One hundred years of Hindi cinema is celebrated in four short stories showcasing the power of film.One hundred years of Hindi cinema is celebrated in four short stories showcasing the power of film.One hundred years of Hindi cinema is celebrated in four short stories showcasing the power of film.
- Awards
- 4 nominations total
Priyanka Chopra Jonas
- Self
- (as Priyanka Chopra)
6.65.9K
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Featured reviews
Bombay Talkies: a true ode to 100 years of Indian cinema. Celebrates true art form of cinema instead of glorifying stardom. A must watch for true cinema lovers!
Bombay talkies is a true ode to 100 years of Indian Cinema. It celebrates life, emotions, relations, dreams of an ordinary human being. It celebrates the true art form of cinema. It doesn't glorify stardom.
All 4 stories are diverse, dealing with different socio-economic strata with the basic theme being the impact of cinema on a common man's life.
Away from all 'dishum-dishum' emotional atyachar, senseless stories, it tells us how cinema should ideally be.
Karan Johar's part was really stunning. It was undoubtedly and unbelievably, his best movie as a director, better than those emotional craps like K2H2 and K3G. It talked about sexual orientation, hypocrisy in society and turnmoil in relationships. The songs 'Lag ja Gale' and Ajeeb Dastaan hai ye' were used metaphorically and blended very beautifully with the story. Dialogues were witty and had many meanings.
Dibakar Banarjee's part was a true 'art cinema'. Full of sarcasm and metaphors and hence difficult to understand, it was genuinely the best of all the four flicks. Faizal Khan ( Nawazuddin) is a true genius. He plays the character of a man struggling to find a job who is a talented actor leading a mediocre life in a chawl, for whom a smile on his daughter's face matters more than his dreams and money. The EMU in a chawl sarcastically portrays the character of the protagonist and also Nawazuddin himself as he hasn't got his due still while he actually deserves much more.
Zoya Akhtar's part talked about childhood dreams and fantasies. The child-actor really left me spellbound. The story was very genuine and it raised a very sensitive topic, which should be a matter of debate.
Anurag Kashyap is my favourite and I went to the movie just because of him. But he actually disappointed me. Not because the flick wasn't good, but because I had lots of expectations from him. Still, Anurag kashyap's worst was better than the Karan Johar's best! It essayed the madness and love of the protagonist who is a big fan of Amitabh Bachchan and comes to the big city from Allahabad to deliver a piece of ' Murabba' .
Although each story looked simple, the plot and the characters were multilayered. Each story is open-ended and leaves a lot to think about after you leave cinema halls. It should be considered as a benchmark in the history of Indian cinema.
At the end, was a disgusting song trying to celebrate 100 years of Indian cinema. Well I guess it ended up being a sarcastic take on the STARDOM ( read it "StarDUMB") culture prevailing in Indian cinema.
Its a high time to realize that cinema is a reflection of the life of ordinary 'Homo Sapiens' and should not be used to glorify larger than life image of some aliens like RajniKant, Salman Khan, Shahrukh Khan et al.
All 4 stories are diverse, dealing with different socio-economic strata with the basic theme being the impact of cinema on a common man's life.
Away from all 'dishum-dishum' emotional atyachar, senseless stories, it tells us how cinema should ideally be.
Karan Johar's part was really stunning. It was undoubtedly and unbelievably, his best movie as a director, better than those emotional craps like K2H2 and K3G. It talked about sexual orientation, hypocrisy in society and turnmoil in relationships. The songs 'Lag ja Gale' and Ajeeb Dastaan hai ye' were used metaphorically and blended very beautifully with the story. Dialogues were witty and had many meanings.
Dibakar Banarjee's part was a true 'art cinema'. Full of sarcasm and metaphors and hence difficult to understand, it was genuinely the best of all the four flicks. Faizal Khan ( Nawazuddin) is a true genius. He plays the character of a man struggling to find a job who is a talented actor leading a mediocre life in a chawl, for whom a smile on his daughter's face matters more than his dreams and money. The EMU in a chawl sarcastically portrays the character of the protagonist and also Nawazuddin himself as he hasn't got his due still while he actually deserves much more.
Zoya Akhtar's part talked about childhood dreams and fantasies. The child-actor really left me spellbound. The story was very genuine and it raised a very sensitive topic, which should be a matter of debate.
Anurag Kashyap is my favourite and I went to the movie just because of him. But he actually disappointed me. Not because the flick wasn't good, but because I had lots of expectations from him. Still, Anurag kashyap's worst was better than the Karan Johar's best! It essayed the madness and love of the protagonist who is a big fan of Amitabh Bachchan and comes to the big city from Allahabad to deliver a piece of ' Murabba' .
Although each story looked simple, the plot and the characters were multilayered. Each story is open-ended and leaves a lot to think about after you leave cinema halls. It should be considered as a benchmark in the history of Indian cinema.
At the end, was a disgusting song trying to celebrate 100 years of Indian cinema. Well I guess it ended up being a sarcastic take on the STARDOM ( read it "StarDUMB") culture prevailing in Indian cinema.
Its a high time to realize that cinema is a reflection of the life of ordinary 'Homo Sapiens' and should not be used to glorify larger than life image of some aliens like RajniKant, Salman Khan, Shahrukh Khan et al.
Not for Everyone
First off - This movie is not for everyone. Walking out of the hall, I could overhear conversations along the line of, "I thought this was supposed to be good?"
In short, if you like movies from directors such as Vishal Bhardwaj, Anurag Kashyap, Dibankar Banerjee and the likes - you will love this film. If you are into mainstream bollywood, you will hate it.
Also, although the movie is rated U/A, I would strongly advise you not to take your kids along. The first line of the movie is "I am gay, not a eunuch!". This was enough for the people with kids to stand up and leave. And anyway, this is not a movie for kids.
Coming to the four films, #1 Karan Johar - Trash. Most of the reviews I read seemed to like Karan Johar's film, but I really didn't see the point. The film had little to do with Indian Cinema. People seem impressed with the fact that it's bold. It was bold, but forcefully so. As if Johar was trying very hard to be mature. The result was that the film seemed unrealistic and over the top with sexual references and jokes.
#2 Dibakar Bannerjee - My Favorite. A failed actor (Nawazuddin Siddiqui) who gets roped in to a movie shoot. Beautifully done, and Siddiqui was brilliant as always. You feel emotionally attached to the character. I teared up. I am willing to watch this one over and over again.
#3 Zoya Akhtar - Cute. A little boy who wants to be Sheila from 'Sheila ki Jawaani'. Nicely portrayed. The direction seemed novice though.
#4 Anurag Kashyap - Oh! the irony. This one depended more on the storyline than on the screenplay like the others. I had high expectations from Kashyap and he did not fail me. It's a brilliant story and you will find yourself rooting for the character as he tries hard to meet Amitabh Bachchan.
Overall, this is my opinion,
The Best - Dibakar Bannerjee Also good - Anurag Kashyap OK - Karan Johar Not too great - Zoya Akhtar.
In short, if you like movies from directors such as Vishal Bhardwaj, Anurag Kashyap, Dibankar Banerjee and the likes - you will love this film. If you are into mainstream bollywood, you will hate it.
Also, although the movie is rated U/A, I would strongly advise you not to take your kids along. The first line of the movie is "I am gay, not a eunuch!". This was enough for the people with kids to stand up and leave. And anyway, this is not a movie for kids.
Coming to the four films, #1 Karan Johar - Trash. Most of the reviews I read seemed to like Karan Johar's film, but I really didn't see the point. The film had little to do with Indian Cinema. People seem impressed with the fact that it's bold. It was bold, but forcefully so. As if Johar was trying very hard to be mature. The result was that the film seemed unrealistic and over the top with sexual references and jokes.
#2 Dibakar Bannerjee - My Favorite. A failed actor (Nawazuddin Siddiqui) who gets roped in to a movie shoot. Beautifully done, and Siddiqui was brilliant as always. You feel emotionally attached to the character. I teared up. I am willing to watch this one over and over again.
#3 Zoya Akhtar - Cute. A little boy who wants to be Sheila from 'Sheila ki Jawaani'. Nicely portrayed. The direction seemed novice though.
#4 Anurag Kashyap - Oh! the irony. This one depended more on the storyline than on the screenplay like the others. I had high expectations from Kashyap and he did not fail me. It's a brilliant story and you will find yourself rooting for the character as he tries hard to meet Amitabh Bachchan.
Overall, this is my opinion,
The Best - Dibakar Bannerjee Also good - Anurag Kashyap OK - Karan Johar Not too great - Zoya Akhtar.
Achaar ki botal me kabhi murrabba nai rakhna chaiye...
This rating is only for the last part... Anurag kashyap.
Pure But Hasty Filmmaking!
What a wonderful act is that four talented directors come together with some of the great new-age actors to create an amalgamated cinema worth watching. But, is it the much-needed ode to Bollywood? Hands down, No!
Karan Johar starts off with a very bold story having marvelous performances by the lead actors. Great direction, dialogues & the elemental conviction is absolutely fantastic. The conclusion troubled me maybe due to incompletion but that's expected. And yes, it immortalizes homosexuality, 50 Shades of Grey & sex. 7.2/10!
Dibakar Banerjee teams up with the Siddiqui but fails to evince character depth & the real matter. Although, the emotive stance is appreciable, the momentum which is required to stand up in a movie of so much importance is low. Sadashiv Amrapurkar was good. 5.7/10!
Zoya Akhtar brings sweetness to the anthology with brilliant acting by child artistes. Although, the climax is a bit stale & illogical (so much crowd attraction for 2 kids), I liked the love, bonding, chasing-the- dream thingy & iotic traces of child-abuse involved in it. 6.3/10!
Anurag Kashyap's is the cynosure with a story so sharp & related (to native India), it makes a great ending story worth watching. Amitabh Bachchan's presence, the placebo effect-story, palpable plot & the lead character's expressions make it the best short. Great music. Splendid. 8.5/10!
Overall, a good show put up by the thespians & succeeds in marking a new wave of cinema making, but I really think all work was done hastily with the stories requiring little polishing & improvisation. Could have been better!
BOTTOM LINE: A good movie & can be considered one of 2013's few best! Recommended!
MESSAGE: Respect the LGBT community & understand that relationships is more than physical; make a person happy everyday; follow you dream surreptitiously; be with your parents when they need you & make their wish true.
Can be watched with a typical Indian family? YES
Profanity: Mild | Sex: Strong (No visuals) | Nudity: No | Violence: Strong | Gore: Very Mild | Alcohol: Mild | Smoking: No | Drugs: No
Karan Johar starts off with a very bold story having marvelous performances by the lead actors. Great direction, dialogues & the elemental conviction is absolutely fantastic. The conclusion troubled me maybe due to incompletion but that's expected. And yes, it immortalizes homosexuality, 50 Shades of Grey & sex. 7.2/10!
Dibakar Banerjee teams up with the Siddiqui but fails to evince character depth & the real matter. Although, the emotive stance is appreciable, the momentum which is required to stand up in a movie of so much importance is low. Sadashiv Amrapurkar was good. 5.7/10!
Zoya Akhtar brings sweetness to the anthology with brilliant acting by child artistes. Although, the climax is a bit stale & illogical (so much crowd attraction for 2 kids), I liked the love, bonding, chasing-the- dream thingy & iotic traces of child-abuse involved in it. 6.3/10!
Anurag Kashyap's is the cynosure with a story so sharp & related (to native India), it makes a great ending story worth watching. Amitabh Bachchan's presence, the placebo effect-story, palpable plot & the lead character's expressions make it the best short. Great music. Splendid. 8.5/10!
Overall, a good show put up by the thespians & succeeds in marking a new wave of cinema making, but I really think all work was done hastily with the stories requiring little polishing & improvisation. Could have been better!
BOTTOM LINE: A good movie & can be considered one of 2013's few best! Recommended!
MESSAGE: Respect the LGBT community & understand that relationships is more than physical; make a person happy everyday; follow you dream surreptitiously; be with your parents when they need you & make their wish true.
Can be watched with a typical Indian family? YES
Profanity: Mild | Sex: Strong (No visuals) | Nudity: No | Violence: Strong | Gore: Very Mild | Alcohol: Mild | Smoking: No | Drugs: No
Experimental Bollywood.
My Rating : 7/10
Not often does Bollywood make something out of the ordinary. No song and dance routine here. Here we have four short segments directed by four well-known directors.
All four stories will appeal to a different audience and perhaps might even offend some for their respective themes explored.
Not your commercial, mainstream entertainment. Niche, subtle filmmaking it is.
Not often does Bollywood make something out of the ordinary. No song and dance routine here. Here we have four short segments directed by four well-known directors.
All four stories will appeal to a different audience and perhaps might even offend some for their respective themes explored.
Not your commercial, mainstream entertainment. Niche, subtle filmmaking it is.
Did you know
- TriviaPart one of the three (as of 2020) part series directed by the directors: Karan Johar, Anurag Kashyap, Dibakar Banerjee, and Zoya Akhtar. Others being Lust Stories (2019) and Ghost Series (2020).
- GoofsIn the Murabba story, when Vineet Kumar(Vijay) is talking to the Omelette guy, his lips move for a full sentence but only half of the sentence is audible in the vocal playback.
- ConnectionsFeatures Don (2006)
- How long is Bombay Talkies?Powered by Alexa
Details
Box office
- Budget
- ₹60,000,000 (estimated)
- Gross worldwide
- $1,789,657
- Runtime
- 2h 7m(127 min)
- Color
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