Cargo

I recommend this film to viewers who are interested in character development, great cinematography, a well written script, and a solid meaningful ending. Please don't come into this movie expecting The Walking Dead/ Zombieland type of action film because this isn't it.

Cargo, a touching 7-minute Australian short by directors Ben Howling and Yolanda Ramke, focuses on just one of the small-scale personal tragedies that occurs as a result of a zombie outbreak.

The film opens with a man (Andy Rodoreda) waking from a car crash to find that his wife (Alison Gallagher), still strapped in by her seat belt, has turned into a zombie, and that he has been bitten on the arm. His baby daughter (Ruth Venn) is in the back of the car, unharmed. How can he guarantee the safety of his child once he also becomes a zombie?

Without giving away the answer, his plan is both a little yucky and rather ingenious, leading to a satisfying conclusion that should pull on the heartstrings of even the most hardened zombie fans.

With a solid opening(effective storytelling defined; aspiring filmmakers, take notes. Make a list of just how many things are communicated by the start of this, if you want protips), this brings us into the middle of a zombie apocalypse, with a man determined to save his infant. But there's one huge problem - he's already been bitten.

When there is no more room for new takes on this subgenre, the crap will overload it. And in that situation, maybe the best thing to do is to focus on the characters, and give the audience a small-scale, personal story. It has been said that the way to determine if a monster story is good or not, is whether the creature could be removed, or at the very least replaced, and there would still be something compelling there. This, like many classical tales, succeeds that test, where many fail.

The 6 and a half minute(without credits, 7 with) running time flies by. If anything, it starts out on a high note, and only gains in traction. It gets increasingly devastating as it goes. While you won't realize immediately "what is going on"(what the man is actually doing and why), once you do, it's a fantastic idea, and you cheer in an earnest way that few current productions inspire. Production values are excellent, everything feels real, the Romero-esque setting is entirely credible.

There is constant disturbing content and a little bloody, brutal violence in this. I recommend this to everyone who likes undead horror. 8/10

I have watched this countless times and honestly, I cannot even begin to describe when I start seeing the little nuances in this short film. However short it is, the plot is tight and it effectively encapsulates the story from past to present and future.

I am not one who likes horror but even as I cringe from the first 2 minutes (maybe first minute or less), the film just gets better. Definitely right up my alley than crap with poor plots and cheap scares.

Unless if you are a film critic, and even by that standards it is pretty good, you may (probably) be like me and repeat-watch this for the little actions that the father do and trust me, your gut just gets punched more.

Never have I ever thought in my entire life a seven minute zombie film would make me cry and think as much as Cargo did. As a parent and as an avid zombie enthusiast it really did it for me. The simplicity and lack of lines made it seem so much more real than the top films in the genre. What I perceived from the film was this: Unconditional love never dies, no matter how much change we have in ourselves (for better or worse in this case becoming the undead) we can and will do anything to protect our children even from ourselves if we must. I'd really hope they could have won the award this was nominated for. I can't wait for more work from Yolanda. This this seven minute piece of art really made me think and of course cried. Thank you for Cargo.