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4.8/10
7.7K
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A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.
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Taken on their own, there are a lot of little things to like about "At the Devil's Door." It's competently directed, but not flashy. There are some really nice creature make up effects. Off the top of my head, I can think of at least two visuals creepy enough to remember two days later. At least one jump scare worked for me because it came out of nowhere.
The problem is, none of these things really add up to anything special. "At the Devil's Door" suffers from something I just made up: Handful-of-Interesting-Visuals Disease, or HIV for short. Wait that may already be taken. Whatever. HIV is where a filmmaker suddenly musters enough inspiration to come up with a neat shot or two, but then doesn't have much else to build around them. What this movie lacks is likable characters, believable dialog, a coherent timeline of events and — when all is said and done and the credits start to roll — a story worth telling. The story jumps from character to character all willy-nilly, never giving us the chance to get to know any of them. Months, then years, go by with the flash of a title card. Once, for no particular reason, the movie jumps backwards in time. Words spill from character's mouths with little thought as to why they are saying them or what they actually mean. There's a bit of clever misdirection at one point in the story, but the reveal doesn't really mean all that much because nothing happens due to the protagonist having the wrong information. It's just there for to make the audience go, "oh." I'm shaking my head; that's just bad writing.
While I'm generally a fan of backdrop horror that is, scary stuff going on in the background of scenes this movie relies on it almost exclusively. I don't have enough fingers to count out the number of times we get a shot of something in the foreground while scary stuff goes on just out of focus. Or, the trick where a character walks by a window or mirror and there's something standing there. These are occasionally accompanied by music stings, but only when the character happens to notice whatever it is.
I'm also not sure the ending of this movie makes a whole lot of sense. It certainly isn't satisfying, but it may also be completely nonsensical.
All in all, not a waste of time, but not exactly a great way to spend it, either.
The problem is, none of these things really add up to anything special. "At the Devil's Door" suffers from something I just made up: Handful-of-Interesting-Visuals Disease, or HIV for short. Wait that may already be taken. Whatever. HIV is where a filmmaker suddenly musters enough inspiration to come up with a neat shot or two, but then doesn't have much else to build around them. What this movie lacks is likable characters, believable dialog, a coherent timeline of events and — when all is said and done and the credits start to roll — a story worth telling. The story jumps from character to character all willy-nilly, never giving us the chance to get to know any of them. Months, then years, go by with the flash of a title card. Once, for no particular reason, the movie jumps backwards in time. Words spill from character's mouths with little thought as to why they are saying them or what they actually mean. There's a bit of clever misdirection at one point in the story, but the reveal doesn't really mean all that much because nothing happens due to the protagonist having the wrong information. It's just there for to make the audience go, "oh." I'm shaking my head; that's just bad writing.
While I'm generally a fan of backdrop horror that is, scary stuff going on in the background of scenes this movie relies on it almost exclusively. I don't have enough fingers to count out the number of times we get a shot of something in the foreground while scary stuff goes on just out of focus. Or, the trick where a character walks by a window or mirror and there's something standing there. These are occasionally accompanied by music stings, but only when the character happens to notice whatever it is.
I'm also not sure the ending of this movie makes a whole lot of sense. It certainly isn't satisfying, but it may also be completely nonsensical.
All in all, not a waste of time, but not exactly a great way to spend it, either.
This movie does not take long to start off, it actually got me of guard near the start of the movie,
As the movies goes on, it kind flows really well, it tends, to have right mix balance of decent creepy scenes and a few jump scenes , those scenes are really good .
I loved the power cut science was really good, a tad creepy and hospital scene with scan , loved that scene,
The only downside , that there were no ending to the movie, they did want to finish the story , there were no cliffhanger or anything , just ended with no payoff
The acting was decent not great
Really good movie 7 out of 10
As the movies goes on, it kind flows really well, it tends, to have right mix balance of decent creepy scenes and a few jump scenes , those scenes are really good .
I loved the power cut science was really good, a tad creepy and hospital scene with scan , loved that scene,
The only downside , that there were no ending to the movie, they did want to finish the story , there were no cliffhanger or anything , just ended with no payoff
The acting was decent not great
Really good movie 7 out of 10
At The Devil's Door is a mixed bag of horror elements, there are some great scares and a strong atmosphere, but then there are parts of the story that just seem irrelevant. As for the better aspects of the movie, the opening scene is phenomenal, it does what every movie should do, it hooks the viewer in a matter of minutes. After those great opening minutes, the atmosphere in the movie is nice and thick, and it lasts for just about the entire movie. But the atmosphere can't save the movie from a very odd and spotty narrative timeline that jumps all over the place between past and present for no apparent reason. The movie is the tale of three characters and the middle character is just filler to get from the first girl to the last girl. The second act is where the story starts to get muddy and the excitement level drops significantly, and the questions start to rise.
And as for the end (which most people have a problem with), I have to agree, very anticlimactic and disappointing. Like I said above, the final minutes of the movie just ruins the ride, just a lack of logic on the characters decision is just disappointing. At The Devil's Door was the type of movie I really wanted to like more than I did, but looking back, there are just too many empty scenes that don't add up. The whole movie jumps through time like crazy, from the past to the present, then like 7 years into the future, which definitely makes you wonder why a character waited that long to do so? And if you can't get past the middle girl in the film and turn the movie off, you're not really missing much of a conclusion, let alone anything you haven't seen before in the horror genre.
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And as for the end (which most people have a problem with), I have to agree, very anticlimactic and disappointing. Like I said above, the final minutes of the movie just ruins the ride, just a lack of logic on the characters decision is just disappointing. At The Devil's Door was the type of movie I really wanted to like more than I did, but looking back, there are just too many empty scenes that don't add up. The whole movie jumps through time like crazy, from the past to the present, then like 7 years into the future, which definitely makes you wonder why a character waited that long to do so? And if you can't get past the middle girl in the film and turn the movie off, you're not really missing much of a conclusion, let alone anything you haven't seen before in the horror genre.
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A young couple visits the guy's uncle. He's got $500 if the girl plays a game. She picks a happy face pin from a box and has to guess under which of the cups it'll be after the creepy old man spins the cups around. She guesses right 3 times and the third time the pin has an ash cross over it. The uncle tells her she's been chosen and to go to a crossroad and say her name so "he" will know who she is and then gives her the $500.
Back at home the girl hears something and she's lifted in the air and thrown around. She tries to bury the money, then burn it but it keeps appearing in her drawer.
Next we meet a pretty real estate agent. She has a sister who's an artist and is about to do an exhibition. The agent visits an empty house she's going to sell. There she sees the girl from the intro. She tells the owners who think it may their missing daughter who ran away with her boyfriend. But then it turns out the daughter is found. The agent discovers that the girl she's seeing is someone else who committed suicide. But then, the unseen force kills her.
Now her sister, the artist, picks things up. She interviews one of the suicide's friends who tells her all sorts of info on the girl. Then the artist is attacked by the force and ends up in the hospital. When she wakes up from a coma she's told that she's pregnant. During the ultrasound she sees an evil face on the screen and demands the doctors take out the kid. Several years later she visits her creepy-looking daughter.
I had high hopes for At the Devil's Door. I enjoyed the writer/director's previous effort The Pact, although he's yet another male who insists on making movies without any significant male characters. Is that what it takes these days to make it in Hollywood? Unfortunately this movie is a step in the wrong direction. The strongest female, Ashley Rickards, gets only the secondary role of the intro girl, while the weakest actress get the more significant role. The main problem though is the nonsensical story. A movie about a demon looking to procreate should make for a good horror movie actually. But here it's told in too roundabout a way. You can't really care about most of the characters including the main character, which is a terrible flaw. Like most movies, this one, too, goes eventually on mute with no one saying much of anything, certainly the demon doesn't say a whole lot, he doesn't even make a sound.
That said, Nicholas McCarthy is a good director, perhaps not so much when it comes to telling a story, but definitely when it comes to shooting a movie. And he goes for subtlety instead of hyper explicitness--always a good idea in horror. So when we see the demon, it's usually at a distance, unfocused in the background, or in a mirror reflection. That does make the demon less menacing, which is why he should have been given more of a voice. At the Devil's Door is a movie that had potential but most if it was unrealized.
Back at home the girl hears something and she's lifted in the air and thrown around. She tries to bury the money, then burn it but it keeps appearing in her drawer.
Next we meet a pretty real estate agent. She has a sister who's an artist and is about to do an exhibition. The agent visits an empty house she's going to sell. There she sees the girl from the intro. She tells the owners who think it may their missing daughter who ran away with her boyfriend. But then it turns out the daughter is found. The agent discovers that the girl she's seeing is someone else who committed suicide. But then, the unseen force kills her.
Now her sister, the artist, picks things up. She interviews one of the suicide's friends who tells her all sorts of info on the girl. Then the artist is attacked by the force and ends up in the hospital. When she wakes up from a coma she's told that she's pregnant. During the ultrasound she sees an evil face on the screen and demands the doctors take out the kid. Several years later she visits her creepy-looking daughter.
I had high hopes for At the Devil's Door. I enjoyed the writer/director's previous effort The Pact, although he's yet another male who insists on making movies without any significant male characters. Is that what it takes these days to make it in Hollywood? Unfortunately this movie is a step in the wrong direction. The strongest female, Ashley Rickards, gets only the secondary role of the intro girl, while the weakest actress get the more significant role. The main problem though is the nonsensical story. A movie about a demon looking to procreate should make for a good horror movie actually. But here it's told in too roundabout a way. You can't really care about most of the characters including the main character, which is a terrible flaw. Like most movies, this one, too, goes eventually on mute with no one saying much of anything, certainly the demon doesn't say a whole lot, he doesn't even make a sound.
That said, Nicholas McCarthy is a good director, perhaps not so much when it comes to telling a story, but definitely when it comes to shooting a movie. And he goes for subtlety instead of hyper explicitness--always a good idea in horror. So when we see the demon, it's usually at a distance, unfocused in the background, or in a mirror reflection. That does make the demon less menacing, which is why he should have been given more of a voice. At the Devil's Door is a movie that had potential but most if it was unrealized.
Saw 'Home', being fond of horror regardless of budget (even if not my favourite genre) and being intrigued by the idea which was reasonably different when it comes to recent viewings of horror. Being behind on my film watching and reviewing, with a long to watch and review list that keeps getting longer, it took me a while to get round to watching and reviewing it.
Giving 'Home' a fair chance with being interest and apprehension, it turned out to be far better than expected. Won't say that 'Home' is a great film because it isn't and the potential, while not wasted, is not fully lived up to. Considering the large number of films seen recently being mediocre and less and wasting potential, was expecting worse and was relieved that while wanting in a fair few areas it was actually one of my better recent low-budget viewings.
Starting with the positives, generally the production values could have been much worse. There is a real sense of eeriness, foreboding and a decently stylish atmosphere, and it makes the most of the confined and at times effectively claustrophobic setting. The music is also suitably haunting and manages to not be too intrusive, likewise with the sound not being too obvious (a bugbear of mine with low-budget viewings recently).
There is tension, suspense and genuine creepiness. The acting is better than average, with the three leads carrying the film pretty decently.
Would have liked however more tension and suspense and for some of the scares to be more creative and less trying-too-hard to the point of cheesiness. The dialogue is cheesy and awkward generally.
Found that the story could have been executed better too. Too many parts are uneventful, the narrative structure is not always coherent and it can feel padded, not to mention an ending that perplexes in its anti-climactic and muddled convolution. There are exceptions to the better than expected production values, the effects are shoddy and the editing could have been tighter.
Overall, better than expected but didn't blow me away. 5/10 Bethany Cox
Giving 'Home' a fair chance with being interest and apprehension, it turned out to be far better than expected. Won't say that 'Home' is a great film because it isn't and the potential, while not wasted, is not fully lived up to. Considering the large number of films seen recently being mediocre and less and wasting potential, was expecting worse and was relieved that while wanting in a fair few areas it was actually one of my better recent low-budget viewings.
Starting with the positives, generally the production values could have been much worse. There is a real sense of eeriness, foreboding and a decently stylish atmosphere, and it makes the most of the confined and at times effectively claustrophobic setting. The music is also suitably haunting and manages to not be too intrusive, likewise with the sound not being too obvious (a bugbear of mine with low-budget viewings recently).
There is tension, suspense and genuine creepiness. The acting is better than average, with the three leads carrying the film pretty decently.
Would have liked however more tension and suspense and for some of the scares to be more creative and less trying-too-hard to the point of cheesiness. The dialogue is cheesy and awkward generally.
Found that the story could have been executed better too. Too many parts are uneventful, the narrative structure is not always coherent and it can feel padded, not to mention an ending that perplexes in its anti-climactic and muddled convolution. There are exceptions to the better than expected production values, the effects are shoddy and the editing could have been tighter.
Overall, better than expected but didn't blow me away. 5/10 Bethany Cox
Did you know
- TriviaThe red rain coat is an obvious nod to the horror classic "Don't Look Now" starring Donald Sutherland and Julie Christie directed by Nicholas Roeg.
- GoofsShortly after Leigh visits her sister Vera, Leigh gets in her car to leave. When she locks the car door you can hear the locks engaging but the passenger door lock does not move down into the "locked" position.
- SoundtracksBreak Under Pressure
Written by James Curd and Jessica Baldwin
Performed by Jerry's Diner
Published by James Curd Music
ASCAP & Jessica Baldwin APRA
- How long is At the Devil's Door?Powered by Alexa
Details
Box office
- Gross worldwide
- $74,624
- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 2.39:1
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