The Provost shuts down the research when he hears about the couples study and Masters is forced to move it elsewhere. Dr. Masters blames Virginia and fires her, but keeps her on until he can... Read allThe Provost shuts down the research when he hears about the couples study and Masters is forced to move it elsewhere. Dr. Masters blames Virginia and fires her, but keeps her on until he can find a replacement.The Provost shuts down the research when he hears about the couples study and Masters is forced to move it elsewhere. Dr. Masters blames Virginia and fires her, but keeps her on until he can find a replacement.
Sara Rae Foster
- Dottie
- (as Rae Foster)
Featured reviews
Episode 2 of Masters of Sex, "Race to Space," delves deeper into the dynamics between Dr. William Masters and Virginia Johnson, juxtaposing their groundbreaking research with the intense societal pressures of the 1950s. The episode's title cleverly ties the scientific ambitions of Masters and Virginia to the broader context of the space race, symbolizing a cultural obsession with progress and achievement. This thematic thread runs throughout the episode, emphasizing both the excitement and the sacrifices inherent in the pursuit of innovation.
The episode expands on Masters' determination to legitimize his study, showcasing his unyielding efforts to gain institutional approval while navigating the moral objections of his peers. Meanwhile, Virginia continues to establish herself as more than just an assistant, providing critical insights that elevate the research. Her evolving role challenges the rigid gender norms of the time, creating tension with Masters, who is both intrigued and unsettled by her assertiveness. This dynamic is further complicated by Masters' strained relationship with his wife, Libby, whose desire for a child remains unfulfilled, adding a poignant layer of personal stakes to his scientific ambitions.
The performances in "Race to Space" are a highlight, with Michael Sheen delivering a nuanced portrayal of Masters as both a visionary and a deeply flawed individual. Lizzy Caplan continues to shine as Virginia, imbuing her character with a mix of determination, empathy, and wit. Caitlin FitzGerald's portrayal of Libby is particularly poignant in this episode, as her quiet longing and resilience add emotional depth to the story. The supporting cast also contributes effectively, creating a vibrant tapestry of characters that reflect the era's cultural and professional milieu.
Visually, the episode maintains the series' high standards, with lush period-appropriate set designs and costumes that immerse the viewer in the late 1950s. The cinematography balances intimate, character-driven moments with wider shots that capture the institutional settings, highlighting the contrast between personal and professional spheres. The direction by Michael Dinner is assured, allowing the narrative to unfold at a deliberate pace that underscores the weight of the decisions and conflicts faced by the characters. However, the pacing occasionally drags in the middle act, slightly diluting the tension built in the earlier scenes.
A standout scene in the episode involves a heated discussion between Masters and Virginia about the ethical implications of their study. This moment not only showcases their intellectual chemistry but also highlights the moral and societal challenges they face, making it a pivotal point in their partnership. The episode also succeeds in weaving its historical context into the narrative, using the metaphor of the space race to comment on the pressures of ambition and the cost of progress, both professionally and personally.
In conclusion, "Race to Space" builds on the foundations laid in the pilot, deepening the audience's understanding of the characters and their stakes. It balances its historical and personal narratives with sophistication, offering a compelling exploration of ambition, gender dynamics, and the complexities of human relationships. While the pacing could be tighter, the episode's strengths far outweigh its minor flaws, solidifying Masters of Sex as a series that is as intellectually stimulating as it is emotionally resonant. This installment not only advances the story but also invites viewers to reflect on the societal norms that continue to shape our understanding of progress and equality.
The episode expands on Masters' determination to legitimize his study, showcasing his unyielding efforts to gain institutional approval while navigating the moral objections of his peers. Meanwhile, Virginia continues to establish herself as more than just an assistant, providing critical insights that elevate the research. Her evolving role challenges the rigid gender norms of the time, creating tension with Masters, who is both intrigued and unsettled by her assertiveness. This dynamic is further complicated by Masters' strained relationship with his wife, Libby, whose desire for a child remains unfulfilled, adding a poignant layer of personal stakes to his scientific ambitions.
The performances in "Race to Space" are a highlight, with Michael Sheen delivering a nuanced portrayal of Masters as both a visionary and a deeply flawed individual. Lizzy Caplan continues to shine as Virginia, imbuing her character with a mix of determination, empathy, and wit. Caitlin FitzGerald's portrayal of Libby is particularly poignant in this episode, as her quiet longing and resilience add emotional depth to the story. The supporting cast also contributes effectively, creating a vibrant tapestry of characters that reflect the era's cultural and professional milieu.
Visually, the episode maintains the series' high standards, with lush period-appropriate set designs and costumes that immerse the viewer in the late 1950s. The cinematography balances intimate, character-driven moments with wider shots that capture the institutional settings, highlighting the contrast between personal and professional spheres. The direction by Michael Dinner is assured, allowing the narrative to unfold at a deliberate pace that underscores the weight of the decisions and conflicts faced by the characters. However, the pacing occasionally drags in the middle act, slightly diluting the tension built in the earlier scenes.
A standout scene in the episode involves a heated discussion between Masters and Virginia about the ethical implications of their study. This moment not only showcases their intellectual chemistry but also highlights the moral and societal challenges they face, making it a pivotal point in their partnership. The episode also succeeds in weaving its historical context into the narrative, using the metaphor of the space race to comment on the pressures of ambition and the cost of progress, both professionally and personally.
In conclusion, "Race to Space" builds on the foundations laid in the pilot, deepening the audience's understanding of the characters and their stakes. It balances its historical and personal narratives with sophistication, offering a compelling exploration of ambition, gender dynamics, and the complexities of human relationships. While the pacing could be tighter, the episode's strengths far outweigh its minor flaws, solidifying Masters of Sex as a series that is as intellectually stimulating as it is emotionally resonant. This installment not only advances the story but also invites viewers to reflect on the societal norms that continue to shape our understanding of progress and equality.
My takeaway from 'Race to Space' is Masters' and Virginia's need for each other. She requires the income and he needs her ability to make sense of this experiment to non-scientists. It also highlights her hardships as a struggling single mother, and I'll be honest: she's my favorite character, so far.
Coming off of the pilot, it's much less exciting, and doesn't paint Masters in a great light (he's even more of a pompous ass here). But moving the experiment from a legit hospital setting to a cathouse provides decent humor. Credit Betty for this with her unfazed personality.
6/10
Coming off of the pilot, it's much less exciting, and doesn't paint Masters in a great light (he's even more of a pompous ass here). But moving the experiment from a legit hospital setting to a cathouse provides decent humor. Credit Betty for this with her unfazed personality.
6/10
Did you know
- TriviaJane uses a passage from french writer Simone de Beauvoir's "The Second Sex" to turn Dr. Langham down.
- GoofsThe comic book that Virginia Johnson's son reads is printed on thick card stock, which was not used in comic books of the 1950s.
- ConnectionsFeatures Batman (1943)
Details
- Runtime
- 54m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
Contribute to this page
Suggest an edit or add missing content