Celebrating 40 years since it first opened in London's West End, Andrew Lloyd Webber's new production of Jesus Christ Superstar.Celebrating 40 years since it first opened in London's West End, Andrew Lloyd Webber's new production of Jesus Christ Superstar.Celebrating 40 years since it first opened in London's West End, Andrew Lloyd Webber's new production of Jesus Christ Superstar.
Melanie C
- Mary Magdalane
- (as Melanie C.)
- Director
- Writer
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First off, I should say that the filming itself of this production is well done. Good camera angles although the editing never lets them breathe enough. Still a well filmed live production I would say. I've given this a 6 largely in part due to the production value.
The production itself however is strange. They have really modernized it (nearly post-modernized it), which actually makes it feel more dated times. The dystopian hierarchy is a very cool change that I liked, but other changes like turning the temple into a night club just didn't work and ruined the integrity of the original scene.
They also auto tune a lot (if not all) of the voices, plus apply many other vocal effects, and it's really really noticeable.
Jesus also just was miscast. He can hit the high notes, but doesn't have much strength or power to them. Range isn't everything. His voice is far to smooth and soft for material that requires full voice screaming. Sounds like a Bee Gee instead of hard rock screaming. I must point out that sings the wrong vowel sounds quite regularly too, which really should have been caught by the music director.
Tim Minchin really does steal the show as he appears to be just about the only person on stage who really understands and is dedicated to the material. He gives it his all, and it's a real travesty that they auto tuned and smoothed out the grit in his voice as the role of Judas is not supposed to sound nearly as smooth at they made it.
Overall it's an interesting adaptation. If you're a fan of the musical in general, you might enjoy it just as a different take, but the vocal effects alone will ruin it for many classic theatre fans.
The production itself however is strange. They have really modernized it (nearly post-modernized it), which actually makes it feel more dated times. The dystopian hierarchy is a very cool change that I liked, but other changes like turning the temple into a night club just didn't work and ruined the integrity of the original scene.
They also auto tune a lot (if not all) of the voices, plus apply many other vocal effects, and it's really really noticeable.
Jesus also just was miscast. He can hit the high notes, but doesn't have much strength or power to them. Range isn't everything. His voice is far to smooth and soft for material that requires full voice screaming. Sounds like a Bee Gee instead of hard rock screaming. I must point out that sings the wrong vowel sounds quite regularly too, which really should have been caught by the music director.
Tim Minchin really does steal the show as he appears to be just about the only person on stage who really understands and is dedicated to the material. He gives it his all, and it's a real travesty that they auto tuned and smoothed out the grit in his voice as the role of Judas is not supposed to sound nearly as smooth at they made it.
Overall it's an interesting adaptation. If you're a fan of the musical in general, you might enjoy it just as a different take, but the vocal effects alone will ruin it for many classic theatre fans.
10joco1114
Tim Mitchin and Mel C were great in the show, both have impressive voice and excellent play. Only one thing made this marvellous piece of art a little bit "sour": playing of Ben Forster. He acted like a hysterical child, though his voice was fair good, except some overtone.
Good adaptation to the modern time, but without Tim Minchin, it's not worth watching
JCS transposed into the present with Jesus and the disciples as anti-capitalists, the pharisees are corporatists/bankers, Pilate is a judge and Herod is some sort of game show host or entertainer.
The lyrics simply don't make any sense when sung in these circumstances. The Temple is now a nightclub called "The Temple", so when Jesus sings "my temple should be a house of prayer", it just makes you think he must have been the previous owner. Herod, Pilate and the Pharisees are all part of the same culture as opposed to Romans and Jews so again it simply just doesn't work.
Musically the band is very good, better than the movie and almost as good as the original concept album. The singing is generally very good with Tim Minchin being easily the weakest link, he sings through his nose. Jesus is very good and Mel C sings well, although she is just doing a direct copy of how Yvonne Elliman did it, not that that's a bad thing.
Last Christmas I saw the Court Theatre production here in Christchurch. Much lower budget, much smaller cast, much superior.
The lyrics simply don't make any sense when sung in these circumstances. The Temple is now a nightclub called "The Temple", so when Jesus sings "my temple should be a house of prayer", it just makes you think he must have been the previous owner. Herod, Pilate and the Pharisees are all part of the same culture as opposed to Romans and Jews so again it simply just doesn't work.
Musically the band is very good, better than the movie and almost as good as the original concept album. The singing is generally very good with Tim Minchin being easily the weakest link, he sings through his nose. Jesus is very good and Mel C sings well, although she is just doing a direct copy of how Yvonne Elliman did it, not that that's a bad thing.
Last Christmas I saw the Court Theatre production here in Christchurch. Much lower budget, much smaller cast, much superior.
I never went to see this show at the theatre, didn't get the opportunity, but knew the music and saw snatches on TV over the years.
I watched the Arena Tour on TV - what a truly wonderful experience. I couldn't take my eyes off. It was now a proper rock musical - I haven't been so enthralled or impressed since I went to see Hair in 1969, but this surpassed that by miles. Well done, a wonderful show with excellent performances; Tim Minchin was just superb, as was Mel C, and Ben Forster was so powerful at times it hurt. The ensemble cast were wonderful too.
Changing the time worked very well, there are parallels with today which you cannot ignore and which made it even more dramatic. The set design was superb, the costume quite stunning.
Yes, I enjoyed it! I just wanted to be there soaking it all up!
I watched the Arena Tour on TV - what a truly wonderful experience. I couldn't take my eyes off. It was now a proper rock musical - I haven't been so enthralled or impressed since I went to see Hair in 1969, but this surpassed that by miles. Well done, a wonderful show with excellent performances; Tim Minchin was just superb, as was Mel C, and Ben Forster was so powerful at times it hurt. The ensemble cast were wonderful too.
Changing the time worked very well, there are parallels with today which you cannot ignore and which made it even more dramatic. The set design was superb, the costume quite stunning.
Yes, I enjoyed it! I just wanted to be there soaking it all up!
Did you know
- TriviaTim Minchin was reportedly furious when he found out his voice was being auto-tuned.
- GoofsDuring the first act, Jesus' bracelets on his right wrist come and go throughout the numbers, from one camera angle to another, within a seconds. In the second act, they stay on his wrist.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Иисус Христос - суперзвезда: Live Arena Tour
- Filming locations
- Birmingham, West Midlands, England, UK(National Indoor Arena)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 45m(105 min)
- Color
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