The Governor bonds with a small family following the downfall of Woodbury.The Governor bonds with a small family following the downfall of Woodbury.The Governor bonds with a small family following the downfall of Woodbury.
- Rick Grimes
- (credit only)
- Daryl Dixon
- (credit only)
- Glenn Rhee
- (credit only)
- Maggie Rhee
- (credit only)
- Carl Grimes
- (credit only)
- Michonne
- (credit only)
- Carol Peletier
- (credit only)
- Hershel Greene
- (credit only)
- Beth Greene
- (credit only)
- Tyreese Williams
- (credit only)
- Sasha Williams
- (credit only)
- Bob Stookey
- (credit only)
Featured reviews
This is a welcome break from events at the prison and solid attempt at developing one character.
'The Walking Dead' was never going to hold my attention by focussing on the same group of characters continuously. The third season wisely brought Woodbury into to the frame and keeping the Governor on the periphery of this season's narrative is a good idea.
This episode focuses purely on the Governor in the aftermath of his assault on the prison and the writers start to develop him into more than just a one-note villain. The foundations were laid in the previous season during the scenes with his daughter and this episode, albeit slightly contrived, builds on it very well. There is a lot of strong imagery associated with his attempts to erase his past via burning. It's early days to give a verdict on this concept as there is still a lot of questions unanswered about his intentions towards the prison group and how he will treat this new family.
David Morrissey carries the episode exceptionally well with a strong presence, good verbal delivery, mannerisms and generally solid physical performance.
There is more great post-apocalypse imagery such as the messages graffitied on buildings and zombie art design. Some zombies tell a story with their makeup and costumes alone, such as the bathtub suicide and the abandoned nursing home.
It is slow in pace due to the need for the character time, but the abrupt ending (for the sake of intrigue) feels like we have only had half a story about where the character is both physically and mentally.
For me it's a 7.5/10 but I round upwards.
It is not an episode of action and a lot of blood but have violent Kills both zombies and persons , is a chapter very interesting appearance and relationship as novels by Robert Kirkman.
Good points:
-) History and development -) environment -) interesting characters
Bad points :
-) Not much red
total: 9.4 / 10
In this episode we see a soft side to The Governor, which will make you re-think your feelings towards him. Let's be honest - in season three he was the biggest asshole on the show.
The ending to the episode also raised questions on where they'll go from here - hopefully a good direction. Season Four has been an amazing season and has not disappointed yet!
Keelan's rating: 9/10.
This episode centers on The Guvernnor where we left off at the end of season 3! It is clear that the recent experiences had shaped him quite a bit, while also reminding us, what was the most important thing to his character!
This shows us how the cruelest of people still has a human side burried somewhere! Family was the most important thing to him, and this episode shows! That was all he ever cared about!
The episode has very little tension, but makes up for that with excellent writting!
At some point, you forget that The Guvernnor was the main antagonist!
In this episode, "Live Bait," The Governor, now named Brian is on the road trying to survive after being abandoned by his remaining henchmen. He meets this small family, whom resembles a family of one he had. He bonds with the two young adult women, and the one autistic girl.
Overall, this was a solid episode. It takes a slight reprieve from the prison arc and we see that the Governor is still alive and will factor in somehow with Rick's group some point this season. It's not the greatest episode thanks to the tepid pace, but the story itself is still compact and worth watching. I rate this episode 8/10.
Did you know
- TriviaThe Governor (David Morrissey) uses the name Brian as an alias. This is a reference to the novel "The rise of the Governor" in which Brian is his real name and Phillip is the name of his dead brother.
- GoofsWhen Lily is tending to the cut on the Governor's head, she blows on the wound. As a nurse, she would not do that as it would introduce germs from her mouth into the wound.
- Quotes
Meghan Chambler: [Holding up a pawn] What's this one called?
The Governor: That's a pawn. They're your soldiers.
Meghan Chambler: Do they die?
The Governor: Sometimes.
Meghan Chambler: Do you lose if they die?
The Governor: [Glances in the bedroom] No, not necessarily. You can lose a lot of soldiers but still win the game.
Meghan Chambler: [Megan holds up the king]
The Governor: That's the king. That's the guy you want to capture.
Meghan Chambler: [Megan goes to the kitchen counter, returns with a Sharpie]
The Governor: What're you doing?
Meghan Chambler: You'll see.
Meghan Chambler: [Megan uses Sharpie on the king pieces, then holds up the king with eye patch markings] Looks like you.
The Governor: Yeah.
[Phillip chuckles, admires the king piece]
The Governor: Come on, let's play.
The Governor: [Setting up chess pieces] See, these are pawns...
- ConnectionsFeatured in The Walking Dead: The Journey So Far (2016)
- SoundtracksThe Walking Dead Main Title
Written by Bear McCreary
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Douglasville, Georgia, USA(on location)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 42m
- Color