complies nicely. The San Francisco locations bring a nice geographic change to Allen's storytelling, and he only uses the Golden Gate Bridge in a long shot once from the Marin side. This is Allen's best work in quite a while, and Blanchett is the ideal muse for his tale.