The Duel

I was really impressed by this great movie and the low rating seems totally unjustified to me. Sometimes you see a painting where it is not the content that catches your eye, but the way that it is painted. I would say that i have that experience with this movie: a well crafted piece of art. The acting is superb, the sound, music and scenery fit well together and create the perfect atmosphere for this story. Not a complex or spectacular story, but intriguing, and beautifully painted. Absolutely a must see for those who appreciate quality.

"We cannot separate ourselves from sin anymore than we can sever a limb from our bodies." There has been a rash of unexplained deaths In the small town of Helena, Texas. With no clue as to what is going on, David Kingston (Hemsworth), a Ranger is sent to investigate. When he arrives he discovers some strange characters including Abraham (Harrelson). The more David investigates the more he questions what is happening. This is a movie that had a chance to be really good. The cast is A-list and the plot is interesting. Where the movie fails is the pacing. This is just agonizingly slow that it made it really hard to pay attention to and I was really starting to drift and lose interest in. There are some interesting parts in this but a lot of the drama was lost on me because I struggled to stay involved in what was going on. Overall, a disappointing western that had a chance to be good but was just too slow and boring for me to get invested in. I give this a C-.

When Liam is in the Governor's office, the Governor uses the term "teenage", which did not come into use until around 1950. Woody looks about the same age in 1886 as he did in 1866. Alice Braga looks and sounds Brazilian, which she is, not MEXICAN. Production companies think we are stupid and ill-informed. It's the other way around. I said to myself about the buildings: they look like they're in a modern State Park, I was right. Check out the location details. Reminds me of filming locations supposing to be in New Mexico but abounding in Saguaro cacti, which are in Arizona, not New Mexico, like Gore Vidal's "Billy the Kid" (1989).

A number of citizens of Mexican origins are disappearing and the bodies, some of them, have been found floating in the Rio Grande. A Mexican general played by Jose Zuniga is threatening to do a Pancho Villa and cross the border as his niece is one of the missing. That prompts the Governor of Texas to dispatch one of his best Texas Rangers, Liam Hemsworth to a remote region to investigate a town called Helena.

A former Confederate colonel Woody Harrelson is a Reverend Jim Jones like character who holds sway there. Hemsworth has his work cut out for them, more than he could ever conceive.

There are certainly elements of The Most Dangerous Game here, but add to that the cult like devotion that Harrelson enjoys. Plus he's making good money for himself and the town of Helena with his most dangerous game. He's opened it up as a business, it's clear that the Mexicans are substitutes for black people as I'm sure the word is out to avoid the area and Mexicans are plentiful across the river.

None of the drama in that original Most Dangerous Game is present here. Harrelson is a compelling figure, Australian Hemsworth is convincing as a Texan.

The whole thing falls way short of a classic and even as a western, most western fans will find this way to weird.

Westerns for me is such a distinctive genre as owing to a specific time in history and being rooted in its universal themes that has been explored almost exhaustively.

It's surprising then that one should come along with a kick to the teeth in the guise of a movie that's packaged lightly in terms of visuals and score. The story follows a young ranger and spouse as he has to face a man, who killed his father in a duel in the past, and now reigns supreme in a small town near the Mexican border.

Harrelson is cut out for this role as a man who is on a self-righteous path of carrying out the will of the divine by means of brutality and chances of fate. He is a force to be reckoned with and overshadows all else around him but Hemsworth's Kingston is well versed himself in taking the law into his own hands. Almost too mechanical by way of showing how it's done but believe you me it's a slice of justice being dished out, nothing fancy, and enough to sit you down.

The intrigue of spirituality that leads people on down a dark road is only touched upon as being an inexplicable power that makes few connections with the actual clandestine going ons that has brought the characters at odds with one another. Something as easily abused is often mistaken for something else but no one could possibly deviate from the course when Harrelson's fierce eyes are keeping watch.