When Animals Dream

When Animals Dream has a lot of similarities with the Swedish masterpiece Let The Right One In. While one movie deals with Vampires and the other with Werewolves, both share a brilliant atmosphere along with sympathetic situations. When Animals Dream isn't so much about Werewolves as such, but about a family struggling to cope with hereditary illness. The power of a young female caring for her ill mother and depressed father. The whole situation is hopeless and portrays a very depressing story, but strangely at the same time, a story of beauty. The story is simplistic, but its the rich flavour that keeps the movie afloat. While Let The Right One In is a better film, When Animals Dream is yet another very memorable Scandinavian horror/drama. Highly recommended!

WHEN ANIMALS DREAM is a deceptively quiet film. Very quiet. At least at first. Marie (Sonia Suhl) spends most of her free time tending to the needs of her mother (Sonja Richter), who is physically frozen from some unknown condition. Marie's father (Lars Mikkelsen) and the family doctor are extremely secretive about it all, especially when Marie begins showing odd symtoms of her own.

Marie's job is difficult and not at all glamorous. Making matters worse, her coworkers continue to haze her in vile ways. When Marie is finally told what is going on at home, her life begins to change drastically.

This is a totally different sort of werewolf movie. It's far more subtle than most, and the cold, grey somberness of it is palpable. Some have compared it to LET THE RIGHT ONE IN, and that's appropriate when it comes to atmosphere. It also has a bit of GINGER SNAPS going on, though this is not a satire by any stretch, like GS certainly is. It is a coming-of-age film, using horror to show the awkwardness, frustration, and pain involved.

If you're a strict horror fan, have no fear, there are some gruesome surprises to be found. Ms. Suhl plays Marie as a seemingly-shy girl with an edge. A sharp edge.

An effective twist on the genre, with a satisfying finale...

It's not as exploitative as some may think (especially considering the English title), but more Art-house. So while this is a different beast (no pun intended) than "Let the right one in" (your dreams?), this still has a similar feeling to it. Not to mention a female character in the center of it. A really good movie (coming of age and other things that is) if you like your drama spiced.

Acting wise this is great and it may need some time to get rolling, but when it does there seems to be no stopping. Many people can also identify with the main actress/character, the way she feels and is being treated. There is more than a connection (though it does stop there of course ... hopefully) and that is being exploited, if anything.

Marie is sixteen and lives in a coastal town with nowt to do, no friends and a mother with a mysterious debilitating illness. The local doctor seems to take a lot of interest in Marie's condition especially when she starts to grow thick body hair and she would like to know why.

Now she gets a job at the local fish factory, where she is not exactly made to feel welcome. She makes a connection with Daniel, a kindly soul who is also a good looking man whom she takes a shine too. The thing is she starts to feel that she has not been told everything about her 'illness' and soon she will find out the hard way.

Now this is a slow burner but one that is fairly intense at the same time. There are some sterling performances especially from Lars Mikkelsen – brother of Mads but everyone is actually good even Gustav Dyekjær Giese who has a small role playing a nasty type here and was in the rather good 'Northwest'. It is short at 81 minutes and that includes the run off credits, but it does not do much wasting of screen time and is better for it. For lovers of 'horror' this may be lacking as it is a coming of age tale and a relationship story as much as the horror part and that makes it a more rounded film – recommended.

If you appreciate the visual, pure beauty of it - this one is for You.

The story itself is OK, nothing spectacular (better told in 'The Uninvited' (2009),) developing through beautiful scenery while depicting character's actions the most, the story doesn't relay on the conversation - it's the weak point and the strong one, depends how you look at it... I love it for what it is - a piece of art, trying to tell the story within, with more or less success. Still way better than most of the movies today ;) Just go with the flow and enjoy, don't expect any revelations, that's not what this movie is about.

It is so easy to talk about all the bad and disregard the good, as it is in life. I guess, it comes down to what kind of person you are. I assure you - this movie still has a lot of great things to offer, as long as you don't expect to see what it is not there to begin with. Not many movies are that way, these days. It all comes down to a personal level of finding and appreciating the beauty presented, in front of you. Not about your expectations, the whole story you wanna see in each and every detail. Just get over it and enjoy it for what it is, cause it's pretty great ;)