Slow Learners

The film starts off amiably enough, setting up its two lead characters to be mostly likable in an awkward, gangly, vulnerable way. The story hinges on the efforts by the two leads to change their lives and themselves. In the process of trying, the characters (especially the girl) become so unpleasant that they squander all the viewer sympathy built up earlier. In movies like this, you know how the two characters are going to wind up; you watch it just to see how they eventually get there. But by the time these two get there, you really don't feel like they deserve a happy ending. The outtakes in the closing credits are funnier than the last two-thirds of the film.

Watch the first half of this movie and you, with any luck, will think it's seriously underrated. It's a witty script and there are some laugh out loud moments - ok, so I'd had a beer, but there are some great lines and situations.

However, the conceit for the transition into the middle part of the story is not really believable which renders the rest of the movie less believable. It's to do with character transformation although, I guess, if you accept 'arsehole' as an inevitable male transform it may work for you.

But once that's resolved, the movie ends as you'd totally expect it to end right from the first few frames so no real surprises. The joy is in the journey but, sadly, it loses the path of cleverness oit lays in the first half.

Sadly, a widely missed opportunity although I'd recommend it for the first half alone.

Greetings again from the darkness. One of the staples of Romantic Comedies is that the two key players are the only ones who don't realize they are "right" for each other. This is often accomplished through one of two methods: either two characters who "despise" each other, or as characters who are "just good friends". This little film manages to blend those two approaches … and make us laugh in the process.

The first 15 or 20 minutes of the film are packed with very sharp comedy writing and acting. Adam Pally ("Happy Endings") plays Jeff, and Sarah Burns ("Enlightened") plays Anne. These two misfit adults get along very well together both as co-workers and friends who quote literature at (not to) each other. Anne's opening visit to the doctor (played by Peter Grosz of Sonic ad fame) is outright hilarious, while Adam's book club features some real zingers from Bobby Moynihan, Gil Ozeri, and Reid Scott ("Veep").

It's not until Jeff and Anne make a pact to change their public personas in an effort to be "cool" and more attractive to the opposite sex that the film takes kind of a nasty – well at least unlikable – turn. Becoming alcoholic d-bags does help them experience a summer of wild escapades, but predictably, neither is especially happy. Anne picks up pointers from some trashy reality TV show called "Prisoners of Love" … a knock-off of "The Bachelor" that deals with convicts and the women who would love them.

Adding to the comedic elements are quick scenes with Cecily Strong, Catherine Reitman (daughter of Ivan) and Kate Flannery, along with a couple of sequences with Jeff's parents (Kevin Dunn, Marceline Hugot). More interactions with the parents would have been a welcome respite from the extended d-baggery of Jeff and Anne.

Mr. Pally is a master of the deadpan delivery, while Ms. Burns can best be described as a Kristen Wiig starter kit (that's a compliment). Co-directors Don Argott and Sheena Joyce, and co-writers Matt Serword and Peter Swords lost sight of what delivered such a strong beginning for the film, and instead focused on reminding us to "embrace the darkness" and to "Be yourself. Everyone else is taken". Good lessons indeed, but maybe not the comedy gold mine that was expected.

Having been a big fan of Adam Pally from his TV work, I perhaps was hoping too much for a big screen Happy Endings. This movie is far from that. Though it has its funny moments, especially the opening sequence, and certainly Pally is frequently adorable and even heart breaking, the writing and direction here are so disjointed that i felt like it was three different movies patched together into one. The only time the movie, and Pally, really came to life was in the scenes with Pally's character and his parents. Those rang true, were funny and heart warming. And there was real chemistry among those characters. There was no chemistry between Pally and the object of his affection here, played by Sarah Burns. Her over the top performance and annoying facial tics did nothing to make me like this character or want the leads to end up together. The writing and directing are probably more to blame than Ms. Burns (they gave Mr. Pally a few facial tics of his own that were equally annoying). In the end, everything rings false and you know where it's going from start to finish.

For me, this movie was often painful to watch and even cringe inducing at times. It just seemed the intended humor, except for an occasional chuckle, fell "flat as a pancake" and barely worked on any level.

Adam Pally and Sarah Burns co-star here as Jeff and Anne respectively. They're both on the faculty of Jefferson High School, in Pennsylvania. They're also very close friends and both self-described dorks, who become painfully awkward when trying to interact with members of the opposite sex.

With the school term over, and the summer break beginning, Jeff and Anne make a decision to radically change their nebishy personae, and attempt to become what they deem as "cool". This will lead to some wild and crazy situations in their lives, and eventually not the outcomes they expected.

Just to note, the film, directed by Don Argott and Sheena M. Joyce, with a script from Matt Serword, has highly explicit and crude language throughout, as well as a number of sexual situations.

All in all, this comedy was not worth the painful slog to get to the predictable conclusion, in my opinion. As the final credits roll, the outtakes show us that the cast had a heck of a good time making this move, and a lot better time than I had in viewing it.