The One I Love

Ted Danson is a shrink who sends a troubled couple (Sophie & Ethan) to a weekend getaway that, he assures them, will help them resolve their marital problems. At first, one of the couple manifest better relationship skills, while the other reverts to form. Then visa versa. What can be happening?

Those of us who grew up watching TWILIGHT ZONE 60 years ago would recognize the dramatic 'device' unfolding. This is an excellent take on that premise, with more time for twists/turns in a full-length movie. Some unneeded bad language & a couple of make-out scenes. Sorry- no spoilers here. Enjoy. 8/10

A forehead-wrinkling bit of relationship fantasy that'll stick in your teeth for days. I found a lot of thematic similarities between this one and Being John Malkovich. Though it's not nearly so dark and grim about it, The One I Love delights in asking similarly deep, puzzling questions about the root of an unhappy relationship and the sense of futility that's so often associated with mending something so broken. Of course, like Malkovich, it's also based around a weird, jolting plot device that skirts explanation for its own benefit. The real allure of that vehicle, of course, isn't with the solemn inspection of its construct, it's with the games it directs with the main players. Usually I'm the first to complain when such an elephant is left ignored in the back of the room, but in this case (if you'll excuse the string of metaphors) I think it would be a case of missing the forest for the trees. It's not perfect - the false-finish is telegraphed and the second act sags at times - but it deserves praise for trying something so fresh, and for evenly exploring both sides of the central relationship. Men will see the movie one way, women will see it another, but both will leave with a better understanding of the other's perspective.

"We had two completely separate experiences with each other that neither of us remembers." Ethan (Duplass) and Sophie (Moss) are married and are having problems. When their therapist recommends a weekend getaway they jump at the chance. The night starts off great with a romantic dinner but then things start to happen to each other without the other one remembering. What starts off as confusion becomes something that no one can or wants to believe. This is a movie that can not be spoiled. The trailer does not give the main idea away and if you have seen it please don't tell anyone else about it. The only way to describe this is that it has a very Twilight Zone feel to it. This is not a typical romantic comedy or even drama. What I will say is that this is one of the most original movies that have come out in a while and I absolutely loved it. This is a movie that must be seen and recommended but not described. Much like the sixth sense it will be ruined if you know the twist. Overall, one of the most original movies to come out in a long time. I loved it and highly recommend this. Just do not tell anyone about the twist. I give this an A.

Well, OK. Read this one.

I just caught this film at the 57th San Francisco International Film Festival. It was a last minute addition to the Festival program, and it was probably the best film I saw there (though my attendance this year was, admittedly, limited.) After an evening of seeing two mediocre films, I was seeking out something to end the evening on a high note. Playing at 9:15 was a film entitled "The One I Love" starring Mark Duplass, Elisabeth Moss and Ted Danson. As there was nothing in the program about the film, I grabbed the ol' smart phone and started to do some research. The first thing I found was a plea to STOP reading about the film and JUST GO SEE IT. Needless to say, I found this very intriguing… so I did just that. And I was glad that I did. I will say little about this film and what I do say may not generate any interest in the film for you, but if you like films with terrific performances and an original thought behind them, then consider checking this film out when it plays in your area.

Duplass and Moss play a married couple whose relationship has grown stale. Seeking the help of a therapist (Danson, whose on-screen time is probably less than five minutes), they agree to go on a retreat and try to rediscover and reignite the feelings they once had for each other.

And that's where I have to stop.

Screenwriter Justin Lader was in attendance and had a great Q&A session with SFFS Programmer Rod Armstrong and the audience but I can't even discuss THAT as it too would spoil your complete enjoyment of this film. Hell, I went looking for a trailer to post for the film before I realized that there isn't one because… well, you know what trailers usually do.

So take a chance. Resist the urge to figure out what I'm NOT trying to say. "The One I Love" is the kind of movie that can generate hours of post-film discussion, particularly with your significant other. If you love movies, then you should respect that.

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I rarely watch a romantic comedy, and I wouldn't have watched this one based on the IMDb plot description, so thanks to the then 15 reviews that changed my mind. That was a very pleasant hour and a half.

I like to be told a story, and that's what the movie does. This story is completely centred around its characters, the young couple next door, portrayed with simplicity and in a way that lets us relate and empathise. They also act and react like sane and sensible people, which is so uncommon nowadays that it's worth mentioning.

I'll sum it up as both intriguing and amusing, a double source of entertainment. One way to achieve that is to confuse the viewer as much as the protagonists. A very right thing to do, and done in the right proportion in my opinion. We can get confused for a minute, yet we always understand what's happening. There is also a constant undertone of drama. The ending alone can be felt very differently based on our mood of the moment.

Rich writing and solid delivery can satisfy you on several levels. A theatre screen is not necessary though; renting it is fine if you're on a budget.