A nurse living in small town goes on a blind date with a man who is not the person he says he is.A nurse living in small town goes on a blind date with a man who is not the person he says he is.A nurse living in small town goes on a blind date with a man who is not the person he says he is.
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Rosamund Pike stars as a lonely nurse who agrees to go on a blind date with a co worker of a friends husband. When he arrives at her home earlier than planned it's quick to see that he is not the intended guy and her rapes her, leaving her badly scarred.
The movie then slowly drags by until it livens up a bit towards the end. I thought Plke was very good in 'Gone Girl' but her acting performance in this is simply sub standard. Nick Nolte is great as Pike's father, his gruff voice fitting the roll perfectly.
There are parts of the movie where the dialogue is very difficult to understand, which is frustrating.
An opportunity was missed here, with the stars involved and more content it could of been so much better.
The movie then slowly drags by until it livens up a bit towards the end. I thought Plke was very good in 'Gone Girl' but her acting performance in this is simply sub standard. Nick Nolte is great as Pike's father, his gruff voice fitting the roll perfectly.
There are parts of the movie where the dialogue is very difficult to understand, which is frustrating.
An opportunity was missed here, with the stars involved and more content it could of been so much better.
I like Rosamund Pike. She is intelligent, good-looking and sexy, and an excellent actress. The problem is, however, we are always aware that she is acting and she never gets into character. All her film personas have zero character development. Meryl Streep, on the other hand, submerges herself completely into the character she is playing, and you have no sense at all that she is acting; she IS the character. Rosamund cannot do that; for all her talent, she seems to refuse to surrender herself to any character of any film. She is always Rosamund Pike. She is a lot like John Wayne in that regard. It really didn't matter what role John Wayne was playing; he was always John Wayne. Rosamund Pike is the female version of John Wayne. This film was trite and a waste of time, but I really do hope to see her capture a character some day; like Charlize Theron in Monster or Helen Mirren as Queen Elizabeth.
Slow paced and disconnected in parts. Poor sound on prison scenes was quite annoying.
While this movie had a huge amount of potential it ended up being a "WTH" kinda' watch. The movie starts off and for a second I forgot the movie was a thriller since it had a bit of a comedic start. It's slow and then I think I missed something, and then the climax happened. I was re- intrigued!! But touch me in the morning and walk away but I must have missed something......again. I'm a committer so I couldn't bring myself to turn it off for hopes it would re-intrigue me and what do you know it did. But touch me twice and walk away twice..........the ending SUCKS a big-timer! I implore you to join my misery and watch the movie anyway. Feel my pain and understand my dis-in-trigue!!
Return to Sender did have some potential, a subject that is hard-hitting and easy to relate to and Rosamund Pike and Nick Nolte are watchable in a lot of their work. Return to Sender has some decent assets, but overall is pretty messy and like a missed opportunity.
Pike is nowhere near as good as her deservedly Oscar-nominated performance in Gone Girl (a far superior film, no matter how polarising it is, and Amy is much more interestingly written than Miranda), but she still plays the role with charisma and an appropriate iciness. Shiloh Fernandez has his unsure moments but mostly suitably sleazy, but the film's best performance comes from Nick Nolte, whose sympathetic performance gives a glimmer of emotional backbone and his character is the one character and asset that is halfway credible. Return to Sender is reasonably well-filmed too and fits the atmosphere well with some nice shots.
The rest of the cast reads of acting like wooden marionettes, and none of the characters are fleshed out are often underwritten. Apart from some of the camera work, the production values are generally too TV-film quality and the direction is lazy and confused, showing a lot of inexperience in the genre, a lack of suspense and a lack of ability to make the narrative cohesive. The script is illogical, predictable and completely lacking in realism, the way it flows and is delivered also never feels natural. The story is all over the place and doesn't know what it wants to be, it does agreed feel like three different films and it does little with the second and third acts, the first act actually does have a little tension and some genuine sympathy for Miranda.
However, the character study second act has some far too pedestrian and lazy pacing, far too wooden and underdeveloped characterisation (with the exception of Nolte) and emotional impact is minimal (only provided by Nolte). And the third revenge act is sorely devoid of tension or suspense, increasing predictability to the extent that you're exclaiming 'we knew it!' and suffers from Miranda's actions not being believable for a second. The ending is very rushed and even the open feel felt abrupt and under-explained, it is also rather brutal and any sympathy felt for Miranda in the first act is completely diminished here.
Overall, messy (with the biggest offender being the story) and a missed opportunity, with its moments (the performances of Pike, Nolte and Fernandez, some nice shots and a decent first act). 4/10 Bethany Cox
Pike is nowhere near as good as her deservedly Oscar-nominated performance in Gone Girl (a far superior film, no matter how polarising it is, and Amy is much more interestingly written than Miranda), but she still plays the role with charisma and an appropriate iciness. Shiloh Fernandez has his unsure moments but mostly suitably sleazy, but the film's best performance comes from Nick Nolte, whose sympathetic performance gives a glimmer of emotional backbone and his character is the one character and asset that is halfway credible. Return to Sender is reasonably well-filmed too and fits the atmosphere well with some nice shots.
The rest of the cast reads of acting like wooden marionettes, and none of the characters are fleshed out are often underwritten. Apart from some of the camera work, the production values are generally too TV-film quality and the direction is lazy and confused, showing a lot of inexperience in the genre, a lack of suspense and a lack of ability to make the narrative cohesive. The script is illogical, predictable and completely lacking in realism, the way it flows and is delivered also never feels natural. The story is all over the place and doesn't know what it wants to be, it does agreed feel like three different films and it does little with the second and third acts, the first act actually does have a little tension and some genuine sympathy for Miranda.
However, the character study second act has some far too pedestrian and lazy pacing, far too wooden and underdeveloped characterisation (with the exception of Nolte) and emotional impact is minimal (only provided by Nolte). And the third revenge act is sorely devoid of tension or suspense, increasing predictability to the extent that you're exclaiming 'we knew it!' and suffers from Miranda's actions not being believable for a second. The ending is very rushed and even the open feel felt abrupt and under-explained, it is also rather brutal and any sympathy felt for Miranda in the first act is completely diminished here.
Overall, messy (with the biggest offender being the story) and a missed opportunity, with its moments (the performances of Pike, Nolte and Fernandez, some nice shots and a decent first act). 4/10 Bethany Cox
Did you know
- TriviaNick Nolte and Illeana Douglas appeared together in Cape Fear. Although both had parts in this movie, they did not share any scenes.
- GoofsYou can't keep somebody in a wrist restraint if they don't have a hand.
That's because he still has both hands, the operation conducted on him by Miranda was to castrate him.
- Quotes
Miranda Wells: You saw that? You saw what I got to do? I got to stick a knife into a man's throat in broad daylight and people wanted me to do it. In fact, they applauded.
- How long is Return to Sender?Powered by Alexa
Details
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 2.35 : 1
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