New World

When the leader of a crime syndicate called "Goldmoon" gets assassinated, there are three potential followers who battle for absolute power. Caught in between the growing tension is undercover agent Lee Ja-Sung, played by the extraordinary newcomer actor Lee Jong- Jae, who wants to retire after eight years of service with his girlfriend being pregnant. He has become the right hand and even good friend of one of the three potential followers who is the provocateur Jung Chung, played by a superb Hwang Jeong-Min, and is suddenly in the middle of the action. Chief Kang, played by one of Korea's greatest actors ever, Choi Min-Sik, wants his undercover cop to do one last dangerous mission called "Operation New World" and intervene in the selection process for the next crime syndicate leader. Soon, people all around Lee Ja-Sung are dying and the rumour is spread that at least one undercover agent has infiltrated the syndicate. Lee Ja-Sung has to quickly take several important decisions before he gets uncovered.

"New World" is a very well played gangster movie with addicting characters and much better than last year's "Nameless Gangster" that had no gripping story line and too many slapstick elements in it. This movie is dark and tension filled but especially the acting is outstanding. Several characters develop throughout this movie. The old and tired number two in the syndicate suddenly develops some new ambitions and is ready to do anything for it. The other two potential followers are a naive and obscene character and and a cold and dangerous one but both of them also change throughout this film with the first one becoming more brutal but mature at the same time and the second one becoming too arrogant and uncontrolled.

At the beginning of the movie, the viewers have a clear idea of who are the bad and who are the good guys but this also changes throughout the movie. While the police risks the lives of their agents without pity, you begin to see that some gangsters are more human than others as well. All these developments lead to a spectacular but also predictable ending. Those who don't know the genre might fall for some minor twists here and there but those who are experts of the gangster movie genre won't be taken by surprise.

This is maybe the weak point of the movie. It adds nothing new to the gangster flick genre apart of the emotional acting. The story is very predictable and you feel as if you've had watched all of this before a couple of times. That's why this movie also has a couple of lengths. After an intriguing opening and a few exciting scenes in the second part of the movie, director Park Hoon-Jung maybe takes too much time to introduce all characters and employs too many dialogues. Maybe this was necessary to understand who is who but the whole thing could have been more dynamical in my opinion. That's where this movie is too traditional against its own good and not a far call from many American gangster flicks. With all these great actors involved, one could have created a true masterpiece but this film is ultimately only a very good and realistic gangster flick which is still great to watch but there is some wasted potential as well.

Fans of crime and gangster movies should definitely try out this film. Those who have liked the actors involved in here before should also dig this flick even though the amazing Choi Min-Sik is a little bit under- used in my opinion. In the end, it's hard to tell if this movie is worth a seven or a eight star rating. I would probably choose the middle of it as many users on this site. As the acting in here is quite exceptional, I though decided to go for the more positive evaluation in the end.

I don't know if it was coincidence or these actors choose a great movie all the time but when I see a movie with Hwang Jungmin, who played Jeong Chang, or Choi Minshik, chief Kang, I automatically know that it's going to be a good movie.

I didn't like Lee Jungjae at times when he was trying to correctly pronounce each syllable, but he played the role superbly.

As for the story-line and how the conclusion of the movie unfolds, wow. I was lost in words. The same feeling I got when I watched Shiri about 13 years ago.

"When everyone turned their back on me, he called me a brother."

Awesome, Awesome, Awesome. No other word can better describe how the movie is.

I am surprised that more people (especially my friends from South Korea) haven't reviewed this excellent movie so far. Perhaps they know of better Korean cinema to view and review!! I for one am from India (settled in the US) and big fan of Korean films, which were introduced to me by a Korean friend of mine during my graduate school days here in the US. Anyhow, this is the only Korean movie I could lay my hands on in a theater close to me (I generally see Korean movies on Netflix or home video). Perhaps it is my excitement of having watched a Korean movie in a movie theater after so long which has me biased in favor of this film. But I think not, as the rating right now on IMDb is 7.7/10. Anyways, here goes.

This is an amazing movie. Like the only other reviewer here has said, it mixes elements of "The Godfather" with "The Departed". It also reminded me of a Hindi art house movie which is not so well known (unfortunately) called "Droh Kaal" (1994 by director Govind Nihalani). Park Hoon-Jung being an accomplished writer (I loved his "I saw the devil"), does craft an original and engaging story. Violence is heavy handed when it is depicted and makes you cringe, but I don't mind that personally. I loved the costumes (every gangster in the movie wears designer suits which should be the envy of Wall Street executives). In fact, its the law enforcement officials who are comparatively shabbily dressed. The feel and atmosphere is subtly captured by cinematographer Chung Chung-hoon. I love his camera work, which was only recently at display in "Stoker" (by Park chan-wook), which I saw the day it was out. It was also a treat to see Choi min-shik ("Oldboy") again after "I saw the devil".

Overall, the movie kept me on the edge of my seat and was really entertaining. It is definitely much better than what Hollywood is churning out these days (with a few exceptions of course). Let me hope they don't butcher my favorite "Oldboy". I would highly recommend "New World", please do go and see it in a theater to really get the feel (like I said earlier, the cinematography is top-notch and needs to be seen on a big screen to be believed!).

'New World' is an epic gangster film from South Korean director, Park Hoon-jung. With actors such as Choi Min-sik (probably most well known for his role as Dae-su in 'Oldboy'), I was expecting this film to deliver something spectacular. And, well, it did. For the duration of the narrative, I could not tear my eyes away from the screen. While the pace of most films of this length tends to slow, or get a little dull, 'New World' kept a steady rhythm, full of political intrigue.

Undercover cop, Ja-seong (played by Lee Jeong-jae), leads a dual life. He has his job as a policeman, and the role of a gangster in a large crime syndicate that goes under the name of 'Goldmoon.' When the boss of the syndicate is killed in a car accident, Chief Kang (Choi Min- sik) puts a new project into effect called 'Operation New World'. The purpose of this operation is to ensure that one of the undercover cops in the syndicate will rise to a position of power. The ultimate aim is for the syndicate to be in the hands of, or at least easily manipulated by, a trusted law enforcer.

Ja-seong finds himself torn between his duties as a cop, and his loyalties to 'brother,' and gang member, Jung Chung (Hwang Jung-min). Putting more hours, and more effort into his work, Ja-seong finds less time at home with his pregnant wife, and more into the syndicate 'family'. Acting as a bridge between the law, and the underworld, the loyalty of Ja-seong is rarely questioned by his acquaintances. Yet, it is apparent that Ja-seong beings to question the nature of loyalty, and of betrayal. As he prepares to dive further into the syndicate, his confusion becomes ever more apparent.

Some of the conversations in 'New World' were gripping, and the portrayal of violent acts was just spectacular. The use of blood in these instances, paired with close ups, were some of the most aesthetically pleasing moments in the film. While not extremely violent, 'New World' uses violence in a manner that complements the pace of the film. The ruthless nature of the law, and the syndicate, was highlighted in these instances, and it is apparent that both sides can be as manipulative, and as corrupt, as one other. All the while, in the midst of this corruption, Ja-seong must find a place of power to call his own; he must create a whole new world.

There's nothing more to say in order to recommend it, but IMDb requires me to so here goes.

If this were made in Hollywood, we wouldn't even be calling it Korean Godfather or Korean Infernal Affairs or a cross between the two. It is its own beast and excels at the most fundamental aspects of film-making in a way even the aforementioned films weren't always able to.

It's not perfect, I'd give it a 8.5 out or 9 out of 10 if I really wanted to be critical but it manages to carve out a place for itself in one of cinema's deepest genres. We haven't seen this kind of heavily character drama driven take on the genre before (and lucky for us, it was done so well!).