Gloria

This film portraits the daily life of Gloria, an average Chilean divorced 50-something woman. The plot as such may not seem exciting or innovative at first but the character of Gloria makes up for it all. We are invited to share the way Gloria confronts different situations in her life, and we are blown away by her passion, sense of humor and independence. It may be telling that even several days after watching the film I find myself thinking about Gloria and smiling. An honest portrait that runs smoothly thanks the superb acting of the main character and the right combination of scenery and soundtrack. Highly recommended.

Not the Gena Rowlands movie, but a very different sort of drama, this Chilean film revolves around divorced middle aged woman and her attempts to hold a steady relationship with a divorced theme park owner. Lead actress Paulina García has received much acclaim for her performance and she certainly plays a lady in her fifties as rarely seen on film; she is free-spirited, impulsive and very sexually active. Her desire not to be alone is potent, as is her ambition to go out and meet people every night as she refuses to sit idly by. Sergio Hernández as her new love interest gives the stronger performance though; as a more recent divorcée, he is still adjusting to single life and his reluctance to tell his grown children about his new girlfriend, lest he be called a "silly old man", resonates. His family life is curiously the opposite of hers as his children and ex-wife still heavily rely on him, while García has to remind her kids to call her. Whatever the case, their differences lead to some rifts and what does not balance in the film's favour is how Hernández comes off as the more likable character. García is too ready to blame him for everything that goes wrong, rarely looking inside herself and how she is the cause of some of their problems. Add an awkward, inconclusive ending into the mix and slow pacing throughout, and 'Gloria' becomes a hard film to recommend. Certainly the film has some truths to offer about fears of being alone, the inability to distance oneself from one's family and clinging onto the past, but one's mileage is likely to vary depending on how much one takes to the main character.

After reading many glowing reviews of this film, I had quite high expectations. In truth, I was ready to toss those high hopes out the window, as the film seemed to be more and more difficult to watch as an exercise in sadness. However, after thinking about it and being blown away by the last 20 minutes of the movie, I came down on the side that it was an inspiring and powerful experience.

Paulina Garcia, as Gloria, is magnificent and mesmerizing here as an attractive but terribly lonely middle-aged Chilean woman, who frequents some of the local dance clubs. It's here that one night she meets Rodolfo, who is very strongly portrayed by Sergio Hernandez. They're immediately attracted to each other and quickly begin a relationship.

Unfortunately, Rodolfo turns out to be a rather despicable character, who's more interested in being completely enmeshed and co-dependent with his ex-wife and their two daughters, than in developing an adult relationship with Gloria. Even though Gloria sees the "handwriting on the wall" she has to decide whether she will succumb to this hurtful environment or return to her lonely existence.

I thought this movie, directed and co-written ( with Gonzalo Maza) by Chilean filmmaker Sebastian Lelio, lost its' way at times and became difficult to watch. Also, I thought the explicit sex scenes and graphic nudity seemed to be more often done for effect than anything else.

However, Garcia's incredible performance proved to be the key for me here, as her portrayal of Gloria gave me a strong feeling of her bravery and this movie has been one I've thought about well after it was over.

I saw this film on a fluke last night and found it surprisingly enjoyable. I thought Paulina Garcia was excellent in her portrayal of the middle- aged, divorced "Gloria" attempting to find herself now that her kids are grown and have lives of their own. Her "romantic" encounter is pretty heartbreaking and realistically portrayed. I thought the film was a great character analysis of the challenges that the new "golden aged" generation in many Western countries deal with; a bit of isolation (as kids grow and start their own families), conflicting loyalties to lovers versus family (for those that are divorced), commitment to work, finding how to fit in as older adults, in a youthful and rapidly changing society.

Gloria Cumplido (Paulina García) is a 58-year-old divorcée. She's generally friendly but deeply lonely. She does yoga. She goes to a dance club for older folks. She meets Rodolfo Fernández (Sergio Hernández) and immediately gets into a passionate sexual relationship. He refuses to let her meet his family. At her son's birthday dinner, he sneaks out without telling her. She is devastated and breaks up with him. She's diagnosed with glaucoma. She eventually tries again with Rodolfo but this time, he walks out on her at a restaurant while on vacation.

The most compelling aspect of this movie is that old people get naked and have single people sex. I guess that's unusual in the movie world. Gloria has a compelling long road of self discovery in this movie. Paulina García plays it a little too understated for my taste. I would have liked her to be more explosive and more urgent. The movie is generally slow and quiet. There are some sly humor but nothing that is laugh worthy. Also what's the deal with Rodolfo? It's the most confounding weird idiocy that he keeps walking out on her. If I was her, I would be wondering if he's delirious or suffered a head injury. I just don't get Rodolfo.